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OJ 15/12, [A] Handwritten calling card from Weinberger to Schenker[?], undated
Message regarding song[?] compositions.
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OJ 15/12, [B] Handwritten calling card from Weinberger to Schenker, undated
Thanks (unspecified)
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OJ 15/12, [C] Handwritten calling card from Weinberger to Schenker, undated
Weinberger offers his services to Schenker.
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OC 52/386 Handwritten letter from Josef Weinberger to Schenker, dated March 23, 1901
Thanks Schenker for mediating with Julius Röntgen, and confirms acceptance of the
C. P. E. Bach keyboard edition.
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OC 52/1 Handwritten postcard from Josef Weinberger (UE) to Schenker, dated May 30,
1901
Weinberger summons Schenker to finalize details over C. P. E. Bach
edition.
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OC 52/2 Handwritten letter from Josef Weingartner and Adolf Robitschek (UE), to Schenker, dated
November 9, 1901
Inquires when Schenker's C. P. E. Bach keyboard edition can be
expected.
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OC 52/387 Handwritten letter from Josef Weinberger and Hugo Winter (UE) to Schenker, dated
December 28, 1901
Acknowledges receipt of manuscript of C. P. E. Bach Klavierwerke, and has
transferred honorarium.
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OC 52/380 Typewritten letter from Weinberger and Winter (UE) to Schenker, dated July 15,
1902
UE has agreed to issue the introduction to Schenker's edition of C. P. E. Bach
keyboard works as a separate publication [Ein Beitrag zur Ornamentation], requests the
manuscript, and transfers the remainder of the honorarium.
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OC 52/381 Typewritten letter from Winter and Weinberger (UE) to Schenker, dated October 6,
1902
UE has transferred the honorarium for the Beitrag zur Ornamentik, apologizes
for the delay, and sends the contract for signing.
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OC 52/8 Typewritten letter from Steder(?) (UE) to Schenker, dated July 11, 1903
Weinberger is away; Haydn trios are covered; still welcomes Schenker's choice
of work to edit.
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OC 52/11 Typewritten letter from Steder(?) (UE) to Schenker, dated September 4,
1903
Weinberger will respond re: the Syrian Dances when back.
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OJ 14/15, [1] Handwritten letter from Schoenberg to Schenker, dated September 12, 1903
Schoenberg reports his progress on orchestrating Schenker's Syrische Tänze, and
raises the matter of his fee for the work. He has approached Busoni about having his own
symphonic poem performed.
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OJ 15/12, [5] Handwritten letter from Weinberger and Hertzka (Weinberger) to Schenker, dated October
6, 1903
Weinberger sends the newly copied orchestral parts of Syrian Dance No.
3.
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OJ 15/12, [6] Handwritten letter from Weinberger and Hertzka (Weinberger) to Schenker, dated October
6, 1903
Copying of parts for Syrian Dances is delayed.
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Sbb B II 4424 Handwritten letter from Schenker to Busoni, dated October 8, 1903
The orchestral parts of Schoenberg's orchestration of Schenker's Syrische
Tänze have been dispatched to Busoni: Schenker comments on their degree of clarity and
correctness, and offers advice on performance. He will be attending rehearsals in Berlin.
Weinberger have asked that the existing title be retained. -- Schenker reports on
prospective performances of his works. He also reports on good chances of receiving a theory
professorship at the Vienna Conservatory, and doesn't want Jewishness associated with his
compositions lest this should impair those chances.
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OJ 15/12, [7] Handwritten letter from Weinberger to Schenker, dated November 17, 1903
Weinberger asks for a report on the performance of the Syrian Dances, and for the
return of the orchestral material.
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OC 52/13 Typewritten letter from Weinberger and Hardmuth (UE) to Schenker, dated February 3,
1904
UE sends Schenker the bill for British Museum research.
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OC 52/14 Handwritten receipt from UE to Schenker, dated June 7, 1904
UE receipt for return of score materials
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OC 52/391 Typewritten letter from Weinberger and Herzmansky (UE) to Schenker, dated June 20,
1904
UE refuses to raise Schenker's honorarium for vol. II of the Handel Organ
Concertos.
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OC 52/393 Typewritten letter from Robitschek and Weinberger (UE) to Schenker, dated June 22,
1904
UE confirms transfer of revised honorarium for Handel Organ Concertos, vol.
I.
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OC 52/15 Typewritten letter from Ferdinand Rebay (UE) to Schenker, dated December 3,
1904
UE sends Schenker a set of orchestral scores by Richard Strauss as a
gift.
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OJ 15/12, [8] Handwritten postcard from Weinberger to Schenker, dated December 5, 1904
Weinberger archive has no wind music by Haydn.
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OC 52/16 Typewritten letter from Weinberger (UE) to Schenker, dated March 1, 1905
UE sends five complimentary copies of Handel Organ Concertos and transfers
honorarium.
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OC 52/17 Typewritten letter from Weinberger (UE) to Schenker, dated March 11, 1905
List of recipients of complimentary copies of the Handel Organ
Concertos
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OC 52/442 Handwritten letter from Weinberger (UE) to Schenker, dated April 13, 1905
UE is unable to accept an item offered for publication.
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OC 52/443 Typewritten letter from Weinberger (UE) to Schenker, dated October 21,
1905
UE is prepared to look at Harmonielehre.
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OC 52/19 Typewritten letter from Weinberger (UE) to Schenker, dated November 30,
1905
Weinberger asks when Handel Organ Concertos volume II will be
received.
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WSLB 31 Handwritten letter from Schenker to Hertzka (UE), dated December 22, 1908
Schenker agrees to the Instrumentations-Tabelle being published without his newly
written Introduction. — He declines the proposal to edit the Well-tempered Clavier Book II for
the new Akademie, offerin alternative suggestions and observations on Busoni's
editing.
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OC 52/390 Handwritten note by Schenker, undated [probably 1909]
Schenker records the refusal of his request for increased honorarium for vol.
II of Handel Organ Concertos, maintaining that his work comstituted more that mere
"arrangements."
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WSLB 132 Handwritten letter from Schenker to Hertzka (UE), dated August 25, 1912
Schenker returns the contract for Die letzten fünf Sonaten von Beethoven
signed. — Proclaiming "Ex Austria lux," he says that Austria's tradition from Haydn to
Brahms and Dvořák[sic] will now be followed by Schenker's "explanation" (Aufklärung) of that
tradition, which will spawn a new generation of composers superior to the present
"cacophony," with Universal Edition as the agent of that "rebuilding of tonal music" (Aufbau
der Tonkunst). — He alludes to the possibility of teaching for the Gesellschaft der
Musikfreunde's proposed "Hochschule." — He prompts Hertzka to act on the Organization of
Musicians project in the fall.
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OJ 5/18, 33 Handwritten letter from Schenker to Jonas, dated December 21, 1933
Schenker sends article [by Citkowitz]. — In response to Jonas's quoting from a
Jewish lexikon, he refers to the sermons by Cardinal Faulhaber, and writes of his pride in
being Jewish but in having assimilated thoroughly enough to establish favorable relations
with the Catholic church, antisemites, and the news media. — Implying a parallel between
himself and Jesus, he offers his "monotheistic theory of music" as "a new message to the
world from the Jews." — He has no copy of his Syrische Tänze; — writes of the work's
history.
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OJ 5/18, 36 Handwritten postcard from Schenker to Jonas, dated February 7, 1934
Schenker has had his Syrische Tänze sent to Jonas.