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OC 52/841 Typed postcard from Kalmus and unknown signatory (UE) to Schenker, dated June 9,
1927
Acknowledges second proofs of "Appassionata" Sonata.
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OC 54/168 Postal receipt for a letter to Drei Masken Verlag (München), dated June 1,
1927
Postal receipt for a package containing the first two gatherings for Meisterwerk 2, and a letter agreeing to Mandruck's suggestions regarding the placement of music examples.
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OC 54/169 Typed postcard from August Demblin (DMV) to Schenker, dated June 7, 1927
Drei Masken Verlag inform Schenker that the page proofs for the second
Meisterwerk volume will be completed in around two weeks time.
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OC 54/170 Typed postcard from Mandruck to Schenker, dated June 10, 1927
Mandruck have enclosed the first two gatherings of the second Meisterwerk
volume, amended in accordance with Schenker's wishes. They anticipate that he will receive
the remaining page proofs before the end of the month.
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OC 54/171 Typed letter from Mandruck to Schenker, dated June 11, 1927
Mandruck enclose two sets of gatherings for the second Meisterwerk yearbook,
along with the galley proofs. They request an explanation regarding Figure
75a.
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OC 54/172 Handwritten note by the compositor at Mandruck, dated June 11, 1927
The compositor at Mandruck requests clarification about Figure 75a, which is
missing from their set of music examples for the second Meisterwerk
volume.
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OC 54/173 Postal receipt for a letter to Mandruck, dated June 13, 1927
Postal receipt for a package containing Figures 75a and 75b for the second
Meisterwerk volume.
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OC 54/174 Typed postcard from Mandruck to Schenker, dated June 14, 1927
Mandruck have enclosed the page proofs for the second Meisterwerk volume, along
with a printout of the galley proofs and gatherings 5–6.
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OC 54/175 Typed postcard from August Demblin (DMV) to Schenker, dated June 15, 1927
Drei Masken Verlag enclose a paper sample intended for the second Meisterwerk Yearbook,
and request Schenker's approval.
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OC 54/176 Typed letter from Mandruck to Schenker, dated June 17, 1927
Mandruck enclose further page proofs for the second Meisterwerk
volume, along with the corresponding galley proofs.
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OC 54/177 Typed letter from August Demblin to Schenker, dated June 21, 1927
Drei Masken Verlag confirm that Schenker's requests regarding the music
examples for the second Meisterwerk volume have been honoured, and inform him that he will
receive a complete copy of the proofs once the pagination has been completed.
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OC 54/178 Typed letter from Mandruck to Schenker, dated June 21, 1927
Mandruck have enclosed further page proofs for the second Meisterwerk volume,
and request that he return the previous set as soon as possible.
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OC 54/179 Postal receipt for a package to Drei Masken Verlag, dated June 30, 1927
Postal receipt for a package containing gatherings 1–6 the second
Meisterwerk volume.
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OJ 10/3, [63] Typewritten postcard from Deutsch to Schenker, dated June 4, 1927
Deutsch has found a reference to the autograph manuscript of Beethoven’s Piano
Sonata in G, Op. 79, and tells Schenker he can find out more about it from the British
Museum. The Hammers are visiting him on Wednesday (June 8), and he hopes that the Schenkers
will be able to join them.
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OJ 10/3, [64] Typewritten letter from Deutsch to Schenker, dated June 24, 1927
Deutsch has received the second galley proofs to the second Meisterwerk
yearbook but did not read them as he did not have a source with which to compare them. He
will, however, assist Schenker correcting the page proofs, if necessary.
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OJ 14/45, [65] Handwritten letter from Violin to Schenker, dated June 6, 1927
Violin still maintains that Paul von Klenau's petitioning on his behalf would
provide a strong measure of support for his application for a post in
Frankfurt.
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OJ 14/45, [66] Handwritten letter from Moriz Violin to Schenker, dated June 17, 1927
In deepest admiration and gratitude, Violin sends Schenker (59th) birthday
greetings and pictures of his children.
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OJ 5/7a, [10] (formerly vC 10) Handwritten letter from Schenker to Cube, dated June 1, 1927
Schenker congratulates Cube on appointment to professorship; reports that Oppel
has been appointed to a professorship at the Leipzig Conservatory, and on the spread of
Schenker's theory elsewhere; looks forward to visit from Cube.
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OJ 6/7, [34] Handwritten letter from Schenker to Moriz Violin, dated June 30, 1927
Schenker answers Violin's birthday greetings letter philosophically. He is
able to work on the final version Der freie Satz at leisure and in good spirits. He reports
on the establishment of an archive of photographic reproductions of autograph and gives an
account of a visit from Violin's sister Fanny: in return for a picture of Karl Violin, he is
enclosing two pictures of himself and one of Jeanette. Finally, he urges his friend to spend
part of the summer in Galtür.
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WSLB 385 Handwritten postcard from Schenker to UE, dated June 30, 1927
Has UE forgotten to send him a copy of his own revised edition of the
"Appassionata" Sonata?
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WSLB-Hds 191.559 Handwritten postcard from Schenker to Deutsch, dated June 6, 1927
Schenker asks Deutsch to make inquiries at the British Museum on his behalf,
concerning the autograph manuscript of Beethoven’s Sonata Op. 79. He is annoyed with Hertzka
for letting someone else take on the editing of Mozart’s piano sonatas for Universal
Edition.