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OJ 10/3, [140] Handwritten picture postcard from Hannah Deutsch to Schenker, dated March 2,
1931
Deutsch will meet Schenker at the Café Aspang on Thursday, March
5.
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OJ 10/3, [141] Handwritten picture postcard from Deutsch to Schenker, dated March 3,
1931
Deutsch corrects his wife’s previous message, saying that he will meet
Schenker at the Café Aspang on Thursday, March 5, around 5 p.m., not in the
evening.
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OJ 10/3, [142] Typewritten letter from Deutsch to Schenker, dated March 6, 1931
Having spoken with a friend in confidence, he advises Schenker to apply to the
Ministry of Education for help with the printing costs of the “Eroica book” [i.e. the third
Meisterwerk yearbook], and to get Furtwängler and Hoboken to write in support of his
receiving an civic honor.
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OJ 10/3, [143] Typewritten letter from Deutsch to Schenker, dated March 8, 1931
Distraught by the response to his letter of March 6, Deutsch explains the
efforts he has made on Schenker’s behalf and asks for further clarification about his
friend’s wishes.
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OJ 10/3, [144] Handwritten picture postcard from Deutsch to Schenker, dated March 13,
1931
In this cryptic message, Deutsch creates a relationship among Beethoven,
Schenker, the music critic Julius Korngold, and the writer on music Richard
Specht.
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OJ 12/50, [7] Handwritten letter from Bernhard Martin to Schenker, undated [1931?]
Bernhard Martin sends Schenker a circular sketch diagram of the opening of the
C minor fugue from WTC, Book I, which he has used in his class teaching. He has for two
years been developing from Schenker's publications proposals for music instruction in
schools, including counterpoint with practical exercises.
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OJ 12/6, [8] Handwritten postcard from Jonas to Schenker, dated March 30, [1931]
Jonas thanks Schenker for OJ 5/18, 4; — reports that his own essay and a review
of Das Meisterwerk III will appear in the Zeitschrift für Musikwissenschaft; — asks question
about a discussion in Der Tonwille of a Bach fugue copied out by Beethoven.
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OJ 14/23, [24] Handwritten postcard from Seligmann to Schenker, postmarked March 11,
1931
Seligmann thanks Schenker for sending him the third Meisterwerk yearbook and
says he greatly enjoyed learning about Rameau in the opening essay. But, he says, Schenker
can hardly be surprised that he is ignored by the Ministry [of Education] if he constantly
offends the people who are responsible to the Minister.
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OJ 15/15, [57] Handwritten picture postcard from Weisse to Schenker, dated March 5, 1931
Weisse describes the extraordinary success of his lecture on Bach's Prelude in
D minor, at the Society for Music Pedagogy in Vienna.
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OJ 15/15, [58] Handwritten picture postcard from Weisse to Schenker, dated March 20,
1931
Weisse arranges to bring Furtwängler to Schenker’s apartment.
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OJ 15/16, [69] Handwritten letter from Weisse to Schenker, dated March 19, 1931
Weisse asks Schenker’s approval to approach Furtwängler about Der freie Satz,
presumably to seek financial assistance for its publication. He has been given a copy of a
letter from Mozart to Baron van Swieten, but expresses his doubts about the tone of one of
Mozart’s phrases; he hopes to meet Schenker soon, to talk about Bruckner.
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OJ 15/16, [70] Handwritten letter from Weisse to Schenker, dated March 21, 1931
Weisse reports to Schenker Furtwängler's confidence about obtaining money from
two wealthy people in Berlin to defray the publication costs of Der freie Satz and the
analysis of Beethoven’s "Eroica" Symphony, i.e. third volume of Das Meisterwerk in der
Musik. Weisse has suggested a sum of 4,000 marks for the former, as a conservative
estimate.
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OJ 15/16, [71] Handwritten letter from Weisse to Schenker, dated March 25, 1931
Weisse, remaining confident that Furtwängler will provide financial assistance
with Schenker’s publications, thinks it is best to ask for help with the “Eroica” analysis
(Meisterwerk III) and Der freie Satz together; he will emphasize that the subvention for the
“Eroica” is the more urgent, and the cost of publishing the latter could be met by
subscription. From what Furtwängler has hinted, the prospects for Weisse lecturing, and
eventually teaching, in Berlin are not good; but Weisse may have other
plans.
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OJ 15/16, [72] Handwritten letter from Weisse to Schenker, dated March 30, 1931
Following up a discussion with Schenker in the presence of Wilhelm
Furtwängler, Weisse draws up a list of Schenker’s early essays. Oswald Jonas and his wife
have been copying them and Jonas plans to write a Foreword to a new edition of these
writings.
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OJ 5/18, 3c Handwritten picture postcard from Schenker to Jonas, dated March 1, 1931
Schenker acknowledges receipt [of essays].
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OJ 5/18, 4 Handwritten letter from Schenker to Jonas, dated March 16, 1931
Schenker comments on the essays that Jonas has sent him, and the prospects for
publication.
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OJ 5/7a, [35] (formerly vC 35) Handwritten letter from Schenker to Cube, dated March 28, 1931
Schenker put Cube's Cologne Highschool proposal to van Hoboken, and now reports on the reaction,
discussing the latter's character in so doing.
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OJ 8/5, [3] Handwritten picture postcard from Schenker to Violin, dated March 14,
1931
Schenker expresses his delight that Violin will soon be coming to
Vienna.
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OeNB Mus.Hs. 36390/1 [1] Handwritten letter from Violin to Schenker, dated March 12, 1931
Violin says that things are in order [with the planned Schenker Institute in
Hamburg], but that Hans Weisse will not take part. He will visit Vienna at the end of the
month to consult his friend, whom he asks to say nothing about the matter to
Weisse.