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FS 40/1, [12] Handwritten postcard from Schenker to Salzer, dated September 14, 1932
Schenker asks if Salzer could visit him Friday or Saturday.
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FS 40/1, [13] Handwritten letter from Schenker to Salzer, dated September 22, 1932
Schenker reports a conversation with Trude Kral.
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OC 18/34 Typewritten letter from Arthur Waldeck to Schenker, dated September 22, 1932
Waldeck expresses an interest in translating Schenker' Harmonielehre into
English, and asks to send sample passages.
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OC 54/362 Typewritten letter from Waldheim to Schenker, dated September 21, 1932
As requested, Waldheim-Eberle has sent a duplicate final invoice to the David
Mannes Music School in New York City.
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OJ 10/3, [177] Typewritten postcard from Deutsch to Schenker, dated September 4, 1932
Having returned from Yugoslavia, Deutsch congratulates Schenker on his
progress on Der freie Satz and offers his help in matters relating to
production.
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OJ 10/3, [178] Typewritten postcard from Deutsch to Schenker, dated September 8, 1932
Having received a letter from Hoboken, Deutsch would like to meet Schenker in
the next few days.
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OJ 10/3, [179] Typewritten postcard from Deutsch to Schenker, dated September 8, 1932
Having received a letter from Hoboken, Deutsch would like to meet Schenker on
Sunday, September 11.
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OJ 10/3, [180] Typewritten letter from Deutsch to Schenker, dated September 15, 1932
Deutsch asks Schenker to look at a draft letter to Hoboken and suggest changes
to it. He wants to leave open the possibility that Hoboken will retract his decision to
abandon his activities in Vienna.
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OJ 10/3, [181] Typewritten letter from Deutsch to Schenker, dated September 19, 1932
Deutsch expresses his regret, and surprise, concerning Hoboken’s decision to
leave Vienna. He has also been in touch with Kurt Thomasberger at the Ministry of Education,
who would be willing to discuss the matter in private.
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OJ 10/3, [182] Typewritten picture postcard from Deutsch to Schenker, dated September 23,
1932
Deutsch suggests visiting Schenker on Tuesday, March 9.
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OJ 10/3, [183] Typewritten letter from Deutsch to Schenker, dated September 24, 1932
Hoboken has replied to Deutsch’s politely worded letter inquiring about
Hoboken's future intentions. Hoboken is planning to keep his library in Vienna for the time
being, where it is “protected” by a regulation prohibiting important cultural property being
sold abroad. For the time being, Deutsch will have access to it to further his
research.
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OJ 10/3, [184] Typewritten letter from Deutsch to Schenker, dated September 30, 1932
Deutsch would like to arrange a meeting with Kurt Thomasberger and Anthony van
Hoboken to discuss the latter’s plans, possibly including Schenker. He is pessimistic about
a future without Hoboken’s support and, consequently, about his future worth as a scholar;
he is contemplating moving to the southern part of Europe, possibly the Balearic
Islands.
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OJ 11/16, [12] Handwritten letter from Furtwängler to Schenker, dated September 22, 1932
Furtwängler was prevented from visiting Schenker in August by having to go
into the Cottage Sanatorium, Vienna. He hopes to see Schenker during the winter, and asks
whether he might like to do the ceremonial address for the Brahms
Centenary.
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OJ 11/32, [11] Typed letter from Robert Haas to Schenker, dated September 15, 1932
Haas asks Schenker to call on him in relation to a letter from van Hoboken
regarding the Photogrammarchiv.
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OJ 11/32, [12] Typed postcard from Robert Haas to Schenker, dated September 29, 1932
Haas accepts Schenker's invitation.
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OJ 12/24, [4] Typewritten postcard from Kromer to Schenker, dated September 13, 1932
Kromer asks if he might call on Schenker.
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OJ 12/6, [15] Handwritten letter from Jonas to Schenker, dated September 5, 1932
Jonas encloses sample page-make-up by Saturn-Verlag, and asks Schenker to send
addresses for recipients of invitations [to subscribe]. Reports on his professional
prospects and contacts in Berlin, and on reviewing.
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OJ 12/6, [38] Handwritten letter from Jonas to Schenker, dated September 25, [1932]
Jonas reports letter from Hoboken re subscriptions to his Einführung; also
reports re publishing (Breithaupt), reviewing (for Einstein), and imminent broadcast talks,
and teaching next academic year; also re Sandra Droucker lecture on Schenker in
Oslo.
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OJ 15/16, [87] Handwritten letter from Hans Weisse to Schenker, dated September 14, 1932
After a long silence, for which he apologizes, Weisse congratulates Schenker
on the completion of Der freie Satz and reports that he has composed a violin sonata, which
retains the neo-Bachian style of his three-voiced piano pieces of 1931. He gives Schenker
the dates of his sailing to America and his address in New York.
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OJ 5/18, 13 Handwritten letter from Schenker to Jonas, dated September 7, 1932
Der freie Satz is complete, and Anthony van Hoboken has volunteered
[financial] assistance. Schenker wonders whether van Hoboken might not provide support for
Jonas, too.
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OJ 5/18, 14 Handwritten letter from Schenker to Jonas, dated September 23, 1932
Schenker sends further addresses [for Jonas's subscription appeal]. —He fears
Hoboken may reduce his support.
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OJ 5/18, 15 Handwritten letter from Schenker to Jonas, dated September 24, 1932
Schenker quotes from a letter received from Hoboken re: financial
support.
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OJ 5/7a, [44] (formerly vC 44) Handwritten postcard from Schenker to Cube, postmarked September 16, 1932
In response to OJ 9/34, [34], Schenker thinks Cube right, but would need to see
the inspection before giving judgment.
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OJ 8/5, [11] Handwritten postcard from Schenker to Violin, dated September 1, 1932
Schenker reports that Der freie Satz is finished, apart from the final draft
of the manuscript.
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OJ 89/5, [5] Typewritten letter (carbon copy) from Hoboken to Schenker, dated September 5,
1932
Hoboken sets out his plans to leave Vienna, pack his furniture and put his
music collection in store, and how he sees the continuation of his lessons with and work
under Schenker.
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OJ 89/5, [6] Handwritten letter from Schenker to Hoboken, dated September 17, 1932
Schenker announces the completion of Der freie Satz, and discusses the timing of
Hoboken's disbursement to cover its printing costs.
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OJ 89/5, [7] Typewritten letter (carbon copy) from Hoboken to Schenker, dated September 22,
1932
Hoboken is pleased at completion of Der freie Satz and reaffirms his financial
assistance for its printing. — Encloses a letter from Robert Haas and proposes a three-way
meeting. — Refers to the impact of his divorce has on his financial affairs. — May be able
to assist Jonas's publication.
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OJ 9/34, [34] Handwritten letter from Cube to Schenker, dated September 12, 1932
Cube outlines the conflict between Moriz Violin and the school authorities over
inspection of the Hamburg Schenker-Institut, portrays his own differences of opinion with
Violin, and asks for Schenker's opinion.
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PhA/Ar 56, [5] Handwritten postcard from Schenker to Haas, dated September 28, 1932
Schenker invites Haas to a meeting of the Board of Trustees [of the
Photogrammarchiv].
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WSLB-Hds 191.574 Handwritten notecard from Schenker to Deutsch, dated September 16, 1932
Replying to Deutsch’s letter of September 15 and his draft letter to Anthony
van Hoboken, Schenker makes further disparaging remarks about Hoboken, to whom he himself
will also write a letter.