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Lisl Schenker

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person

Names

  • Lisl Schenker
  • Liesl Schenker

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Correspondence

  • OC 54/14 Handwritten postcard from Theodor Baumgarten to Schenker, dated January 23, 1925

    Baumgarten will let Schenker know whether he is able to visit him the following Monday (January 26, 1925), to discuss Drei Masken Verlag's letter of January 20 (OC 54/12).

  • OJ 10/3, [75] Typewritten letter from Deutsch to Schenker, dated December 2, 1927

    Deutsch encloses Schenker’s score of the “Unfinished” Symphony that was used used for the new edition and Alfred Kalmus’s apologetic letter. He mentions the pianist Heinz Jolles’ interest in Schenker’s editorial work, in the hope that Schenker might at some point tackle Beethoven’s “Diabelli” Variations.

  • OJ 6/7, [43] Handwritten letter from Schenker to Moriz Violin, dated November 13, 1929

    Urging his friend to write only when he feels up to it, Schenker gives Violin some news of his own: that the Eroica Symphony monograph is finished but a publisher who is capable of dealing with the numerous music examples must be found; that Schenker will work unceasingly on Der freie Satz once the Eroica is out of the way; that the Photogram Archive has grown in size in two years, and that so many requests for information have been received that a yearbook is planned, with critical reports, new editions, and the like; that Hoboken and Vrieslander have fallen out (over money matters); that Schenker's brother Mozio (Moses) has separated from his wife after 25 years of marriage and that he his has been giving music lessons to Mozio’s son, a cellist in the Baden city orchestra.

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