-
OJ 5/38, [0a] Handwritten letter from Heinrich to Wilhelm Schenker, undated, c. 1896
Schenker admonishes his brother Wilhelm for not supporting the family
financially.
-
OJ 6/3, [12] Handwritten letter from Schenker to Moriz Violin, undated [c. February 1,
1900]
Schenker is about to write to Busoni. -- He is just off to the Leiners' house to
substitute for Violin [while the latter is in Berlin]. -- Eduard [Violin] is asking for a
handout.
-
OJ 6/3, [14] Handwritten letter from Schenker to Moriz Violin, dated April 5, 1900
Moriz Schenker has tickets for a tour of the Brahms monument plinth and Heinrich
asks if anyone in Violin's family can use them.
-
OJ 6/3, [16] Handwritten letter with envelope from Schenker to Moriz Violin, postmarked August 22,
1900
Schenker writes from Lunz to describe the vacation accommodation available and to
give Moriz and Fanny Violin the alternatives for joining him and the Mayerhofer family.
-
OJ 6/4, [23] Handwritten letter with envelope from Schenker to Moriz Violin, postmarked February 16,
1903
Schenker sends condolences to Violin on the death of his elder sister, Nina
Violin. — He reports on recent activities with Eduard Gärtner and card playing, on the current
Seligmann exhibition, and a recent experience at the Mayerhofer residence.
-
OJ 11/26, [1] Typewritten note of expenses from Max Gross to Heinrich Schenker, dated January 26,
1912
Invoice for meeting with heinrich and Moriz Schenker.
-
OJ 11/26, [2] Handwritten and typewritten postcard from Max Gross to Heinrich Schenker, dated
December 6, 1912
Max Gross confirms that he has written to Moriz Schenker but has had no
reply.
-
OJ 14/5, [3] Handwritten letter from Julia Schenker to Heinrich Schenker, undated [January 11,
1914?]
Schenker's mother, Julia Schenker, reports that Moriz Schenker has made provision
for her future upkeep.
-
OJ 11/26, [6] Typewritten letter with note of expenses, from Max Gross to Heinrich Schenker, dated
January 18, 1915
Max Gross sends his expenses for 1914 and 1915 in the matter of Moriz Schenker
[and support payments to Julia Schenker].
-
OJ 6/6, [5] Handwritten letter from Schenker to Valerie Violin, dated December 30, 1917
In response to the Violins' condolences on the death of his mother, Schenker
reflects sadly on her life and needs between 1890 and the late 1910s, attributing blame largely
to his younger brother Moriz, less to his older brother Wilhelm; — He explains why he and
Jeanette are unable to visit the Violins in the cold and without adequate
clothing.
-
OJ 5/38, [1] Handwritten letter from Heinrich Schenker & Jeanette Kornfeld to Wilhelm
Schenker, dated January 24, 1918
Heinrich commiserates with Wilhelm and Dodi over the children havng mumps. --
He discusses the eventuality that Wilhelm and family might decide to leave Kautzen, and
weighs the practicalities of transferring Julia Schenker's grave from Waidhofen to Vienna,
and possible consequences for his own and Jeanette's burials and Moriz Schenker's financial
involvement. -- He also discusses the possibility that Vienna might become too threatening
for Jews; he deplores Viennese people of all ranks for their verbal abuse toward Germany,
and the strikes that are currently taking place in Austria. -- Jeanette adds a
paragraph.
-
OJ 14/5, [4] Handwritten picture postcard from employee of the Austrian Provincial Bank to Heinrich
Schenker, dated June 19, 1918
Schenker's letter has been forwarded to Moriz Schenker.
-
OJ 14/5, [6] Handwritten fieldpostcard from Moriz Schenker and Hans Guttmann to Heinrich Schenker,
dated August 8, 1918
Moriz Schenker regrets not having spoken to Heinrich but hopes to be in Vienna
again soon; he has Hans Guttmann staying, and has written to Sophie Guttmann; note by Hans
Guttmann.
-
OJ 8/3, [61] Handwritten postcard from Schenker to Moriz Violin, dated August 21, 1918
The Schenkers went to Mariazell on the 16th for a work-free vacation. - -
Schenker has had difficulties with Wilhelm and Moriz Schenker. - - He describes visit to Hupka
in Kapuvár (Hungary). - - Comments on Violin's forthcoming promotion to Lieutenant.
-
OJ 14/4, [1] Telegram from Hans Guttman to Heinrich Schenker, dated November 29, 1918
Hans Guttmann enquires after the whereabouts of Moriz Schenker.
-
OJ 5/38, [2a] Handwritten postcard from Heinrich to Wilhelm Schenker, dated December 1,
[1918]
Schenker thanks his brother Wilhelm for the promise of lard; he bemoans the
present state of affairs, in which Germany will be enslaved by the rest of the European
world.
-
OJ 6/6, [9] Handwritten triple-letter from Jeanette Kornfeld and Heinrich Schenker to Valerie and
Moriz Violin, dated July 15, 1919
(1) Jeanette to Valerie: offers sympathy and reassurance about her illness;
describes the Tantalier Castle and its romantic associations; (2) Heinrich to Valerie:
recommends eating large quantities; (3) Heinrich to Moriz: supports food theory by reference to
his own proneness to nervous depression; suggests that Valerie recuperate in Zell am
See.
-
OJ 8/3, [82] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated February 13, 1920
Amount of divorce settlement and its investment. — Op. 101/3 sketches arrived.
-
OJ 8/3, [83] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated March 8, 1920
Tonschl's report on conversation with Moriz Schenker, and advice.
-
OJ 8/3, [84] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated March 16, 1920
Moriz Schenker extends invitation to meet, confirms sum of 68,080 Kronen. —
Meeting with Hertzka scheduled for next day.
-
OJ 8/3, [86] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated May 5, 1920
Schenker writes scathingly about his brother Moriz's attitude to Schenker's
problems.
-
OJ 14/5, [11] Typewritten letter from Moriz Schenker to Heinrich Schenker, dated July 26,
1920
Moriz Schenker reports that he has made 7,500 Kronen available to Schenker via
the Austrian Provincial Bank's branch in Innsbruck. (The Schenkers are on vacation in
Seefeld.)
-
OJ 14/5, [12] Typewritten letter from Moriz Schenker to Heinrich Schenker, dated August 6,
1920
Moriz Schenker has sent 2,200 Kronen to Heinrich Schenker and promises a
further 10,000 Kr. -- He reports on the poor health of Wilhelm Schenker.
-
OJ 6/7, [2] Handwritten letter from Schenker to Moriz Violin, dated January 29, 1922
Schenker offers to lend Violin his performing materials for two keyboard
concertos by C. P. E. Bach. He inquires about musical life in Hamburg, reports on his most
recent work, continues to despair of his financial situation.
-
OJ 14/4, [2] Handwritten letter from Hans Guttmann to Heinrich Schenker, dated May 14,
1922
Hans Guttmann expresses concern at Heinrich's recent unwellness, admires his
adherence to a strict diet, and speaks of his own better health since coming off a diet;
offers to send provisions to Heinrich and Jeanette; inquires as to the progress of
Heinrich's work; is reading Heinrich's Harmonielehre with some difficulty; and asks Heinrich
to perform a financial transaction for him.
-
OJ 8/4, [15] Handwritten postcard from Schenker to Moriz Violin, dated September 10, 1922
Hearing of the Violins' son Karl's recent illness, Schenker sends his sympathy,
then reports on his financial troubles. His application for a post at the University of Leipzig
was received without enthusiasm, on the grounds that he is "more an artist than a
scholar."
-
OJ 14/45, [16] Handwritten lettercard from Moriz Violin to Schenker, dated September 13, 1922
Violin reports briefly about his son's health, then goes into the practical
issues arising from Schenker's active search for a post at a German music institute.
-
DLA 69.930/10 Handwritten letter from Schenker to Halm, dated September 25, 1922
Acknowledges OJ 11/35, 20 and composition; expects to be able to comment on
Halm's Klavierübung in Tonwille 4; reports Leipzig University's decision not to appoint him;
speculates on the impact of Kontrapunkt 2 and Der freie Satz; public difficulty in accepting
Urgesetze. — Aristide Briand: The importance of being well-read on a topic before commenting in
public: Schoenberg and Reger; newspapers. — Maximilian Harden: although faithful to Schenker,
Harden had not mastered the topics on which he wrote. — National Govenment: Schenker's
publishing plans, including "The Future of Humanity": man's anthropomorphic thinking is a
delusion, he needs to adapt to nature, to return to a primitive state, to abandon "development"
and "progress" and return to primordial laws; inferior man wants to "govern" (bowel wants to
become brain); Schenker deplores "artifice" (French) as against nature (German). — Things
French: praises German superiority over French in its joy of work. — Higher Plane: the German
should not abase himself before the Frenchman.
-
OJ 14/5, [13] Typewritten letter from Moriz Schenker to Heinrich Schenker, dated December 15,
1922
Moriz Schenker presents an account of investment sales, with enclosures, and
reassures Heinrich that money is available on demand.
-
OJ 14/5, [14] Handwritten picture postcard from Moriz Schenker to Heinrich Schenker, dated March 10,
1923
Moriz Schenker thanks Heinrich for sending him an issue of Musikblätter des
Anbruch [containing an article on Heinrich by Otto Vrieslander].
-
OJ 14/5, [15] Handwritten letter from Moriz Schenker to Heinrich and Jeanette Schenker, July 27,
1923
Moriz Schenker reports on a visit from [his elder brother] Wilhelm, and the
difficulties the latter is in. -- His secretary is away, consequently he cannot send
Heinrich his account, or help over [sister Sophie's daughter] Frieda. -- He warns of looming
catastrophe in Germany.
-
OJ 14/5, [16] Handwritten letter from Moriz Schenker to Heinrich and Jeanette Schenker, dated July
30, 1923
Moriz Schenker reports that he has settled the invoice of the stonemason for
the making of the gravestone for their mother, Julia Schenker.
-
OJ 5/45, [3] Copy, in Jeanette Schenker's hand, of a letter from Schenker to Weisse, dated September
12, 1923
Schenker explains his behavior a few days before, in reply to Weisse’s letter of
September 7, and his implicit displeasure at his pupil's lengthy trip to Italy in the summer.
-
OJ 10/1, [80] Handwritten letter from Dahms to Schenker, undated [c. November 18, 1923]
Having sent a subscription copy of Musik des Südens to Moriz Schenker and
received no acknowledgement, Dahms asks Schenker's help.
-
OJ 10/1, [81] Handwritten letter from Dahms to Schenker, dated November 20, 1923
Dahms has now received acknowledgement from Moriz Schenker. — He asks
Schenker's help in approaching financier Castiglioni for financial backing for his planned
bel canto book.
-
OJ 12/31, [1] Typewritten letter from Ernst Lamberg to Schenker, dated December 7, 1923
Concerning the Sofie Deutsch estate, Lamberg now has 2M Kronen to remit to
Schenker, and also 1.5M Kronen for the January 1924 disbursement of the Deutsch stipends. He
also sets out the arrangement that has been made for the event that the Verein zur Speisung
is dissolved.
-
OJ 14/5, [17] Handwritten picture postcard from Moriz Schenker to Heinrich and Jeanette Schenker,
dated February 13, 1924
Moriz Schenker urges Heinrich to write a letter to Sophie.
-
OJ 14/5, [18] Typewritten and handwritten letter from Moriz Schenker to Heinrich Schenker, dated
April 15-16, 1924
Moriz Schenker reports having added to Heinrich's bank account 4,386.900.-
Kronen in interest, and indemnifies Heinrich for a deposit of 5m Kronen and
$36.
-
OJ 5/38, [45] Handwritten letter from Heinrich to Wilhelm Schenker, dated May 29, 1924
Schenker, on hearing the news that Wilhelm’s adoptive son Tonschl had died, sends
his condolences and urges his brother to spend two weeks with him and Jeanette in the
Tyrol.
-
OJ 5/24, [1] Handwritten draft letter from Schenker to Ernst Lamberg, dated July 8,
1924
Draft letter in which Schenker contends that Sofie Deutsch's intentions for
the administration of the stipends for composers that she created through her will are being
disregarded with the passing of the capital sum to the Academy for Music and Performing
Arts, and instructs Dr. Lamberg to write to Josef Marx, Director of the Academy, in these
terms.
-
OJ 5/38, [13] Handwritten letter from Heinrich to Wilhelm Schenker, dated August 20, 1924
The Schenkers have to postpone their end-of-summer visit to Wilhelm because they
have to bring their new maid from the Tyrol with them, and train her as a housekeeper. They
promise to visit as soon as things have settled in Vienna.
-
OJ 14/5, [20] Handwritten picture postcard from Moriz Schenker to Heinrich and Jeanette Schenker,
dated August 29, 1924
Moriz Schenker agrees with what Heinrich has said about Emil Hertzka, and
resolves to take action against him.
-
OJ 6/7, [10] Handwritten letter from Schenker to Moriz Violin, dated October 26, 1924
Schenker names ten universities that should receive complimentary copies of Der
Tonwille, explaining that university music departments (Seminare) are more suitable recipients
than conservatories and other types of music schools. With 1924 coming to an end, he will resign
from UE and shift publication of Der Tonwille to Piper or Drei-Masken Verlag in Munich. The
latter have agreed to publish his study of Beethoven's Sonata Op. 106
-
OJ 5/38, [14] Handwritten letter from Heinrich to Wilhelm Schenker, dated December 12,
1924
Circumstances have prevented the Schenkers from visiting Wilhelm in the autumn.
Heinrich suggests to his brother that they visit for a few days at Christmas, or that Wilhelm
visit them in Vienna.
-
OJ 5/38, [14a] Handwritten letter from Heinrich to Wilhelm Schenker, dated December 20,
[1924]
Heinrich attempts to console his brother Wilhelm, who is feeling lonely and
neglected.
-
OJ 5/38, [15] Handwritten letter from Heinrich to Wilhelm Schenker, dated January 4,
1925
Heinrich suggests that Wilhelm give some of his ready cash to their younger
brother Mozio, who will invest it and pay for the upkeep of Tonschl’s – Tonerl and Karli –
children with the interests. He also advises Wilhelm to purchase a radio receiver, which
will help keep him entertained.
-
OJ 6/7, [17] Handwritten letter from Schenker to Moriz Violin, dated February 2, 1925
Schenker, repeating some of the points made in earlier letters, continues to give an account of
Hertzka's dishonest dealings with him over Der Tonwille and asks Violin to give him an accurate count of the
subscriptions that Max Temming paid for in the distribution of free copies of the journal to university music
departments. He asks if Violin suspects that anti-Semitism lurks behind some of the critical notices of his recent
concert. Finally, he mentions an article in Die Musik by Paul Bekker that numbers Schenker among the hermeneutists;
the same issue contains a review of Der Tonwille, by Max Broesicke-Schon, disputing the supreme genius of the
canonic composers.
-
OJ 5/38, [16] Handwritten letter from Heinrich to Wilhelm Schenker, dated February 3,
1925
Heinrich offers Wilhelm advice and help on finding a career placement for his
adoptive grandson Karli.
-
OJ 6/7, [19] Handwritten letter from Schenker to Moriz Violin, dated April 10, 1925
Continuing the story of the ongoing financial battle against Hertzka and
Universal Edition, Schenker thanks Violin for providing confirmation of the subscriptions paid
for by Max Temming, then recounts that, at a meeting with Hertzka and his bookkeeper, the
order-book for Der Tonwille had several pages torn out. Schenker is upset that his lawyer Dr.
Baumgarten, though an old friend, is not fully supportive of his position and would prefer seek
a compromise with Hertzka; this, Schenker feels, would rob him of much of his hard-earned
royalties, especially from the Beethoven sonata edition. He now asks Violin to find a contact –
outside Hamburg – who would be willing to order nine copies of Tonwille 1, as evidence that this
issue is still in demand, despite Hertzka's claims to the contrary. He has attended a
performance of Hans Weisse's Sextet, of which he found the variation movement and the trio
section of the scherzo to be the most satisfactory parts.
-
OJ 5/38, [19] Handwritten letter from Heinrich to Wilhelm Schenker, dated July 4, 1925
Heinrich continues to explain the difficulties he has encountered with his
publishers.
-
OC 54/31 Typewritten letter from Moriz Schenker to Heinrich Schenker, dated July 24,
1925
Moriz Schenker tells his brother that he will ask his friend Sobotka to
intervene directly in the matter of obtaining the advance of 250 marks from Drei Masken
Verlag
-
OC 54/32 Typed letter from Moriz Schenker to Schenker, dated July 28, 1925
Moriz Schenker has seen his friend Sobotka, who will arrange for the advance
from Drei Masken Verlag to be paid into his account.
-
OJ 14/5, [21] Typewritten letter from Moriz Schenker to Heinrich and Jeanette Schenker, dated
August 14, 1925
Moriz Schenker recommends a tax consultant for Anthony van Hoboken's use, and
offers himself as an adviser for Hoboken in purchasing a villa [in Vienna], hinting that he
would like Hoboken as a client of his bank.
-
OJ 6/7, [24] Handwritten letter from Schenker to Moriz Violin, dated August 15, 1925
After expressing his sympathy for Violin, in response to his friend's depressing
postcard, Schenker gives an account of some of the summer events, including a visit from
Vrieslander and Hoboken and work on two essays for Meisterwerk 2. While continuing to rail
against Hertzka and Universal Edition, he repeats the story of Drei Masken Verlag failing to
send him 250 Marks upon receipt of the manuscript of Meisterwerk 1. His brother Moses is,
however, acquainted with the principal owner of Drei Masken, Felix Sobotka, and through this
connection the payment has been made.
-
JOB 94-3, [14] Handwritten letter from Schenker to Hammer, dated September 9, 1925
Schenker informs Hammer that the drawing from which the Schenker mezzotint was
made has been sold.
-
OJ 11/36, [20] Handwritten letter from Hammer to Schenker, dated September 11, 1925
Hammer is working on the plate of the Schenker mezzotint.
-
JOB 94-3, [16] Handwritten letter from Schenker to Hammer, dated November [recte October] 11,
1925
Schenker reports that the tube [containing a print of the mezzotint portrait
of him, for making a printing block] has been sent to the publisher [of Die Musik], and he
now waits to see whether the latter will commission an article to accompany it. He comments
on the Albertina's purchase of a print of the portrait.
-
OJ 6/7, [25] Handwritten letter from Schenker to Moriz Violin, dated October 25, 1925
In this wide-ranging letter, Schenker commiserates with Violin about the high
cost of living, and his inability to raise his fees to keep up with it (in particular, he
feels unable to ask the wealthy Hoboken to pay more than his other pupils). He reports on
sales of a medallion bearing his image, and the imminent arrival of a mezzotint of his
portrait, made by Viktor Hammer, of which his brother Moses Schenker has bought the original
drawing. Vrieslander will write an essay about his work in Die Musik, accompanied by the
portrait, and things are now going well with the corrections to Meisterwerk 1 and the
writing of Meisterwerk 2.
-
OC 54/94 Typed letter from Hirsch to Schenker, dated June 26, 1926
Treuga Bank confirm that the General Director has read through the contract
and letters regarding payment for the first Meisterwerk volume. He will send a report as
soon as he has discussed the matter with the Consul General.
-
OJ 10/1, [94] Handwritten letter from Dahms to Schenker, dated June 26, 1926
Dahms thanks Schenker for his report [on the viability of the almanach
proposal]. — He plans to devote part of the almanach to Beethoven, and asks whether Schenker
might contribute something new, or grant permission to reprint some of what he has written
in Der Tonwille.
-
OJ 5/38, [23a] Handwritten letter from Heinrich & Jeanette to Wilhelm Schenker, dated “Saturday
evening” [December 18, 1926]
In an 8-page letter, Heinrich acknowledges the receipt of his brother’s witty
letter, apologizes for not visiting him at the end of the summer. — He continues to complain
about the way in which his publishers have treated him. — He has played chamber music with
his nephew Georg, a talented musician. — He is sending Wilhelm a book by the German humorist
Wilhelm Busch. —Jeanette reports a visit from one of her sisters, the first time she has
been with a family member since 1910.
-
OC 52/908 Typed letter from Hugo Winter (UE) to Schenker, dated December 28, 1926
Payments for Beethoven sonatas and Der Tonwille have been transferred.
-
OC 52/909 Typed letter from Hugo Winter (UE) to Schenker, dated January 4, 1927
Encloses Schenker's royalty statement for the second half of 1926.
-
OJ 5/38, [25] Handwritten letter from Heinrich to Wilhelm Schenker, dated March 28,
1927
Heinrich asks Wilhelm where the two of them and their brother Moriz should
hold their planned meeting. He reports that their father’s grave is no longer standing, and
that their sister Sophie is concerned about her daughter Frieda marrying a young lawyer
named Goldschläger.
-
OJ 14/5, [22] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated May 5,
1927
Moriz Schenker expresses astonishment at Henrich's recent telegram to him, and
chides him on the timing of requests for money.
-
OJ 5/38, [26] Handwritten letter from Heinrich to Wilhelm Schenker, dated May 18, 1927
Heinrich makes four suggestions about where a get-together of the three
Schenker brothers might take place.
-
OJ 5/38, [30] Handwritten letter from Heinrich to Wilhelm Schenker, dated July 24, 1927
Heinrich reports his reaction to the recent events in Vienna [the July Revolt]
and transmits some news from Galtür, including the resumption of work on Der freie
Satz.
-
OJ 5/38, [31] Handwritten letter from Heinrich to Wilhelm Schenker, dated August 15,
1927
Heinrich inquires about train services that would allow him and Jeanette to
reach Horn without having first to go into Vienna. They are not going to visit Mozio in
Reichraming.
-
OJ 14/5, [23] Handwritten letter from Moriz Schenker to Heinrich Schenker, extraneously dated
September 10, 1927
In response to Heinrich's request, Moriz Schenker encloses 10m
Kronen.
-
OJ 5/38, [37] Handwritten letter from Heinrich to Wilhelm Schenker, dated September 24,
1927
Heinrich reports on making inquiries on behalf of Tonerl; he also tells his
brother that the new denture fits perfectly, and that he can eat and speak with
ease.
-
OJ 5/38, [41] Handwritten letter from Heinrich to Wilhelm Schenker, dated December 23,
1927
Heinrich sends Wilhelm Christmas greetings, but does not know what to give him
as a present. — He reports that Moriz’s son Georg has left the Vienna Academy so that he can
study privately with him and earn money playing in the Baden theater orchestra. — Moriz is
planning to set up an export house in Egypt in the spring. — Schenker also encloses a copy
of the “Appeal” published by the Photogram Archive.
-
OJ 14/5, [24] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated January 27,
1928
Moriz Schenker encloses a statement of account. -- His son, Georg, wishes to
have a second lesson from Heinrich.
-
OJ 5/38, [44] Handwritten letter from Heinrich to Wilhelm Schenker, dated May 2, 1928
Heinrich, amplifying on the diet prescribed to him, tells his brother not to
eat fruit with high sugar concentrations (e.g. oranges). His doctor advises him to take an
extra holiday in midwinter, which he cannot afford. He is utterly at a loss to understand
the domestic circumstances of their brother Mozio.
-
OJ 5/38, [51] Handwritten picture postcard from Heinrich to Wilhelm Schenker, dated September 22,
1928
Heinrich reports to his brother that his sugar level has increased; he is
trying out the new denture that was made for him. — He wishes he did not have to teach and
instead could devote himself to Der freie Satz, which will be the most difficult book to
write.
-
OJ 5/38, [50] Handwritten picture postcard from Heinrich to Wilhelm Schenker, undated, postmarked
October 9, 1928
Heinrich reports that his blood-sugar level has fallen significantly; he will
soon report on the new diet.
-
OJ 14/5, [25] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated December 9,
1928
Moriz Schenker gives his [new] office address and telephone, and reminds
Heinrich that he was going to put his son Georg in for an examination.
-
OJ 5/38, [53] Handwritten letter from Heinrich to Wilhelm Schenker, dated January 27,
1929
Schenker explains that his involvement with a Schubert festival and conference
has prevented him from writing sooner. He speaks about his blood-sugar level, about
listening to the radio, and about visits from their brother Mozio before finishing with two
Jewish jokes.
-
OJ 14/5, [26] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated May 18,
1929
Having made an investment in a property (Arzberg) purchased by Moriz Schenker,
Heinrich has got cold feet and has asked to withdraw his share of the asset. Moriz explains
the situation and tries to reassure Heinrich, while at the same time outlining steps whereby
he could eventually pay Heinrich back. He questions Heinrich's pessimism, and points out
that Heinrich is at the peak of his creative powers.
-
OJ 5/38, [56] Handwritten letter from Heinrich to Wilhelm Schenker, dated June 4, 1929
Heinrich offers to have a suit made for Wilhelm; he reports on his latest
medical tests, which are good; he has closed one of his bank accounts with Mozio, who has
been slow to release money to him.
-
OJ 14/5, [27] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated June 10,
1929
Moriz Schenker sends a large sum of money to Schenker by messenger, and asks
Heinrich to excuse his son, Georg, from his lesson.
-
OJ 5/38, [57] Handwritten letter from Heinrich to Wilhelm Schenker, dated June 14, 1929
Heinrich tells Wilhelm that their younger brother has returned some of the
money that had been in Heinrich’s account with him. Jeanette is thoroughly exhausted and
looks forward to resting on their holiday. They hope to visit Wilhelm on their return from
the Tyrol.
-
OJ 5/38, [58] Handwritten letter from Heinrich to Wilhelm Schenker, dated July 19, 1929
Heinrich writes about Mozio and his family, in particular about his separation
from his wife Lisl.
-
OJ 5/38, [58a] Handwritten letter from Heinrich to Wilhelm Schenker, dated August 11,
[1929]
Heinrich asks for his brother’s medical opinion about the pains in his chest
and throat.
-
OJ 6/7, [43] Handwritten letter from Schenker to Moriz Violin, dated November 13, 1929
Urging his friend to write only when he feels up to it, Schenker gives Violin
some news of his own: that the Eroica Symphony monograph is finished but a publisher who is
capable of dealing with the numerous music examples must be found; that Schenker will work
unceasingly on Der freie Satz once the Eroica is out of the way; that the Photogram Archive
has grown in size in two years, and that so many requests for information have been received
that a yearbook is planned, with critical reports, new editions, and the like; that Hoboken
and Vrieslander have fallen out (over money matters); that Schenker's brother Mozio (Moses)
has separated from his wife after 25 years of marriage and that he his has been giving music
lessons to Mozio’s son, a cellist in the Baden city orchestra.
-
OJ 14/45, [80] Handwritten letter from Violin to Schenker, dated November 19, 1929
Violin apologizes for not having written, but does not want to burden Schenker
with negative thoughts. He will try to help find a publisher for the "Eroica" analysis, and
also offers some thoughts of comfort on hearing the news that Schenker's brother and
sister-in-law have separated. He has little energy left, but is somehow able to muster it
when needed, e.g. at a sold-out orchestral concert in which he played better than ever. He
promises to be in Vienna over Christmas.
-
OJ 6/7, [44] Handwritten letter from Schenker to Violin, dated November 24, 1929
After reply to some of the more personal points in Violin's previous letter,
Schenker welcomes his friend's efforts to look for a publisher for the Eroica Symphony
monograph, noting that, in spite of the difficulties that Hertzka has caused him, his books
are still in print and his status as a theorist has been acknowledged by the the fact that
the universities of Heidelberg and Leipzig have expressed an interest in appointing him. A
recent article in the Deutsche Tonkünstler-Zeitung will give Violin further ammunition when
approaching a publisher. That same issue also contains an article by Schoenberg touching on
various canonic works (Bach, Prelude in C sharp minor for the Well-Tempered Clavier, Book 1;
Beethoven, Seventh Symphony, finale; Mozart, slow introduction to the "Dissonant" Quartet).
He feels that it is beneath his dignity to make a formal reply; but to illustrate what he
means, and why he is contemptuous of Schoenberg, he provides several voice-leading graphs
and other music examples concerning these works.
-
OJ 14/5, [28] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated December 26,
1929
Moriz Schenker reports that his divorce proceedings will begin in five days'
time. -- He is negotiating over the Arzberg property with a view to returning to Heinrich
his investment in the property.
-
OJ 14/5, [29] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated January 14,
1930
Obtaining a mortgage on the Arzberg [investment property] is delayed; Moriz
Schenker is exploring alternative possibilities of selling. -- He inquires as to the
whereabouts of Hoboken. -- He reports that the [economic] situation in Germany is even worse
than in Austria, because of the war reparations.
-
OJ 14/5, [30] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated February 27,
1930
Moriz Schenker recommends Heinrich to get a second estimate [for the printing
of Meisterwerk III] from Joseph Eberle in addition to that from Waldheim. -- He hopes to get
an appraisal of the Arzberg property next week.
-
OJ 6/7, [47] Handwritten letter from Schenker to Violin, dated March 2, 1930
Schenker reports on two concerts at which Hans Weisse's Octet was performed
for the first time. Furtwängler was enchanted by it, Schenker was impressed by the quality
of the voice-leading in general, the construction of the finale movement (a passacaglia) in
particular. He was touched to see that a pupil of Weisse's, Dr. Felix Salzer, had subvented
the cost of the rehearsals and concerts, and the provision of food and drink for the
audience; this he compared with Antony van Hoboken's reluctance to help him with the
publication costs of his recent work.
-
OJ 14/5, [31] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated March 5,
1930
Moriz Schenker again assures Heinrich that his money is safe and will be
returned to him, but the collapse of the building society concerned and its transfer to the
Vienna Creditanstalt is delaying the securing of a mortgage [on the Arzberg property]. --
Moriz is launching, and will be the director of, a finance house for automobiles. -- He
asserts that he is highly regarded [in the finance industry]. -- This letter is heavily
annotated by Heinrich.
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OJ 5/38, [62] Handwritten letter from Heinrich to Wilhelm Schenker, dated March 23,
1930
Heinrich reports to Wilhelm that their younger brother Moriz is now divorced.
Heinrich gives a catalog of his financial losses resulting from reduced teaching, and speaks
further about Mozio’s failure to return his money.
-
OJ 14/6, [1] Handwritten letter from Wilhelm to Heinrich Schenker, dated April 17,
1930
Wilhelm encloses a letter he has received from younger brother Moriz, in which
the latter tries to explain his financial circumstances and prospects. Wilhelm has urged
Moriz to return Heinrich’s money to him.
-
OJ 14/6, [2] Handwritten letter from Wilhelm to Heinrich and Jeanette Schenker, dated April 24,
1930
Wilhelm has written to Moriz, requesting that he return Heinrich’s money by
the beginning of May.
-
OJ 14/5, [32] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated April 30,
1930
Heinrich's payment deadline cannot be met because mortgate formalities are not
complete. Moriz Schenker alludes to the sudden death of Leopold Richtera.
-
OJ 14/5, [33] Handwritten letter from Moriz Schenker to Wilhelm Schenker, dated May 1,
1930
Moriz Schenker writes to his eldest brother Wilhelm about the sudden death of
Leopold Richtera. He forgives Richtera, and wishes a good life for Lisl.
-
OJ 5/38, [63] Handwritten letter from Heinrich to Wilhelm Schenker, dated May 2, 1930
Heinrich sends Wilhelm a letter he has received from their brother Moriz. He
reports that Moriz’s estranged wife Lisl has married [Leopold] Richtera.
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OJ 14/6, [3] Handwritten letter from Wilhelm to Heinrich and Jeanette Schenker, dated May 6,
1930
Wilhelm sends Heinrich two letters from Moriz; he expresses the hope that the
financial matter between Heinrich and Moriz will be dealt with soon.
-
OJ 6/7, [48] Handwritten letter from Schenker to Moriz Violin, dated May 19, [1930]
After congratulating Violin on moving house, Schenker reports that an article
that is critical of the "Urlinie", by Walter Riezler, has apparently offended Furtwängler, a
childhood friend of the author. Furtwängler hoped that Hans Weisse might write a response;
in the end, Brünauer wrote one, and Weisse has sent it to Furtwängler. Schenker has himself
replied to an article by Eduard Beninger in the February 1930 issue of the Zeitschrift für
Musik. Owing to overwork, he was required to rest during the day between lessons; now he is
better. Oppel is again coming to Galtür and Schenker hopes that Violin will join him there,
too.
-
OJ 14/5, [34] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated May 21,
1930
Moriz Schenker begs Heinrich not to be impatient about repayment of the
balance on his investment, citing care for his former wife [recently bereaved] as one of his
burdens.
-
OJ 14/5, [35] Typewritten letter from the Credit Anstalt to Moriz Schenker, dated June 3,
1930
Creditanstalt is ready to consider Moriz Schenker's application for a mortgage
[on the Arzberg property], and asks for the relevant documentation, stating the financial
terms.
-
OJ 5/38, [64] Handwritten letter from Heinrich to Wilhelm Schenker, dated June 8, 1930
Writing to Wilhelm, Heinrich blames his ill health (weight loss, increased
blood-sugar level) on Moriz's’s repeated failure to resolve the financial matter between
them.
-
OJ 14/5, [36] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated June 11,
1930
Moriz Schenker encloses the [June 3] letter from Creditanstalt. He is awaiting
the bank's expert to value [the Arzberg property], and again asks for
patience.
-
OJ 5/38, [65] Handwritten picture postcard from Heinrich to Wilhelm Schenker, dated July 9,
1930
Heinrich sends Wilhelm a picture postcard showing the balcony of the hotel
room where he and Jeanette are staying. He has had no news from Mozio, or from Jetty
Bednař.
-
OJ 6/7, [49] Handwritten letter from Schenker to Moriz Violin, dated July 10, 1930
Acknowledging his recent letter to Jeanette, Schenker expresses his regret
that Violin and his son Karl are still troubled by health problems and reports some recent
news. Furtwängler's intervention with Breitkopf & Härtel on behalf of Weisse's Octet was
in vain; he had also sought the same firm's agreement to publish the "Eroica" analysis, but
this will now appear as the third Meisterwerk Yearbook. The Schenkers are expecting many
visitors in Galtür, including Furtwängler, Reinhard Oppel, Schenker's nephew and his wife,
and Jeanette's sister and family. Hoboken is prepared to fund the publication of a collected
edition of the works of C. P. E. Bach (with financial support from the city of Hamburg), but
Schenker is cautious about this because his paid involvement in the project might result in
work that would jeopardize progress on Der freie Satz. He has been included in the latest
edition of Meyers Konversations-Lexicon, and has received favorable citation in Romain
Rolland's latest Beethoven book.
-
OJ 6/7, [50] Handwritten letter from Schenker to Moriz Violin, dated July 31, 1930
Schenker assures his friend that he understands his difficulties, and that he
can be proud of holding his head high above those who do not understand music, or are
incapable of interpreting it beautifully. His own problems are focussed around money,
especially as his brother (Moses) has not given him the second part of his inheritance. He
has sought to find cheaper ways of producing the music examples for his latest writings: he
is more satisfied with the Eroica examples than the engraved illustrations from previous
volumes of Das Meisterwerk in der Musik, and is planning to issue Der freie Satz with a
volume of examples that is separate from the text. He repeats the news, from an earlier
letter, of his being mentioned in Romain Rolland's most recent Beethoven book, and of his
entry in Meyers Konversations-Lexicon, and also reports on an item about him in the Deutsche
Tonkünstler-Lexikon.
-
OJ 14/5, [37] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated August 8,
1930
Moriz Schenker reports that the mortgage formalities [on the Arzberg
property] will not be completed before August 15. -- He has set up a new company. -- He
reports on his daughter Helga and his son Georg, who is troublesome.
-
OJ 5/38, [66] Handwritten letter from Heinrich to Wilhelm Schenker, dated August 14,
1930
Heinrich has heard that their brother Moriz has been granted a mortgage on his
property and will be able to repay him his money. — He describes the changeable weather the
Tyrol and says he and Jeanette are busy correcting the proofs [of the third Meisterwerk
yearbook].
-
OJ 5/38, [67] Handwritten postcard from Heinrich to Wilhelm Schenker, dated August 31,
1930
Heinrich tells his brother Wilhelm that many things will prevent him and Jeanette
from visiting him at the end of the summer. — He reports Hans Weisse’s invitation to lecture on
Schenkerian theory in Berlin.
-
OJ 14/5, [38] Handwritten lettercard from Moriz Schenker to Heinrich Schenker, dated September 12,
1930
Moriz Schenker reiterates that the mortgage has been approved, and the
formalities are in train. -- Georg is due with Heinrich [for a lesson]; Moriz continues to be
worried by him.
-
OJ 14/5, [39] Handwritten lettercard from Moriz Schenker to Jeanette Schenker, dated September 16,
1930
Moriz Schenker reassures Jeanette that things are going ahead [on mortgage for
the Arzberg property and return of Heinrich's investment], hopes that Heinrich's health is
improving, and conveys the pressure under which he is working.
-
OJ 14/5, [40] Handwritten letter from Moriz Schenker to Heinrich Schenker, dated October 3,
1930
Moriz Schenker sends an interim payment of interest, but reports that the
mortgage formalities [on the Arzberg property] are still delayed. He is pleased that Georg
is continuing his lessons with Schenker.
-
OJ 14/5, [41] Handwritten lettercard from Moriz Schenker to Heinrich Schenker, dated October 20,
1930
Moriz Schenker is trying to speed up the [mortgage] formalities. -- Georg is
waiting to hear from Heinrich the time of his lesson. -- He is overwhelmed with work setting up
his new business.
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OJ 6/7, [51] Handwritten letter, with envelope, from Schenker to Violin, dated October 21,
1930
Writing after a long and serious illness, Schenker assures his friend that he
is alive and well. The doctors have pronounced him generally fit, but he suffers from a
painful tightening of the thorax, and also a flickering that causes him to "lose" letters
and notes. He has had to give many double-lessons of late, in theory, which he finds tiring.
To Hoboken, who, though gifted, is concerned only about his money and often comes to lessons
without having prepared anything, he would rather play than give over-long lectures. He is
concerned, for his own sake as much as for Weisse's, about the lectures in Berlin that
Weisse will deliver, and about his eagerness to debate with Alfred Lorenz; he is glad that
Violin is going to Berlin, and will give him instructions about what to do there. His
Beethoven sonata edition brings in 100 shillings per month – a good deal for the publishers
– and his brother still has half of his inheritance. But he is still alive – with Der freie
Satz.
-
OJ 5/38, [69] Handwritten letter from Heinrich to Wilhelm Schenker, dated October 23,
1930
Heinrich reports to Wilhelm on his health, and in particular the financial
losses he will sustain when he stops giving Anthony van Hoboken lessons lasting two
hours.
-
OJ 14/5, [42] Handwritten lettercard from Moriz Schenker to Heinrich Schenker, dated November 7,
1930
Faced with persistent demands to pay back Heinrich Schenker's investment [in the
Arzberg property], Moriz Schenker writes that his mother-in-law is seriously ill and he is
caring for her, and his businesses are not going well. -- He insists that he is doing everything
he can, and asks again for patience.
-
OJ 5/38, [70] Handwritten letter from Heinrich to Wilhelm Schenker, dated November 8,
1930
Heinrich tells Wilhelm that he will have to take legal action against their
brother Moriz for failing to begin repaying him his money. — He describes the lessons he
gives Moriz’s son Georg as a waste of time.
-
OJ 14/5, [43] Handwritten lettercard from Moriz Schenker to Heinrich Schenker, dated November 24,
1930
Moriz Schenker is working hard to speed up [mortgage formalities on the Arzberg
property], and cannot meet the latest deadline that Heinrich has set him.
-
OJ 5/38, [71] Handwritten letter from Heinrich to Wilhelm Schenker, dated December 23,
1930
Heinrich sends Wilhelm a copy of his “railroad joke” as published in the third
Meisterwerk yearbook, which he regards as symbolic of his own life. — He has taken legal
action against their brother Mozio in order to be paid the money he had invested with
him.
-
OJ 6/8, [1] Handwritten letter from Schenker to Violin, dated January 9, 1931
In this long and wide-ranging two-part letter, which includes a graphic
analysis of J. S. Bach’s Two-part Invention in E-flat major, Schenker praises the work of
Hans Weisse, who has recently returned from lecturing in Berlin and may be offered a post
there (on Furtwängler’s recommendation), emigrate to America (with the help of Gerald
Warburg), or even found an institute that would give employment to Felix Salzer and other
Schenkerian disciples under one roof. — A letter from Violin, which has just arrived in the
morning post, speaks of Violin’s own intention to establish a Schenker Institute in Hamburg.
For this, Schenker recommends Felix-Eberhard von Cube (in preference to Reinhard Oppel) and
Otto Vrieslander as possible theory teachers, if not Weisse himself. — The letter concludes
with a tirade against those who have caused him financial misery (including his brother
Mozio), culminating in a cynical passage in which Schenker advises his friend to look after
himself and engage some dull pedagog to teach conventional theory. In the end, he wishes
Violin luck with the enterprise, and thanks him for having helped rescue him from Hertzka’s
clutches.
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OJ 5/38, [71a] Handwritten letter from Heinrich to Wilhelm Schenker, undated, written January 15,
1931
Heinrich tells Wilhelm that his attorney has written to their brother Moriz,
asking him to return to Heinrich the money he invested with him.
-
OJ 5/38, [72] Handwritten picture postcard from Heinrich to Wilhelm Schenker, dated March 11,
1931
Heinrich reports to Wilhelm that their brother Mozio has raised an objection
to his claim that he is entitled to his money.
-
OJ 5/38, [74] Handwritten letter from Heinrich to Wilhelm Schenker, dated May 3, 1931
Heinrich reports to Wilhelm that his attorney and his brother Moriz’s attorney
have agreed on a plan to pay back the money belonging to Heinrich, with payments beginning
on July 1. He concedes that Moriz has lost his fortune, and that he has done what he can to
regain it.
-
OJ 5/38, [75] Handwritten letter from Heinrich to Wilhelm Schenker, dated June 1, 1931
Heinrich reports to Wilhelm a much improved set of health statistics. — He
regrets having had to take legal action against their brother Moriz, but he had no choice. —
He encloses a newspaper review of the third Meisterwerk volume.
-
OJ 5/38, [76] Handwritten picture postcard from Heinrich to Wilhelm Schenker, dated and postmarked
July 15, 1931
Heinrich reports having received the first installment of his money from his
younger brother Moriz.
-
OJ 8/5, [6] Handwritten picture postcard from Schenker to Violin, dated July 24, 1931
Schenker expresses his astonishment at what the Violin family has had to
endure, and thanks him for the Schenker Institute prospectus.
-
OJ 5/38, [79] Handwritten letter from Heinrich to Wilhelm Schenker, dated December 16,
1931
Heinrich sends Wilhelm a clipping which mentions a drug that his brother had
mentioned earlier in the year. — He and Jeanette are planning to take some time off at
Christmas.
-
OJ 8/5, [11] Handwritten postcard from Schenker to Violin, dated September 1, 1932
Schenker reports that Der freie Satz is finished, apart from the final draft
of the manuscript.
-
OJ 8/5, [21] Handwritten postcard from Schenker to Violin, dated October 8, 1933
Schenker inquires after Violin, from whom he has not heard for some time. He
reports that Hoboken is in France but will return at the end of the month to resume
lessons.
-
OJ 5/38, [87] Handwritten letter from Heinrich to Wilhelm Schenker, dated April 15,
1934
Heinrich reports the completion of his book [Der freie Satz], the improvement
to his eyes, and their younger brother Moriz’s attempt to avoid paying the final installment
of his debt.
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OJ 5/38, [90] Handwritten letter from Heinrich to Wilhelm Schenker, dated July 12, 1934
Heinrich expresses some optimism about political affairs in Germany, then
reports the arrival of Oswald Jonas’s book about his theories. — He has had a positive
health assessment from the local doctor but feels that he needs extra personal
assistance.
-
OC 44/38 Handwritten lettercard from Wilhelm to Heinrich & Jeanette Schenker, dated
September 12, 1934
Wilhelm Schenker recounts a visit from Lisl Richtera (Schenker) and subsequent
information about a villa being for sale.
-
OJ 5/38, [92] Handwritten postcard from Heinrich to Wilhelm Schenker, dated September 15,
1934
Schenker tells Wilhelm that he has been in touch with their younger brother, who
promises to visit him the following week and make a “final settlement” of their financial
dispute.
-
OC A/284 Handwritten letter from Moriz Schenker to Heinrich Schenker, dated December 5,
1934
Moriz Schenker has previously recommended shortwave radiotherapy to Heinrich,
and now sends him the contact details for the director of the program at the Pötzl Clinic
[for Nervous and Mental Diseases] in Vienna.
-
OC A/285 Handwritten postcard from Moriz Schenker to Heinrich Schenker, dated December 15,
1934
Moriz Schenker draws Heinrich's attention to a lecture by the director of the
shortwave therapy division, being given in the RAVAG studio. -- Moriz is himself a patient at
the same clinic.