OJ 11/10, [1] Handwritten picture postcard from Frimmel to Schenker, postmarked September 24,
1902
Frimmel makes an in-joke.
OJ 11/10, [2] Handwritten picture postcard from Frimmel to Schenker, postmarked October 19,
1902
Frimmel sends greetings.
OJ 11/10, [3] Handwritten lettercard from Frimmel to Schenker, dated November 29, 1902
Frimmel issues an invitation to tea.
OJ 11/10, [3a] Handwritten picture postcard from Frimmel to Schenker, postmarked [January?] 18,
1903?
Frimmel thanks Schenker for his postcard.
OJ 11/10, [4] Handwritten postcard from Frimmel to Schenker, dated February 1, 1903
Frimmel expresses pleasure at Schenker's new edition.
OJ 11/10, [5] Handwritten letter from Frimmel to Schenker, dated August 8, 1903
Commenting on Schenker's edition of C. P. E. Bach keyboard works and Beitrag zur
Ornamentik, Frimmel largely agrees with Schenker's remarks on ornaments.
OJ 11/10, [6] Handwritten postcard from Frimmel to Schenker, postmarked November 10, 1904
Frimmel sends congratulations for Schenker's (and Violin's) great
success.
OC 52/17 Typewritten letter from Weinberger (UE) to Schenker, dated March 11, 1905
List of recipients of complimentary copies of the Handel Organ
Concertos
BNba Frimmel Nachl, [1] Handwritten letter from Schenker to Frimmel, dated March 13, 1905
Schenker sends a copy of his Handel Organ Concertos as a memento of past
music-making with Frimmel, and tells him of his work on his Harmonielehre.
OJ 11/10, [7] Handwritten postcard from Frimmel to Schenker, dated March 14, 1905
The promised Handel Organ Concertos volume has not yet arrived. — Frimmel asks
for the score of the C. P. E. Bach concerto that Schenker played the previous fall. Tickets for
his Beethoven lectures will be sent soon.
OJ 11/10, [7a] Handwritten calling card from Frimmel to Schenker, undated [March 17 or 18,
1905]
Frimmel encloses ticket for his Beethoven lectures.
BNba Frimmel Nachl, [2] Handwritten letter from Schenker to Frimmel, dated March 18, 1905
Schenker explains the delay in sending Frimmel the C. P. E. Bach concerto,
thanks Frimmel for the ticket to his lectures, and gives Violin's address.
OJ 11/10, [8] Handwritten postcard from Frimmel to Schenker, postmarked March 18, 1905
Frimmel acknowledges receipt of Schenker' Handel Organ Concertos volume and
says the latter's C. P. E. Bach keyboard words edition will feature in his forthcoming
lecture series.
OJ 11/10, [9] Handwritten postcard from Frimmel to Schenker, postmarked March 20, 1905
Frimmel acknowledges loan [of C. P. E. Bach Klavierwerke]. He offers a
discount for his Beethoven lecture course to Schenker's pupils.
OJ 11/10, [10] Handwritten letter from Frimmel to Schenker, dated March 21, 1905
Frimmel has had to postpone his lecture series on Beethoven until the Fall. —
He invites Schenker to afternoon tea at a date to be settled.
OJ 11/10, [11] Handwritten letter from Frimmel to Schenker, dated August 10, 1907
Frimmel invites Schenker to contribute to the Beethoven-Jahrbuch, and suggests
topics. — He hopes to meet up with him in Steinach.
CA 75 Handwritten letter from Schenker to Cotta, dated February 8, 1908
Schenker asks for a copy of his Harmonielehre to be sent to Theodor
Frimmel.
OJ 11/10, [12] Handwritten picture postcard from Frimmel to Schenker, dated February 20,
1908
Frimmel thanks Schenker for his complimentary copy of the latter's
Harmonielehre.
CA 76 Handwritten letter from Schenker to Cotta, dated April 24, 1908
Schenker asks for a copy of his Harmonielehre to be sent to the Gesellschaft
der Musikfreunde; — He seeks advice regarding Theodor Frimmel and the Beethoven-Jahrbuch,
explaining the delay on Kontrapunkt I.
OJ 11/10, [13] Handwritten postcard from Frimmel to Schenker, dated April 25, 1908
Frimmel draws Schenker's attention to an article in the Musikalisches
Wochenblatt.
OJ 11/10, [14] Handwritten picture postcard from Frimmel to Schenker, undated [1908]
Frimmel informs Schenker that a contribution from him [to the Beethoven Jahrbuch]
is now too late for inclusion in vol. II.
BNba Frimmel Nachl, [3] Handwritten letter from Schenker to Frimmel, dated April 8, 1909
Schenker thanks Frimmel for his copy of Beethoven-Jahrbuch vol. II, and
expresses admiration at Frimmel's editing of the authors' contributions, remarking how
slowly he is proceeding with his own Kontrapunkt. He comments on two of the
contributions.
CA 94 Handwritten postcard from Schenker to Cotta, dated April 8, 1909
Schenker inquires whether a batch of proofs has gone astray, and draws
attention to a review.
OJ 12/27, [11] Stenographically handwritten letter from Cotta to Schenker, dated April 10,
1909
Cotta promises the next batch of proofs shortly.
BNba Frimmel Nachl, [4] Handwritten letter from Schenker to Frimmel, dated June 13, 1912
Schenker asks for guidance on the location of autograph manuscripts of
Beethoven's last five piano sonatas, in particular that of Op. 109.
OJ 11/10, [15] Handwritten letter from Frimmel to Schenker, dated June 17, 1912
In response to Schenker's inquiry as to the locations of autograph manuscripts
of Beethoven's last five piano sonatas, Frimmel refers Schenker to the Berlin Academy's
Urtext edition and to Nottebohm's writings.
BNba Frimmel Nachl, [5] Handwritten letter from Schenker to Frimmel, dated August 4, 1912
Schenker reports that he has heard from Mandyczewski that the autograph of
Beethoven's piano sonata Op. 109 is owned by Poldy Wittgenstein. He will need to go to
Berlin for the remaining manuscripts.
BNba 304g, [4] Handwritten letter from F. A. Schmidt (Beethoven-Haus) to an unknown colleague,
dated December 14, 1913
Schmidt suggests that permission for photography of Beethoven's sonatas Op.
27, No. 2 and Op. 28 should be granted to Schenker; and deals with other Beethoven-Haus
business.
OJ 10/3, [13] Typewritten postcard from Otto Erich Deutsch to Schenker, dated August 5,
1920
The photograph of Speyer's sketchleaves is still forthcoming. Deutsch has
discovered that a Dr. Wilhelm Kux possesses a further sketchleaf of the "Moonlight" Sonata,
and asks Schenker if he wants Deutsch to try secure a reproduction of it.
OJ 14/21, [1] Delivery note from Seidel'sche Buchhandlung to Schenker, dated January 26, 1921
Delivery note from Deutsch's book dealership (Seidel'sche Buchhandlung) for Frimmel,
Beethoven-Forschung Vol. 1/8.
OJ 10/3, [23] Handwritten letter from Otto Erich Deutsch to Schenker, dated January 30,
1921
The overdue ["Moonlight" Sonata edition] contract is finally ready, and
Deutsch hopes that Schenker is happy with the wording. The Bonn photographs are also ready.
Schenker should expect to receive an edited version of his commentary, and perhaps also an
English translation.
OJ 14/21, [2] Carbon copy of delivery note from Seidel'sche Buchhandlung to Schenker, dated 26 January, 1921, with
additional annotations, dated February 9, 1921
Annotated carbon copy of a delivery note from Deutsch's book dealership (Seidel'sche Buchhandlung)
for Frimmel, Beethoven-Forschung Vol. 1/8.
OC 24/20 Handwritten letter from Frimmel to Schenker, dated August 1, 1921
Frimmel acknowledges receipt of a complimentary copy of Tonwille 1, comments
neutrally on Schenker's incursions into politics, imagines something rather different by the
concept of "Tonwille," and while agreeing with the criticism of Riemann thinks it could have
been done more gently. — He asks for review copies of Schenker's editions of Beethoven Op.
110 and 101.
OJ 11/10, [16] Handwritten letter from Frimmel to Schenker, dated September 26, 1921
Frimmel thanks Schenker for delivery of the latter's elucidatory editions of
Beethoven's piano sonatas Opp. 101 and 111, and expresses admiration.
OJ 10/3, [28] Typewritten letter from Deutsch to Schenker, dated February 14, 1922
Deutsch offers to provide several books to Schenker instead of two or three hardback copies of the
"Moonlight" Sonata edition, and then details several misprints and factual errors in Romain Rolland's biography
of Beethoven.
OC 12/1 Handwritten letter from Theodor Frimmel to Deutsch, dated February 22, 1922 (forwarded from Deutsch to
Schenker with marginal note dated Feburary 27, 1922)
Deutsch forwards Schenker a letter from Theodor Frimmel regarding errors in Rolland's Beethoven
biography. In the original letter, Frimmel asks Deutsch to send his regards to the Schenkers.
OJ 11/10, [17] Handwritten postcard from Frimmel to Schenker, dated July 6, 1923
Frimmel makes a word-play on a feuilleton of the same date by Korngold
relating to Sigenfeld.
OJ 14/45, [33] Handwritten letter from Moriz Violin to Schenker, dated August 29, 1924
Violin reports on continued negotiations with Max Temming on the distribution of
free copies of Der Tonwille, and gives a brief description of the Hamburger Fremdenblatt (in
which something about Schenker's writings may have recently appeared). He expresses his
embarrassment regarding the essay he had written at the behest of Otto Vrieslander on the
occasion of Schenker's 50th birthday, but agrees to let him see it.
OJ 11/10, [18] Handwritten postcard from Frimmel to Schenker, dated September 10, 1925
Frimmel will correct [errors pointed out by Schenker], and reports that his
Beethovenhandbuch is in press.
OJ 11/10, [19] Handwritten picture postcard from Frimmel to Schenker, dated November 11,
1927
Frimmel thanks Schenker for having had Meisterwerk II sent to
him.