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JOB 94-3, [12] Handwritten letter from Schenker to Hammer, dated August 23, [1925]
Heinrich and Jeanette consider the test proof of the Schenker mezzotint
finished and urge him to finalize it. Heinrich tells Hammer about Anthony van
Hoboken.
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JOB 94-3, [13] Handwritten letter from Schenker to Hammer, dated September 8, 1925
Heinrich discusses the drawing from which the Schenker mezzotint was made, and
its prospects for sale. The Keilgasse house is undergoing deep cleaning.
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OJ 15/15, [49] Handwritten postcard from Weisse to Schenker, dated November 28, 1930
Weisse is delighted by the chance to rehearse his forthcoming lecture at
Schenker's apartment. His Sextet will be performed at the Musikverein in Vienna; he goes
through a list of Schenker's circle of adherents who might be invited to his forthcoming
lectures at the Central Institute for Music Education and Teaching in
Berlin.
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OC 44/22 Typewritten letter from Jonas to Schenker, dated November 10, 1932
Jonas acknowledges letter from Schenker and gives initial list of subscribers
with number of copies; he reports on two of his latest publications.
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OJ 10/18, [10] Handwritten notecard from Elias to Jeanette Schenker, dated February 17,
1935
Miss Elias sends Jeanette Schenker a clipping of Moriz Violin's obituary for
Heinrich, together with publication details of Otto Vrieslander's edition of C. P. E. Bach's
Kurze und Leichte Klavierstücke.