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Documents comprising this correspondence:

• CA 1-2 Handwritten letter from Schenker to Cotta, dated November 8, 1905

  This is Schenker's initial approach to Cotta: he asks the firm to consider publishing volume I of his Neue Musikalische Theorien und Phantasien, explains his anonymity, points out the book's attacks of certain composers, explains his choice of preferred publisher.

• OJ 9/31, [1] Stenographically handwritten letter from Cotta to Schenker, dated November 9, 1905

  Cotta regrets that it is unable to undertake Schenker's book.

• OJ 9/31, [3] Stenographically handwritten letter from Cotta to Schenker, dated November 15, 1905

  Cotta will consider Schenker's proposal further, and asks for sight of the manuscript.

• CA 5-6 Handwritten letter from Schenker to Cotta, dated November 22, 1905

  Schenker submits the manuscript of Harmonielehre; asks Cotta not to show it to potential rivals.

• OJ 9/31, [4] Stenographically handwritten letter from Cotta to Schenker, dated December 5, 1905

  Cotta agrees to publish Harmonielehre. — It estimates the extent of the book, the cost to Schenker, and his likely takings.

• CA [205] Typewritten extracts from contract between Cotta and Schenker, dated December 5, 1905

  Excerpts from the contract between Cotta and Schenker for Harmonielehre

• CA 9 Handwritten letter from Schenker to Cotta, dated December 10, 1905

  Schenker returns his contract signed, and promises the Afterword soon.

• OJ 9/31, [5] Stenographically handwritten letter from Cotta to Schenker, dated December 12, 1905

  Cotta sends Schenker a copy of the contract with their signature; they estimate publication at c.March 1906.

• OJ 9/31, [6] Stenographically handwritten letter from Cotta to Schenker, dated January 27, 1906

  Cotta sends a list of music examples that are missing from Schenker's material.

• CA 12-13 Handwritten letter from Schenker to Cotta, dated February 5, 1906

  Schenker discusses the pros and cons of placement of music examples in Harmonielehre and of the captions; he asks to receive in future galley-proofs.

• OJ 9/31, [7] Stenographically handwritten letter from Cotta to Schenker, dated February 7, 1906

  Cotta will in future send galley-proofs.

• CA 15 Handwritten letter from Schenker to Cotta, dated February 15, 1906

  Covering letter enclosing sheets and examples.

• CA 16 Handwritten letter from Schenker to Cotta, dated February 26, 1906

  Covering letter enclosing manuscript pages and music examples, and summarizing the state of play.

• CA 17 Handwritten letter from Schenker to Cotta, dated March 2, 1906

  Covering letter enclosing proofs of gathering 3.

• CA 18 Handwritten letter from Schenker to Cotta, dated April 2, 1906

  Covering letter enclosing batch of music examples with text commentaries.

• CA 19 Handwritten letter from Schenker to Cotta, dated April 3, 1906

  Schenker asks for two marginal rubrics to be corrected.

• CA 20 Telegram from Schenker to Cotta, dated May 2, 1906

  Schenker responds to an inquiry from Cotta (following up with a letter the same day, CA 21).

• CA 21 Handwritten letter from Schenker to Cotta, dated May 2, 1906

  Schenker follows up on his telegram (CA 20) and makes a suggestion about numbering.

• CA 22 Handwritten letter from Schenker to Cotta, dated May 16, 1906

  Schenker sends more manuscript and proofs of Harmonielehre.

• CA 23 Handwritten letter from Schenker to Cotta, dated May 25, 1906

  About numbering of music examples. — Schenker asks for more postal wrappers.

• CA 24 Telegram from Schenker to Cotta, dated May 25, 1906

  Request regarding correction of gatherings.

• CA 25 Handwritten letter from Schenker to Cotta, dated May 29, 1906

  Schenker suggests that Harmonielehre be published in two volumes, indicating that the Afterword has grown in size. — He asks for further galley-proofs.

• OJ 9/31, [8] Stenographically handwritten letter from Cotta to Schenker, dated May 31, 1906

  Cotta advises against splitting Harmonielehre into two volumes, and recommends restriction of the size of the Nachwort.

• CA 27 Handwritten letter from Schenker to Cotta, dated June 4, 1906

  Schenker accepts Cotta's advice to keep Harmonielehre as one volume. — He will publish the Nachwort separately. — He pleads for proofs of Part II of Harmonielehre before the summer vacation.

• OJ 9/31, [9] Stenographically handwritten letter from Cotta to Schenker, dated June 5, 1906

  Cotta advises against publishing the Nachwort simultaneously with the Harmoneilehre.

• CA 29 Handwritten letter from Schenker to Cotta, dated June 25, 1906

  Schenker is correcting proofs of the remaining text, and asks for the missing music examples.

• OJ 9/31, [10] Stenographically handwritten letter from Cotta to Schenker, dated June 27, 1906

  Cotta asks for return of proofs as soon as possible; setting of music examples is delayed.

• CA 31 Handwritten letter from Schenker to Cotta, dated June 30, 1906

  Schenker returns proofs, and draws two things to the attention of the type-setter.

• CA 32 Handwritten letter from Schenker to Cotta, dated July 2, 1906

  Schenker explains Ex. 173 of Harmonielehre and makes suggestions as to the layout.

• CA 33 Handwritten postcard from Schenker to Cotta, dated July 9, 1906

  Schenker gives his summer address.

• CA 34 Handwritten letter from Schenker to Cotta, dated August 18, 1906

  Schenker returns final proofs of gatherings 17 and 18 of Harmonielehre, and asks for gathering 20.

• CA 35 Handwritten postcard from Schenker to Cotta, dated August 23, 1906

  Schenker asks for mailings to be sent to his Vienna.

• CA 36 Handwritten postcard from Schenker to Cotta, dated August 29, 1906

  Schenker asks for ties.

• OJ 9/31, [11] Stenographically handwritten letter from Cotta to Schenker, dated August 30, 1906

  Cotta promises further proofs of Harmonielehre, and asks Schenker not to makes large additions.

• CA 38 Handwritten postcard from Schenker to Cotta, dated September 1, 1906

  Schenker's wishes are those of Cotta.

• CA 39 Handwritten postcard from Schenker to Cotta, dated September 19, 1906

  Schenker reports an error in the numbering of music examples in the Harmonielehre proofs.

• OJ 9/31, [12] Stenographically handwritten letter from Cotta to Schenker, dated September 24, 1906

  Cotta urges swift return of proofs, stresses the need to publish before Christmas, and requests copy of the title-page.

• CA 41-42 Handwritten letter from Schenker to Cotta, dated October 1, 1906

  Schenker goes back on his earlier agreement with Cotta, and makes an impassioned case for including the "Nachwort" as Section 3 of Part II of Harmonielehre.

• OJ 9/31, [13] Stenographically handwritten letter from Cotta to Schenker, dated October 2, 1906

  Cotta gives pressing reasons why Harmonielehre must be published by November.

• CA 44 Handwritten letter from Schenker to Cotta, dated October 6, 1906

  Schenker accepts Cotta's case that his "Nachwort" should not be included within Harmonielehre, promises to enable the book to be published on time, and plans to have the "Nachwort" follow by the time of the Easter book fair.

• OJ 9/31, [14] Stenographically handwritten letter from Cotta to Schenker, dated October 8, 1906

  Cotta expresses satisfaction that Schenker has decided to separate the "Nachwort" from publication of Harmonielehre.

• CA 46 Handwritten postcard from Schenker to Cotta, dated October 11, 1906

  Revised proofs of the final gatherings of Harmonielehre have been sent, and title-page will be sent shortly.

• CA 47 Handwritten letter from Schenker to Cotta, dated October 13, 1906

  Schenker submits his synopsis of Harmonielehre with one stipulation, and also copy of the title-page.

• CA 48 Handwritten postcard from Schenker to Cotta, dated October 15, 1906

  Schenker asks for more postal ties.

• CA 49 Handwritten letter from Schenker to Cotta, dated October 26, 1906

  Schenker submits the index to Harmonielehre.

• CA 51 Telegram draft or carbon copy from Cotta to Schenker, dated November 3, 1906

  Cotta requests duplicate of gathering 28.

• CA 52 Telegram from Schenker to Cotta, dated November 3, 1906

  Schenker indicates gatherings sent off.

• CA 50 Handwritten letter from Schenker to Cotta, dated November 3, 1906

  Schenker submits further final proofs for Harmonielehre.

• CA 53 Telegram from Schenker to Cotta, dated November 4, 1906

  Schenker has mailed a duplicate of gathering 28.

• CA 54-55 Stenographically handwritten letter(carbon copy) and account from Cotta to Schenker, dated November 10, 1906

  Cotta informs Schenker that Harmonielehre is printed, sends complimentary copies, and encloses its account.

• CA 56 Handwritten letter from Schenker to Cotta, dated November 22, 1906

  Cotta should by now have received the sum covering the publishing and marketing costs of Harmonielehre. Schenker lists five recipients of review copies.

• CA 58 Handwritten letter from Schenker to Cotta, dated November 24, 1906

  Schenker lists the journals for which the five music critics (as listed in CA 56) to receive review copies write.

• OJ 12/27, [1] Stenographically handwritten letter from Cotta to Schenker, dated November 26, 1906

  Cotta acknowledges receipt of money for [printing and marketing of] Harmonielehre.

• CA 60 Handwritten letter from Schenker to Cotta, dated December 3, 1906

  Schenker asks for a further review copy to be sent to Richard Robert.

• OJ 12/27, [2] Stenographically handwritten letter from Cotta to Schenker, dated December 4, 1906

  Cotta has carried out wishes expressed in CA 60.

• CA 61 Handwritten letter from Schenker to Cotta, dated December 27, 1906

  Schenker asks for a copy to be sent to Eugen d'Albert.

• OJ 12/27, [3] Stenographically handwritten letter from Cotta to Schenker, dated December 29, 1906

  Cotta has sent a complimentary copy of Harmonielehre to Eugen d'Albert.

• OJ 9/31, [15] Printed letter from Cotta to Schenker, dated January 2, 1907

  Cotta announces that Robert Kröner is now a partner, and gives his form of signature.

• OJ 12/27, [4] Stenographically handwritten letter from Cotta to Schenker, dated January 7, 1907

  Cotta inquires whether Schenker's name may be divulged.

• CA 64 Handwritten letter from Schenker to Cotta, dated January 8, 1907

  Schenker replies that anonymity re Harmonielehre must be maintained.

• CA 65 Handwritten letter from Schenker to Cotta, dated March 8, 1907

  Schenker asks for a copy of Harmonielehre to be sent to Karl Goldmark.

• OJ 9/2, [2] Invoice from Cotta to Schenker, dated March 9 1907

  Invoice from Cotta for copy of Harmonielehre sent to Karl Goldmark.

• CA 66 Handwritten letter from Schenker to Cotta, dated March 30, 1907

  Schenker asks for a review copy of Harmonielehre to be sent to Max Graf.

• CA 67 Stenographically handwritten letter (carbon copy) from Cotta to Schenker, dated April 2, 1907

  Cotta report that they sent a copy for review to the Österreichische Rundschau in February.

• OJ 9/32, [3] Invoice from Cotta to Schenker, dated August 1907

  Invoice from Cotta for copy of Harmonielehre.

• OJ 12/27, [5] Stenographically handwritten letter from Cotta to Schenker, dated September 5, 1907

  Cotta encloses 1906 sales report for Harmonielehre.

• OJ 9/32, [24] Sales Report from Cotta, dated September 5, 1907

  1906 sales report for Harmonielehre

• CA 68 Handwritten letter from Schenker to Cotta, dated September 13, 1907

  Schenker expects the press to be enthusiastic about Harmonielehre. — He comments of the "Riemann school."

• OJ 9/31, [16] Stenographically handwritten letter from Cotta to Schenker, dated September 16, 1907

  Cotta hopes for the manuscript of Kontrapunkt [I] soon, and asserts that the same terms of contract will apply as those for Harmonielehre.

• OJ 12/27, [10] Stenographically handwritten letter from Cotta to Schenker, dated December 12, 1907

  Cotta enclose a letter from Karl Grunsky and inquire whether they may disclose Schenker's name to him as the author of Harmonielehre.

• CA 71 Handwritten letter from Schenker to Cotta, dated December 16, 1907

  Schenker proscribes the release yet of his name to Karl Grunsky. He comments on a review of his Harmonielehre by Max Burkhardt. He will be sending Kontrapunkt shortly.

• OJ 9/31, [17] Stenographically handwritten letter from Cotta to Schenker, dated December 18, 1907

  Cotta note the review of Harmonielehre by Max Burkhart, and look forward to receiving the manuscript of Kontrapunkt shortly.

• CA 73 Handwritten postcard from Schenker to Cotta, dated January 3, 1908

  Schenker asks for the review of his Harmonielehre by Karl Grunsky to be sent to him.

• CA 74 Handwritten postcard from Schenker to Cotta, dated January 16, 1908

  Schenker asks for a copy of his Harmonielehre to be sent to Busoni.

• CA 75 Handwritten letter from Schenker to Cotta, dated February 8, 1908

  Schenker asks for a copy of his Harmonielehre to be sent to Theodor Frimmel.

• CA 76 Handwritten letter from Schenker to Cotta, dated April 24, 1908

  Schenker asks for a copy of his Harmonielehre to be sent to the Gesellschaft der Musikfreunde; — He seeks advice regarding Theodor Frimmel and the Beethoven-Jahrbuch, explaining the delay on Kontrapunkt I.

• OJ 9/31, [18] Stenographically handwritten letter from Cotta to Schenker, dated April 25, 1908

  Cotta has sent a copy of Harmonielehre to the Gesellschaft der Musikfreunde, and thinks that pre-publication excerpting of Kontrapunkt would be advantageous.

• OJ 9/31, [19] Stenographically handwritten letter from Cotta to Schenker, dated June 2, 1908

  Cotta asks if they may divulge Schenker's name to Rudolf Breithausen.

• CA 79 Handwritten letter from Schenker to Cotta, dated June 5, 1908

  Schenker gives permission to divulge his name as author of Harmonielehre to Breithaupt.

• OJ 9/32, [4] Invoice from Cotta to Schenker, dated September 1, 1908

  Invoice for copies of Harmonielehre to Busoni, the Gesellschaft der Musikfreunde, and Löwe.

• OJ 9/32, [12] Sales Report from Cotta ro Schenker, undated [September 8[?], 1908]

  1908 sales report for Harmonielehre

• OJ 12/27, [6] Cover letter for sales report from Cotta to Schenker, dated September 9, 1908

  Cotta encloses 1907 sales report for Harmonielehre and notifies him of his share of the sales profits.

• OJ 9/32, [25] Sales Report from Cotta, dated September 9, 1907

  1907 sales report for Harmonielehre

• CA 80 Handwritten letter from Schenker to Cotta, dated September 13 and 17, 1908

  Schenker promises Counterpoint soon and speculates on publication by Christmas; — Asks for a copy of Harmonielehre to be sent to his sister Sophie.

• OJ 12/27, [7] Stenographically handwritten letter from Cotta to Schenker, dated September 18, 1908

  Cotta looks forward to receiving Kontrapunkt, and has sent copies of Harmonielehre to Sophie Guttmann and Ernst Rudorff.

• CA 82 Handwritten postcard from Schenker to Cotta, dated September 23, 1908

  Schenker has dispatched the manuscript for Kontrapunkt.

• OJ 12/27, [8] Stenographically handwritten letter from Cotta to Schenker, dated September 26, 1908

  Cotta acknowledges receipt of the manuscript of Kontrapunkt.

• CA 84 Handwritten postcard from Schenker to Cotta, dated September 27, 1908

  Schenker promises the remainder of Kontrapunkt in a few days.

• CA 85 Handwritten letter from Schenker to Cotta, dated October 8, 1908

  Schenker proposed that Kontrapunkt be divided into two half-volumes.

• OJ 12/27, [9] Stenographically handwritten letter from Cotta to Schenker, dated October 9, 1908

  Cotta advises against splitting Kontrapunkt into two half-volumes.

• OJ 5/6, [2] Draft of handwritten letter from Schenker to Cotta, undated [October 12?, 1908]

  Schenker accepts Cotta's verdict against splitting Kontrapunkt into two.

• CA 87 Handwritten letter from Schenker to Cotta, dated October 13, 1908

  Schenker accepts Cotta's verdict against splitting Kontrapunkt into two.

• OJ 9/31, [20] Stenographically handwritten letter from Cotta to Schenker, dated October 15, 1908

  Cotta states that Kontrapunkt will be produced under the terms of the contract for Harmonielehre.

• CA 89 Handwritten letter from Schenker to Cotta, dated October 17, 1908

  Schenker confirms the terms of the Harmonielehre contract as applying to Kontrapunkt.

• OJ 9/31, [21] Stenographically handwritten letter from Cotta to Schenker, dated December 30, 1908

  Cotta urge Schenker to return galley-proofs of Kontrapunkt.

• CA 91 Handwritten letter from Schenker to Cotta, dated January 4, 1909

  Schenker explains delay in returning proofs.

• CA 92 Handwritten letter from Schenker to Cotta, dated January 4, 1909

  Schenker directs Cotta to divulge his name on the title-page of the 2nd edn of Harmonielehre; — He has meanwhile added a long polemic to the Introduction of Kontrapunkt [I].

• OJ 9/31, [22] Stenographically handwritten letter from Cotta to Schenker, dated January 14, 1909

  Cotta agrees to reset the title-page of Harmonielehre with Schenker's name as author, and to distribute the second edition coincident with the release of Kontrapunkt I.

• CA 94 Handwritten postcard from Schenker to Cotta, dated April 8, 1909

  Schenker inquires whether a batch of proofs has gone astray, and draws attention to a review.

• OJ 12/27, [11] Stenographically handwritten letter from Cotta to Schenker, dated April 10, 1909

  Cotta promises the next batch of proofs shortly.

• CA 96-98 Handwritten letter from Schenker to Cotta, dated May 26, 1909

  Schenker raises again the splitting of Kontrapunkt into two half-volumes, or even four installments. — He reports that his Beitrag zur Ornamentik has been adopted by the Academy of Music, despite his being in a constant state of feud with all officialdom. — The Academy's Director is a supporter of his theory. — Schenker outlines how earlier works of his have become influential. — His Kontrapunkt is "eagerly awaited" and will be the "leading work" on the subject; he argues the case for splitting the work on "psychological" and "technical" grounds.

• OJ 9/31, [23] Stenographically handwritten letter from Cotta to Schenker, dated June 1, 1909

  Cotta accedes to splitting Kontrapunkt into two half-volumes, and proposes a publication schedule for the first half-volume.

• CA 102 Handwritten letter from Schenker to Cotta, dated June 3, 1909

  Schenker has sent final proofs of gatherings 10 and 12, but has mislaid those for 11 and asks for another copy.

• OJ 5/6, [3] Note by Schenker, dated July 5, 1909

  Reflection on giving and taking in general and in art

• CA 103 Handwritten postcard from Schenker to Cotta, dated July 7, 1909

  Schenker gives his summer address and asks for proofs to be sent there.

• CA 104 Handwritten postcard from Schenker to Cotta, dated August 30, 1909

  Schenker has returned to Vienna.

• OJ 9/32, [5] Invoice from Cotta to Schenker, dated September 1, 1909

  Invoice for copies of Harmonielehre to Sofie Guttmann and Ernst Rudorff.

• CA 105 Handwritten postcard from Schenker to Cotta, dated October 27, 1909

  The wrong proofs have been sent to Schenker by mistake.

• OJ 12/23, [1] Stenographically handwritten letter from Cotta to Schenker, dated November 27, 1909

  Adolf Kröner thanks Schenker for his contribution to the Cotta Album.

• CA 106-107 Handwritten letter from Schenker to Cotta, dated December 2, 1909

  Schenker explains the necessity for some late interpolations into Kontrapunkt I. — He may be able to include the title "Professor of Composition and Theory" against his name on the title-pages of his works, and debates the advantages of such an appointment at the Vienna Academy against the loss of independence. — Only anonymity has prevented Harmonielehre from success so far.

• OJ 9/31, [24] Stenographically handwritten letter from Cotta to Schenker, dated December 8, 1909

  Cotta welcomes the recognitions that Schenker has been accorded recently, and hopes they will affect his work propitiously.

• CA 110 Handwritten postcard from Schenker to Cotta, dated February 6, 1910

  Schenker asks for proof-ties.

• CA 111 Handwritten postcard from Schenker to Cotta, dated May 1, 1910

  Schenker asks urgently for remaining galley-proofs of Counterpoint 1.

• CA 112 Carbon copy of stenographically handwritten letter from Cotta to Schenker, dated June 16, 1910

  Cotta asks Schenker for manuscript of the prelims and any supplements for Kontrapunkt I, and for a publicity blurb.

• OJ 9/31, [25] Stenographically handwritten letter from Cotta to Schenker, dated June 27, 1910

  Cotta reiterates the requests made in CA 112.

• CA 114 Handwritten letter from Schenker to Cotta, dated June 30, 1910

  Schenker promises manuscript of prelims for Kontrapunkt 1.

• CA 115 Handwritten letter from Schenker to Cotta, dated July 4, 1910

  Schenker encloses manuscript of all prelims for Kontrapunkt 1. He mentions recent publication of his edition of J. S. Bach's Chromatic Fantasy and Fugue, and speaks of his plans for a Handbibliothek, for which he will present a proposal to Cotta. He announces his departure and gives his summer address.

• CA 116 Carbon copy of stenographically handwritten letter from Cotta to Schenker, dated July 6, 1910

  Cotta acknowledges receipt of the manuscript prelims of Kontrapunkt 1 and reiterates its request for material for its publicity blurb.

• CA 117 Handwritten letter and publicity material from Schenker to Cotta, dated July 17, 1910

  Covering letter with draft publicity material for Kontrapunkt 1. Schenker promises to return proof of Preface.

• CA 118 Handwritten letter from Schenker to Cotta, dated August 19, 1910

  A fire at his hotel causes Schenker to ask whether Cotta has sent him final proofs recently. — He inquires whether he might travel to Stuttgart to present his plan for the Handbibliothek in person.

• OJ 9/31, [26] Stenographically handwritten letter from Cotta to Schenker, dated August [20?], 1910

  In response to CA 118, Cotta advises Schenker to send his proposal for a Handbibliothek in advance of a possible visit to Stuttgart to present it in person.

• OJ 9/32, [6] Invoice from Cotta to Schenker, dated September 4, 1910

  Invoice for the printing and publishing costs of Kontrapunkt 1.

• CA 120 Handwritten postcard from Schenker to Cotta, dated September 6, 1910

  Schenker asks whether Counterpoint [1] will be published in September, and promises his "plans" soon.

• OJ 9/32, [13] Handwritten letter and sales report for 1909 for Harmonielehre from Cotta, dated September 6, 1910

  1909 sales report for Harmonielehre, with covering letter

• CA 121-122 Handwritten letter from Schenker to Cotta, dated September 10, 1910

  Schenker explains the basis for his "Handbibliothek," suggests an overarching title and a separate title for the proposed first booklet, on Beethoven's Ninth Symphony. He promises to return the manuscript of vol. II/1.

• OJ 12/27, [12] Stenographically handwritten letter from Cotta to Schenker, dated September 14, 1910

  In response to Schenker's outline of his prospective Handbibliothek, Cotta advise against its publication before that of vol. III [Niedergang]; and would not be able to entertain the project until after publication of vol. III.

• CA 125 Handwritten letter from Schenker to Cotta, dated September 15, 1910

  Schenker asks Cotta to correct the page-count for Kontrapunkt 1.

• CA 127 Handwritten letter from Schenker to Cotta, dated September 20, 1910

  Schenker asks for a copy of Kontrapunkt 1 to be sent to Ernst Rudorff and copies of that and Harmonielehre to be sent to Jenny Kornfeld at her Aussig address.

• OJ 12/27, [13] Stenographically handwritten letter from Cotta to Schenker, dated September 21, 1910

  Cotta reasserts its unwillingness to consider publication of the [Handbibliothek] project until after publication of vol. III.

• CA 128 Handwritten letter from Schenker to Cotta, dated September 29, 1910

  Schenker asks for a review copy of Kontrapunkt 1 to be sent to Ludwig Karpath.

• CA 129 Handwritten postcard from Schenker to Cotta, dated October 3, 1910

  Schenker redirects the copies of Harmonielehre and Kontrapunkt I destined for Jenny Kornfeld to his own address in Vienna.

• OJ 9/31, [27] Stenographically handwritten letter from Cotta to Schenker, dated October 4, 1910

  Publication of Kontrapunkt 1 having taken place this day, Cotta confirms the orders of complimentary and review copies to Jenny Kornfeld, Ernst Rudorff, Ludwig Karpath, and Schenker himself.

• CA 132 Handwritten letter from Schenker to Cotta, dated October 13, 1910

  Schenker incloses a reaction to the Preface of Kontrapunkt 1 by Adalbert Seligmann. —He assures Cotta that their printing and production costs bill will be paid promptly.

• OJ 9/31, [28] Stenographically handwritten letter from Cotta to Schenker, dated October 15, 1910

  Cotta has already sent a copy of vol. II/1 to Ernst Rudorff.

• CA 134-135 Handwritten letter from Schenker to Cotta, dated October 21, 1910

  Schenker divulges the identity of his benefactor, explains why there has been a delay in payment by the Rothschild Bank, and promises payment by sometime in January.

• CA 136 Handwritten letter from Schenker to Cotta, dated October 23, 1910

  Schenker asks that a review copy of Kontrapunkt 1 be sent to Max Graf; incloses a review.

• OJ 9/31, [29] Stenographically handwritten letter from Cotta to Schenker, dated October 24, 1910

  Cotta hopes that Schenker will honor his contract to pay the publishing costs [of Kontrapunkt 1] in January.

• CA 139 Handwritten postcard from Schenker to Cotta, dated October 25, 1910

  Schenker asks for a copy of his Harmonielehre to be sent to Prof. Robert Fuchs at the Vienna Academy.

• OJ 9/31, [30] Stenographically handwritten letter from Cotta to Schenker, dated October 26, 1910

  Cotta has sent a review copy [of Kontrapunkt 1] to Max Graf and welcomes a recent favorable notice of that work.

• OJ 12/27, [14] Stenographically handwritten postcard from Cotta to Schenker, dated October 27, 1910

  Cotta has sent a complimentary copy of Harmonielehre to Robert Fuchs.

• OJ 9/32, [26] Stenographically handwritten sales report from Cotta, dated [?December 31], 1910

  1910 sales report for Kontrapunkt 1

• OJ 9/32, [37] Printed and handwritten letter from Cotta to Schenker, dated September 1, 1918

  Payment advice note for sales 1917.

• OJ 12/62, [2] Stenographically handwritten letter from Cotta to Schenker, dated September 1, 1919

  [NMTP I and II/1:] Cotta encloses sales report for 1918 and a check for M. 346.92.