-
OC 52/849 Typed letter from Hertzka (UE) to Schenker, dated January 15, 1929
Hertzka asks for Schenker's deadline for the "Eroica" monograph decision to be
put off to the end of 1929.
-
OC 52/850 Typed letter from Hertzka (UE) to Schenker, dated June 21, 1929
No decision on the "Eroica" monograph yet.
-
OC 52/851 Typed letter from Kalmus (UE) to Schenker, dated July 24, 1929
Encloses remarks made by Edmund Schmid.
-
OC 52/852 Typed letter from Ernst Roth (UE) to Schenker, dated July 30, 1929
Names the revisers of the Mozart sonata edition.
-
OC 52/853 Typed letter from Ernst Roth (UE) to Schenker, with enclosure, dated August 5,
1929
Encloses additional remarks by Edmund Schmid.
-
OC 52/856 Typed postcard from Ernst Roth (UE) to Reinhard Oppel, dated September 25,
1929
Schenker's Harmonielehre is currently out-of-print, with no reprint
date.
-
OC 52/857 Typed letter from Hertzka (UE) to Schenker, dated December 20, 1929
Hertzka is interested in the Albersheim essay; prospects for a re-edition of
Harmonielehre not good.
-
OC 52/858 Typed postcard from Alfred Kalmus (UE) to Schenker, dated December 31,
1929
Hertzka will respond after returning mid-January.
-
OC 52/859 Typed postcard from Hugo Winter (UE) to Schenker, dated December 30, 1929
Sum of 1,250 shillings transferred.
-
OJ 52/901 Receipt for bank transaction from the Post Office Savings Bank to Schenker, dated July
19, 1929
Receipt for sum of 97.60 shillings [from UE].
-
OC 52/916 Typed letter from Hugo Winter (UE) to Schenker, dated July 23, 1929
Schenker should have received the statement and money
meantime.
-
OC 54/194 Typed letter from Drei Masken Verlag, dated November 20, 1929
Invitation to Leon Feuchtwanger's public reading entitled 'From unpublished
Works'.
-
OC 54/195 Handwritten note with address of Georg Tomay
Address of Georg Tomay.
-
OJ 10/18, [4] Handwritten letter from Elias to Schenker, dated September 23, 1929
Miss Elias confirms her forthcoming lesson for October 1, and plans to finish
her voice-leading sketch of a fugue by Handel.
-
OJ 10/3, [100] Typewritten picture postcard from Deutsch to Schenker, dated May 6, 1929
Deutsch invites the Schenkers to their place on Wednesday, May 8, or the
following Wednesday.
-
OJ 10/3, [101] Typewritten letter from Deutsch to Schenker, dated May 8, 1929
Deutsch reports that his series of radio concerts with professors from the
Vienna Academy is in jeopardy, because of Max Ast’s lack of enthusiasm for them, and that
Leopold Richtera has also let him down.
-
OJ 10/3, [102] Typewritten picture postcard from Deutsch to Schenker, dated May 13, 1929
Deutsch informs Schenker that Anthony van Hoboken is still abroad, but is
expected towards the end of the week (Friday, May 17).
-
OJ 10/3, [103] Typewritten letter from Deutsch to Schenker, dated June 11, 1929
Deutsch gives Schenker a detailed, comprehensive account of how his royalties
on the sale of the third Meisterwerk yearbook are based.
-
OJ 10/3, [104] Typewritten letter from Deutsch to Schenker, dated July 28, 1929
In a long letter, Deutsch thanks Schenker for encouraging him to apply for the
post of Head Archivist at the Gesellschaft der Musikfreunde following the death of the
previous postholder, Eusebius Mandyczewski, on July 13. He comments on the present state of
play at the Archive, above all on its insecure position. — He also expresses his regret that
Austrian Radio is no longer interested in his “Chamber Ensemble” broadcasts with professors
from the Vienna Academy, and that some of the players are no longer enthusiastic about them;
he hopes to start a new initiative of that sort in the autumn. — He is in good standing with
Hoboken, but the work on his private library is not bringing him rewards. — He enjoyed his
recent trip to Italy, and thinks that he might have become an art historian had he gotten to
know the country earlier.
-
OJ 10/3, [105] Handwritten letter from Deutsch to Schenker, dated August 21, 1929
In this long letter, Deutsch seeks to explain Vrieslander’s behavior with
regard to the purchase of materials from an unscrupulous antiquarian dealer, and also to
account for Hoboken’s treatment of Vrieslander as a consequence. --- He accepts that funds
to set up a journal linked to the Photogram Archive are not unlimited, but understands why
Schenker cannot devote as much of his own time to the project as Hoboken might expect. ---
He describes Hoboken as a childish character, with little understanding of the world of
ordinary people, who might nevertheless ultimately produce a good piece of
scholarship.
-
OJ 10/3, [106] Typewritten picture postcard from Deutsch to Schenker, dated September 18,
1929
Deutsch asks Schenker to name a convenient time to speak with him in private
or, alternatively, for the Schenkers to come to his place some afternoon.
-
OJ 10/3, [107] Typewritten letter from Deutsch to Schenker, dated October 1, 1929
Deutsch gives Schenker information and advice about a standing
lamp.
-
OJ 10/3, [108] Typewritten letter from Deutsch to Schenker, dated October 7, 1929
Deutsch gives a comprehensive analysis of the prospect of a publication
devoted to the Photogram Archive: its content, its editorship, the frequency of its
appearance, and the publishing houses who might be interested in taking it on.
-
OJ 10/3, [109] Typewritten picture postcard from Deutsch to Schenker, dated October 14,
1929
Deutsch agrees that there should be momentum associated with the Photogram
Archive, but Haas can probably not be persuaded [to approve of Hoboken’s taking the
editorial duties]. --- He reports that work on Haydn (with Hoboken) has
resumed.
-
OJ 10/3, [110] Typewritten picture postcard from Deutsch to Schenker, dated November 8,
1929
Deutsch has come in second place in the application to the Society of the
Friends of Music [for the directorship of its Archive], and will not accept an inferior
position there. He proposes a meeting with Schenker on Tuesday [the 12th] or Friday [the
15th].
-
OJ 10/3, [111] Handwritten picture postcard from Deutsch to Schenker, dated , November 11,
1929
Deutsch accepts Schenker’s invitation for Tuesday, November 12,
1929.
-
OJ 10/3, [112] Handwritten picture postcard from Hanna Deutsch to Schenker, dated December 24,
1929
The Deutsches accept Schenker’s invitation for Friday, December 27, 1929. They
thank him for his expression of sympathy over their son’s illness.
-
OJ 10/3, [113] Handwritten picture postcard from Deutsch to Schenker, dated December 30,
1929
Deutsch advises Schenker to send the manuscript [of an essay by Gerd
Albersheim] to Dr. Alfred Einstein, the editor of the Zeitschrift für
Musikwissenschaft.
-
OJ 10/3, [97] Typewritten picture postcard from Deutsch to Schenker, dated February 12,
1929
Deutsch thanks Schenker for his recent postcard, then describes the
circumstances of his recent and forthcoming radio programs, which include a series of
concerts given by a “Kammerensemble” (chamber group) which includes professors from the
Vienna Academy. He has been to a man named Villers, who has been reconstructing orchestral
scores from piano reductions.
-
OJ 10/3, [98] Typewritten letter from Deutsch to Schenker, dated , March 22, 1929
Deutsch sends Schenker a newspaper clipping related to an idea of his
concerning the “League of Nations”.
-
OJ 10/3, [99] Typewritten picture postcard from Deutsch to Schenker, dated March 27,
1929
Deutsch asks which edition of the Schubert Minuet in B minor he had consulted
when writing an article in Der Kunstwart.
-
OJ 11/16, [7] Handwritten letter from Furtwängler to Schenker, dated August 30, 1929
Furtwängler comments retrospectively on the Heidelberg affair, and rejoices over
the "Eroica" monograph.
-
OJ 11/16, [8] Handwritten letter from Furtwängler to Schenker, dated December 16, 1929
Furtwängler asks to visit Schenker on December 19th.
-
OJ 11/35, 26 Printed death notice of August Halm, dated February 1, 1929
Announces death of August Halm.
-
OJ 11/54, [25] Typed letter from Hoboken to Schenker, dated March 27, 1929
Hoboken has broken off his friendship with Otto Vrieslander after discovering
that the latter has been cheating him.
-
OJ 11/54, [26] Typewritten letter from Hoboken to [Reinhard Oppel], dated August 30, 1929
Hoboken advises Oppel on ordering materials from the Photogrammarchiv for study
purposes. — He hopes to see him in Kiel in late September.
-
OJ 12/50, [1] Handwritten letter from Bernhard Martin to Schenker, dated March 27, 1929
Bernhard Martin sends Schenker an analytical sketch and a composition study,
for comment. He expresses his gratitude for all that he has learned from his lessons with
Schenker.
-
OJ 12/50, [2] Handwritten letter from Bernhard Martin to Schenker, dated June 15, 1929
Bernhard Martin sends Schenker a "little treasure box" and wishes him and
Jeanette a recuperative vacation.
-
OJ 12/50, [3] Handwritten letter from Bernhard Martin to Schenker, dated July 3, 1929
Bernhard Martin is working on Schenker's graphings of the E-flat major piano
sonata of Haydn in connection with his class teaching. He has obtained a copy of Schenker's
facsimile of the "Moonlight" Sonata and is seeking his edition of the Chromatic Fantasy and
Fugue. He inquires after the [projected] Erläuterungsausgabe of Op. 106 and Schenker's
periodical articles.
-
OJ 12/50, [4] Handwritten letter from Bernhard Martin to Schenker, dated October 31,
1929
Bernhard Martin sends Schenker graphings of a Mendelssohn Lied ohne Worte and
a J. S. Bach Kleines Präludium. -- He describes the duplicated and missing pages in his
misbound copy of Schenker's Harmonielehre. -- He suggests a correction to Schenker's use of
the term "portamento." -- Having read Otto Vrieslander's biography of C. P. E. Bach, he
proposes to perform a cantata by the latter and describes the concert program in which it
will feature.
-
OJ 13/25, [4] Typewritten letter from Rinn to Schenker, dated February 7, 1929
Rinn reports that publication of "Eine Rettung der klassischen Musik-Texte"
must be delayed because a copy of the faulty Peters edition of Schubert's Sonata (Op. 78, in
G major), which is the subject of Schenker's essay, cannot be found anywhere in Munich. He
asks Schenker to send him his own copy, so that it can be used for the reproduction of the
musical text. He also mentions the death of August Halm, and his intention of marking the
event in the same issue in which Schenker's article is now to appear.
-
OJ 13/25, [5] Typewritten letter from Rinn to Schenker, dated March 7, 1929
Rinn apologizes for the small format in which the autograph of Schubert's
minuet was reproduced for Schenker's article "Eine Rettung der klassischen Musik-Texte." He
has publicized the work, and intends to send copies of it to university music departments
and inform other newspapers and journals of it. He expresses thanks for the efforts that
Schenker made in contributing to Der Kunstwart, and for his remarks on Bruckner's Ninth
Symphony.
-
OJ 13/25, [6] Typewritten letter from Rinn to Schenker, dated March 22, 1929
Rinn tells Schenker that Alfred Einstein has expressed an interest in
promoting Schenker's work on autograph manuscripts with a notice in the Berliner
Tageblatt.
-
OJ 13/25, [7] Typewritten letter from Rinn to Schenker, dated December 2, 1929
Rinn sends Schenker the October and November 1929 issues of Der Kunstwart. In
contrast to his own journal, he describes the progressive Münchener Neueste Nachrichten (for
whom Wilhelm Hausenstein, Joseph Roth, and Felix Salten were writing) as belonging to "the
other side."
-
OJ 14/45, [114] Handwritten picture postcard from Moriz and Karl Violin to Schenker, undated,
postmarked July 16, [1929]
Violin and his son have taken a bus to Brocken in the Harz mountains, the
highest point in northern Germany.
-
OJ 14/45, [75] Handwritten letter from Violin to Schenker, dated February 25, 1929
Violin has heard terrible things from Vienna on account of the extremely cold
weather, and hope that the Schenkers are in good health. His brother-in-law will take him on
holiday at Easter, and also pay for a family holiday in the summer.
-
OJ 14/45, [76] Handwritten letter from Moriz Violin to Schenker, dated March 3, 1929
On the point of departing for the Riviera with his brother-in-law – possibly
via Vienna – Violin asks Schenker to make a quick assessment of his voice-leading reduction
of Bach's first Two-Part Invention, in C major.
-
OJ 14/45, [77] Handwritten letter from Violin to Schenker, dated March 20, 1929
Violin thanks Schenker for his letter with the voice-leading sketch of Bach's
C major Invention, and for the article from Der Kunstwart on the Photogram Archive. He is
enjoying the climate of Nice, and seems to be getting on well with the French language; a
lady who overheard him playing the piano praised his expressive playing.
-
OJ 14/45, [78] Handwritten letter from Moriz Violin to Schenker, dated April 29, 1929
Violin has finally paid off a large debt, and promises to save enough money so
that he can spend a few days in Galtür with the Schenkers. He apologizes for any
indiscretion on the part of his sister Fanny.
-
OJ 14/45, [79] Handwritten letter from Violin to Schenker, dated June 16, 1929
In spite of an earlier promise, Violin says he cannot visit the Schenkers in
Galtür because he must stay with his son, who has had an inflammation of his kidney
following the news of the death of Otto Schreier. He will instead take his son on a holiday
in the Harz Mountains, and hopes to visit Vienna in the autumn or over
Christmas.
-
OJ 14/45, [80] Handwritten letter from Violin to Schenker, dated November 19, 1929
Violin apologizes for not having written, but does not want to burden Schenker
with negative thoughts. He will try to help find a publisher for the "Eroica" analysis, and
also offers some thoughts of comfort on hearing the news that Schenker's brother and
sister-in-law have separated. He has little energy left, but is somehow able to muster it
when needed, e.g. at a sold-out orchestral concert in which he played better than ever. He
promises to be in Vienna over Christmas.
-
OJ 14/45, [81] Handwritten letter from Violin to Schenker, dated December 19, 1929
Violin has two possible publishers for the "Eroica" monograph. One of these he
names as Rather in Leipzig, which has recently bought up Simrock. The other, Breitkopf &
Härtel, has been suggested by Furtwängler, who believes that the proposal would be supported
by Karl Straube. Violin also considers the possibility replying to a recent article by
Schoenberg.
-
OJ 15/15, [34] Handwritten postcard from Weisse to Schenker, dated January 2, 1929
Weisse invites the Schenkers for a Sunday morning
get-together.
-
OJ 15/15, [35] Handwritten postcard from Weisse to Schenker, dated January 18, 1929
Weisse regrets that Schenker is still unable to visit. He has arranged for a
photograph to be made of a Brahms sonata autograph manuscript.
-
OJ 15/15, [36] Handwritten postcard from Weisse to Schenker, dated February 20, 1929
Owing to family illness, the Schenker's forthcoming visit is
postponed.
-
OJ 15/15, [37] Handwritten postcard from Weisse to Schenker, postmarked March 2, 1929
Weisse asks Schenker to postpone a planned visit to the following Sunday, as
there is a Philharmonic Concert this Sunday.
-
OJ 15/15, [38] Handwritten postcard from Weisse to Schenker, dated March 8, 1929
Weisse confirms an invitation to the Schenkers for the following
Sunday.
-
OJ 15/15, [39] Handwritten postcard from Weisse to Schenker, dated April 13, 1929
Weisse arranges to meet Schenker outside the Musikverein before a performance
of Beethoven's Ninth Symphony.
-
OJ 15/15, [40] Handwritten postcard from Weisse to Schenker, dated April 16, 1929
In response to a query from Schenker concerning a pupil (Gerhard Albersheim),
Weisse explains the requirements of the state examination for prospective music teachers who
have not had a formal training at the Academy.
-
OJ 15/15, [41] Handwritten postcard from Weisse to Schenker, dated June 3, 1929
Weisse arranges to meet Schenker on Wednesday, June 11, 1929.
-
OJ 15/15, [42] Handwritten postcard from Weisse to Schenker, dated June 5, 1929
Weisse confirms arrangements to meet Schenker on June 11.
-
OJ 15/15, [44] Handwritten postcard from Weisse to Schenker, postmarked October 13, 1929
Weisse seeks to arrange a meeting with Schenker during the
week.
-
OJ 15/15, [45] Handwritten postcard from Weisse to Schenker, dated December 10, 1929
Weisse will introduce Victor Vaughn Lytle to Schenker on Sunday morning; he
asks to borrow an issue (November 5, 1929) of the Deutsche Tonkünstler-Zeitung, which
Schenker has mentioned in his previous letter.
-
OJ 15/16, [61] Handwritten letter from Weisse to Schenker, dated May 29, 1929
Weisse reports that Gerhard Albersheim is going to see him about the
possibility of having lessons from him. He congratulates Schenker on completing his study of
the "Eroica" Symphony, and hopes to be able to get together with his teacher sometime in the
next two weeks.
-
OJ 15/16, [62] Handwritten letter from Weisse to Schenker, dated August 5, 1929
Weisse, absorbed by Schenker's ideas (especially the concept of "tonal space")
tells of his plans to write about his teacher's significance as a contemporary theorist. He
describes his progress in composition, which includes the completion of a set of six bagatelles
for piano and a Clarinet Quintet, and much work on an Octet. He asks about progress on Der freie
Satz and about the publication of Schenker's analysis of the "Eroica" Symphony, and reports his
and Hertha's joy in parenthood.
-
OJ 15/7, [1] Handwritten letter from Arthur Waldeck to Schenker, dated August 27, 1929
Introductory letter from Arthur Waldeck to Schenker.
-
OJ 5/44, [1] Handwritten letter from Schenker to Arthur Waldeck, dated September 23, 1929
Schenker encourages Waldeck to spread his (Schenker's) ideas in America, and
apprises him of Dunn's translation of Kontrapunkt and his own recent and forthcoming
publications.
-
OJ 5/7a, [22] (formerly vC 22) Handwritten letter from Schenker to Cube, date not visible (April 1929)
Schenker expresses pleasure at what Cube has sent him in OJ 9/34, [16] and [17],
and offers advice and a warning: ordinary people are not interested in beauty in art, but look
for quick, easy judgments.
-
OJ 5/7a, [23] (formerly vC 23) Handwritten letter from Schenker to Cube, dated May 15, 1929
Gerhard Albersheim will leave a space in Schenker's calendar that Schenker offers
to Erich Voss; will teach him himself because Weisse may not be up to date with Der freie Satz;
Voss to contact him.
-
OJ 5/7a, [24] (formerly vC 24) Handwritten postcard from Schenker to Cube, dated July 6, 1929
Schenker has heard again from Erich Voß about lessons and shows signs of
annoyance. Has completed his "Eroica" study, and Der freie Satz looms.
-
OJ 5/7a, [25] (formerly vC 25) Handwritten postcard from Schenker to Cube, dated July 14, 1929
Voß is coming to Vienna.
-
OJ 5/7a, [26] (formerly vC 26) Handwritten postcard from Schenker to Cube, dated July 22, 1929
Acknowledges the sonatas Cube sent with OJ 9/34, [19]; reports on Reinhard Oppel
and on Hans Weisse's recent publication success; Schenker approves of Cube's use of pianistic
diminution.
-
OJ 5/7a, [27] (formerly vC 27) Handwritten letter from Schenker to Cube, dated August 10, 1929
Schenker reponds, on information from Reinhard Oppel, to Cube's question in OJ
9/34, [19] about finding a publisher; advises Cube to seek friends who will play his music,
after which publication should ensue. Schenker gives detailed comments, with music examples, on
Cube's two piano sonatas, praising them highly and making suggestions for
improvement.
-
OJ 6/7, [41] Handwritten letter from Schenker to Moriz Violin, dated February 27, 1929
Schenker thanks Violin for his concerns, describes how they survived the cold
weather earlier in February, reports that his monograph on the "Eroica" Symphony is finished
and that he has written an article about the Photogram Archive, which has acquired over
seven thousand pages of manuscripts. He looks forward to seeing his friend in the
summer.
-
OJ 6/7, [42] Handwritten letter, with envelope, from Schenker to Moriz Violin, dated March 7,
1929
In reply to Violin's previous letter, Schenker writes out a graphic analysis
of Bach's Two-Part Invention in C major, and wishes him an enjoyable holiday on the French
Riviera.
-
OJ 6/7, [43] Handwritten letter from Schenker to Moriz Violin, dated November 13, 1929
Urging his friend to write only when he feels up to it, Schenker gives Violin
some news of his own: that the Eroica Symphony monograph is finished but a publisher who is
capable of dealing with the numerous music examples must be found; that Schenker will work
unceasingly on Der freie Satz once the Eroica is out of the way; that the Photogram Archive
has grown in size in two years, and that so many requests for information have been received
that a yearbook is planned, with critical reports, new editions, and the like; that Hoboken
and Vrieslander have fallen out (over money matters); that Schenker's brother Mozio (Moses)
has separated from his wife after 25 years of marriage and that he his has been giving music
lessons to Mozio’s son, a cellist in the Baden city orchestra.
-
OJ 6/7, [44] Handwritten letter from Schenker to Violin, dated November 24, 1929
After reply to some of the more personal points in Violin's previous letter,
Schenker welcomes his friend's efforts to look for a publisher for the Eroica Symphony
monograph, noting that, in spite of the difficulties that Hertzka has caused him, his books
are still in print and his status as a theorist has been acknowledged by the the fact that
the universities of Heidelberg and Leipzig have expressed an interest in appointing him. A
recent article in the Deutsche Tonkünstler-Zeitung will give Violin further ammunition when
approaching a publisher. That same issue also contains an article by Schoenberg touching on
various canonic works (Bach, Prelude in C sharp minor for the Well-Tempered Clavier, Book 1;
Beethoven, Seventh Symphony, finale; Mozart, slow introduction to the "Dissonant" Quartet).
He feels that it is beneath his dignity to make a formal reply; but to illustrate what he
means, and why he is contemptuous of Schoenberg, he provides several voice-leading graphs
and other music examples concerning these works.
-
OJ 6/7, [45] Handwritten letter from Schenker to Violin, dated December 23, 1929
Schenker, expressing misgivings about the medical profession, nonetheless
hopes that Karl Violin's impending operation is successful. He is still awaiting news about
a publisher for the "Eroica" monograph; Furtwängler's illness has delayed some lines of
enquiry, and Hertzka (at Universal Edition) has not been cooperative.
-
OJ 8/4, [62] Handwritten postcard from Schenker to Violin, dated May 3, 1929
Schenker assures Violin that there is no friction whatever between his sister
Fanny and himself; he looks forward to seeing him in the summer.
-
OJ 89/3, [1] Handwritten letter from Schenker to Hoboken, dated March 28, 1929
Schenker expresses surprise at Vrieslander's "deception" and approves Hoboken's
response to him.
-
OJ 89/3, [10] Handwritten letter from Schenker to Hoboken, dated September 18, 1929
Schenker acknowledges check; — comments on Hoboken's work on a Chopin Etude; —
discusses an approach by Vrieslander; — explains how the possibility of a professorship at
Heidelberg had come about.
-
OJ 89/3, [11] Typewritten letter (typed copy) from Vrieslander to Schenker, dated October 23,
1929
Vrieslander reports that Hoboken has given him notice to vacate, and rehearses
the course of events leading up to this situation, events that intertwine with Vrieslander's
obligations to the Photogrammarchiv.
-
OJ 89/3, [12] Handwritten letter from Schenker to Hoboken, dated October 24, 1929
Schenker forwards Vrieslander's letter.
-
OJ 89/3, [2] Handwritten letter from Schenker to Hoboken, dated July 6, 1929
Schenker encloses a newspaper clipping regarding a Haydn manuscript find, and the
statement from Vrieslander.
-
OJ 89/3, [3] Typewritten letter (carbon copy) from Hoboken to Schenker, dated July 7,
1929
Hoboken recounts recent travels. — Is now at Kliffende, where he is about to
build a house. — Reports meetings with Hubermann and Harburger; encloses a letter and articles
from the latter. — Refers to a Vrieslander problem.
-
OJ 89/3, [4] Handwritten letter from Schenker to Hoboken, dated July 12, 1929
Schenker thanks Hoboken for the Harburger items and agrees to write to
Vrieslander.
-
OJ 89/3, [5] Typewritten letter (carbon copy) from Hoboken to Schenker, dated July 22,
1929
Hoboken gives his view on Vrieslander's honorarium demand.— He is not yet
finished with analyzing Brahms Op. 117, No. 1.
-
OJ 89/3, [6] Handwritten letter from Schenker to Hoboken, dated August 2, 1929
Schenker has passed the [fee] verdict on to Vrieslander; alludes to Reinhard
Oppel, and advises on the analysis of Brahms Op. 117, No. 1.
-
OJ 89/3, [7] Handwritten letter from Schenker to Hoboken, dated August 5, 1929
Further communications between Hoboken and Vrieslander should now go via
Kromer, not Schenker; Oppel leaves tomorrow; how is house-construction
going?
-
OJ 89/3, [8] Handwritten letter from Schenker to Hoboken, dated September 10, 1929
Schenker increases his lesson fee by inflation. — He reports on Oppel and
Vrieslander, referring to his (Schenker's) not having been appointed to a professorship at
Heidelberg; on Albersheim's marriage, and approaches made to him by Cube and
Waldeck.
-
OJ 89/3, [9] Typewritten letter from Hoboken to Schenker, dated September 15, 1929
Hoboken encloses his analytical study of Brahms's Intermezzo, Op. 117, No. 1,
and raises several technical matters. — He reports on his building project, and responds to
Schenker's refusal, in OJ 89/3, [7], to continue acting as intermediary with Vrieslander. —
He encloses a check for his lesson fee.
-
OJ 89/3, [A] Handwritten letter from Schenker to Hoboken, undated [between November 14, 1928 and
January 1, 1929]
Schenker asks Hoboken to send a copy of a Schubert minuet to Munich, and draws
his attention to a Landshoff article and notice about the Andreas Bach
book.
-
OJ 9/34, [16] Handwritten letter from Cube to Schenker, dated March 26, 1929
Cube is listening by radio to music being performed in Vienna. The two caricatures are his
fellow composition teachers at Duisburg. Reports on his work at Cologne Conservatory: success with previous
lectures, and forthcoming lecture series.
-
OJ 9/34, [17] Handwritten letter from Cube to Schenker, dated April 5, 1929
Miss Edith Sauerbrey may call on Schenker.
-
OJ 9/34, [18] Handwritten letter from Cube to Schenker, dated May 14, 1929
Cube explores the possibility of a student of his, Erich Voss, studying with
Schenker.
-
OJ 9/34, [19] Handwritten letter from Cube to Schenker, dated July 18, 1929
Acknowledges two postcards; no word from Eric Voss; reports on teaching activities; reports on
composing and sends two sonatas for Schenker's comment.
-
PhA/Ar 56, [10] Handwritten postcard from Schenker to Kromer, dated November 22, 1929
Inquiry as to the whereabouts of the autograph of Beethoven Op.
90.
-
PhA/Ar 56, [3] Handwritten letter from Schenker to Haas, dated July 6, 1929
Schenker draws Haas's attention to an article in the Neue Freie Presse
regarding Haydn manuscripts.
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WSLB 405 Handwritten letter from Schenker to Hertzka (UE), dated January 9, 1929
Schenker sets deadline for decision on publishing "Eroica" monograph; stresses
urgency.
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WSLB 407 Handwritten postcard from Schenker to Hugo Winter (UE), dated January 24,
1929
Schenker reminds Winter to send him his half-yearly
statement.
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WSLB 408 Handwritten letter from Schenker to Hertzka (UE), dated June 19, 1929
Schenker inquires after Hertzka's decision on the "Eroica" monograph; gives
his vacation address.
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WSLB 410 Handwritten letter from Schenker to Hertzka (UE), dated June 28, 1929
Schenker will be patient until 1930.
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WSLB 411 Handwritten picture postcard from Schenker to UE, dated July 19, 1929
Requests half-yearly statement of account.
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WSLB 414 Handwritten letter from Schenker to UE, dated July 27, 1929
Schenker comments on Schmid's remarks; inquires after editorship of Mozart
edition.
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WSLB 417 Handwritten letter from Schenker to UE, dated August 9, 1929
Reacting to Edmund Schmid's follow-up remarks, Schenker points up a favorable
passage and comments wrily on a critical one.
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WSLB 418/1 Handwritten letter from Schenker to Hertzka (UE), undated [December 19,
1929]
Schenker recommends an essay by Gerhard Albersheim; raises possibility of
unchanged re-issue of Harmonielehre.
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WSLB 419 Handwritten letter from Schenker to Hertzka (UE), dated December 28, 1929
Reminder of Hertzka's promise to decide about the "Eroica"
monograph.