-
OJ 11/42, [2] Handwritten postcard from Maximilian Harden to Schenker, dated November 29,
1892
One of Schenker's articles will be published in an upcoming issue of Die
Zukunft; Harden asks for further submissions; agrees with Schenker's positive assessment of
the Italian soprano Gemma Bellincioni.
-
OJ 11/42, [3] Handwritten postcard from Maximilian Harden to Schenker, dated May 22,
1893
Harden asks Schenker to write a review of Verdi's Falstaff in time for the
Berlin opening of the opera.
-
OJ 11/42, [4] Handwritten postcard from Maximilian Harden to Schenker, dated June 27,
1893
Harden thanks Schenker for an article on Smetana; encourages him to write on
the Viennese appetite for Italian operas; and sends greetings to [Adolph?]
Gelber.
-
OJ 11/42, [5] Handwritten postcard from Maximilian Harden to Schenker, dated September 29,
1893
Harden encourages articles from Schenker on Leoncavallo and
Bruckner.
-
OJ 11/42, [6] Handwritten postcard from Maximilian Harden to Schenker, dated October 19,
1893
Harden thanks Schenker for sending an [unidentified] article with a lighter
tone than some of Schenker's other work.
-
OJ 11/42, [8] Handwritten postcard from Maximilian Harden to Schenker, dated November 9,
1893
Harden asks after Schenker's health and encourages him to write an article on
prominent conductors and an article on music education.
-
OJ 9/6, [D] Handwritten postcard from Eugen d’Albert to Schenker, undated
Eugen d'Albert extends an invitation to Schenker.
-
OJ 11/42, [9] Handwritten postcard from Maximilian Harden to Schenker, dated February 16,
1894
Harden asks for Schenker's permission to put off publishing Schenker's article
on prominent conductors until Harden himself writes something personal about Hans von Bülow,
who had died four days earlier.
-
OJ 11/42, [10] Handwritten postcard from Maximilian Harden to Schenker, dated March 1,
1894
Harden sends greetings to Schenker and [Adolph?] Gelber; he encourages
Schenker to add mention of Hans von Bülow to his upcoming article on conductors, and asks
Schenker to perform a thorough revision because the draft was not entirely
clear.
-
OJ 11/42, [11] Handwritten postcard from Maximilian Harden to Schenker, dated April 13,
1894
Harden wonders whether it is worth publishing an article by Schenker on
Verdi's Falstaff now that the production has moved on from Berlin to Paris.
-
OJ 11/42, [13] Handwritten postcard from Maximilian Harden to Schenker, dated May 1,
1894
"The road is clear."
-
OJ 11/42, [15] Handwritten postcard from Maximilian Harden to Schenker, undated; postmarked June
14, 1894
Harden says he will look over an article by Schenker soon; he wonders whether
Brahms or Rosenthal will contribute anything on Bülow to Die Zukunft; and he encourages
Schenker to send him more articles in the future.
-
OJ 11/42, [16] Handwritten postcard from Maximilian Harden to Schenker, dated July 15,
1894
Harden agrees in principle to Schenker's publishing elsewhere some material on
which Harden had some claim; he advises Schenker that he has no following among the audience
of Die Neue Review; he has heard nothing from Brahms or Rosenthal about contributing
something about Bülow to Die Zukunft.
-
OJ 11/42, [18] Handwritten postcard from Maximilian Harden to Schenker, dated October 4,
1894
Harden urges Schenker to press Brahms [for material on Bülow]; he thinks that
d'Albert will benefit from Schenker's article about him in Die Zukunft; he reports cordial
impressions of Humperdinck from Cosima and Siegfried Wagner; and he asks whether an article
he wrote was any good.
-
OJ 11/42, [20] Handwritten postcard from Maximilian Harden to Schenker, dated October 13,
1894
Harden denies that he will try prevent Schenker from publishing his material
wherever he chooses; and he commiserates with Schenker over a presumed slight by Hermann
Bahr of Die Zeit.
-
OJ 11/42, [25] Handwritten postcard from Maximilian Harden to Schenker, dated November 2,
1895
Harden advises that one of Schenker's ideas for an article cannot be published
because Harden's printer does not have musical notation.
-
OJ 11/42, [26] Handwritten postcard from Maximilian Harden to Schenker, dated March 27,
1896
Harden welcomes Schenker's submission of a review of Karl Goldmark's Das
Heimchen am Herd.
-
OJ 12/47, [1] Handwritten postcard from Ernst Mach to Schenker, dated December 2, 1896
Mach essentially agrees with Schenker, and gives Wallaschek's
address.
-
OJ 9/6, [15] Handwritten postcard from Eugen d'Albert to Schenker, dated January 27,
1897
Eugen d'Albert is in Vienna and seeks a meeting with
Schenker.
-
OJ 11/42, [28] Handwritten postcard from Harden to Schenker, postmarked April 7, 1897
Harden has already accepted an article.
-
OJ 11/42, [29] Handwritten postcard from Harden to Schenker, dated April 18, 1897
Harden asks whether Schenker's article on Brahms is still
available.
-
OJ 9/6, [21] Handwritten postcard from Eugen d'Albert to Schenker, dated September 13,
1897
Eugen d'Albert has no alterations to make to Schenker's Fünf
Klavierstücke.
-
OJ 9/6, [22] Handwritten postcard from Eugen d'Albert to Schenker, dated October 18,
1897
Eugen d'Albert has disclaimed responsibility for Paula Szalit because her
family is insisting that she play (in public) throughout the coming winter.
-
OJ 9/6, [24] Handwritten postcard from Eugen d'Albert to Schenker, dated October 28,
1897
Eugen d'Albert seeks to mollify an awkwardness that has arisen between the two
men.
-
OJ 9/6, [26] Handwritten postcard from Eugen d'Albert to Schenker, dated November 24,
1897
Eugen d'Albert is not aware of having been guilty of "uncollegial behavior" to
a third party.
-
OJ 9/6, [31a] Handwritten postcard from Eugen d’Albert to Schenker, postmarked November 14,
[1899]
Eugen d'Albert thanks Schenker for his "Syrian Dances" for piano duet, and
sends the piano reduction of his opera "Kain."
-
OJ 12/7, 5 Handwritten postcard from Kalbeck to Schenker, postmarked November 15,
1899
Kalbeck moves Schenker's morning visit to the afternoon, and warns that
his piano is out of tune.
-
OJ 9/6, [32] Handwritten postcard from Eugen d'Albert to Schenker, dated September 2,
1900
Eugen d'Albert gives the schedule of forthcoming performances of his
opera.
-
OC 52/1 Handwritten postcard from Josef Weinberger (UE) to Schenker, dated May 30,
1901
Weinberger summons Schenker to finalize details over C. P. E. Bach
edition.
-
OJ 9/6, [34] Handwritten postcard from Eugen d'Albert to Schenker, dated January 6,
1902
Eugen d'Albert proposes they meet on January 10.
-
OJ 13/26, [1] Handwritten postcard from Richard Robert to Schenker, dated January 10, 1902
Robert has only the first edition of C. P. E. Bach's Versuch; he offers keyboard
scores of Bach cantatas.
-
OJ 70/35, [1] Handwritten postcard from Schoenberg to Moriz Violin, undated, postmarked March 9,
1902
Schoenberg asks Violin to arrange the next day's reheasal.
-
OJ 14/23, [1] Handwritten postcard from Seligmann to Schenker, dated April 1, 1902
Seligmann invites Schenker to an evening of chamber music at his
place.
-
OC 52/4 Handwritten postcard from Stedler(?) (UE) to Schenker, dated July 4, 1902
Asks for the manuscript copy of C. P. E. Bach Klavierwerke to be
returned.
-
OC 52/5 Handwritten postcard from Stedler(?) (UE) to Schenker, dated July 4, 1902
Annotation on p. VII is impossible.
-
OJ 15/6, [3] Handwritten postcard from Richard Wahle to Schenker, postmarked January 9,
1903
Wahle is sorry that Schenker seems too busy to see him and tries to arrange a
get-together the following day.
-
OJ 11/10, [4] Handwritten postcard from Frimmel to Schenker, dated February 1, 1903
Frimmel expresses pleasure at Schenker's new edition.
-
OJ 14/23, [3] Handwritten postcard from Seligmann to Schenker, postmarked February 9,
1903
Seligmann asks Schenker to join him and two other players in an evening of
chamber music at his place.
-
OJ 14/23, [4] Handwritten postcard from Seligmann to Schenker, dated February 24, 1903
Seligmann informs Schenker that the chamber music planned for the next day
will be held at his own place.
-
OJ 14/23, [5] Handwritten postcard from Seligmann to Schenker, postmarked June 30, 1903
Seligmann has been in touch with Ludwig Bösendorfer regarding Schenker’s
application (for a teaching post at the Vienna Conservatory); he also suggests that Schenker
contact Baron Rothschild, concerning a donation to help establish a Lyceum in
Vienna.
-
OJ 14/23, [6] Handwritten postcard from Seligmann to Schenker, postmarked July 25, 1903
Seligmann congratulates Schenker on his Beitrag zur Ornamentik, which he finds
excellent. He hopes that Mahler will write him a letter of reference, and believes that
Guido Adler would also assist him in obtaining a teaching post at the Vienna
Conservatory.
-
OJ 9/6, [36] Handwritten postcard from Eugen d'Albert to Schenker, dated November 22,
1903
Eugen d'Albert reports a position vacant in Frankfurt.
-
OJ 9/6, [37] Handwritten postcard from Eugen d'Albert to Schenker, postmarked December 7,
1903
Eugen d'Albert expresses sympathy for Schenker's
indisposition.
-
OJ 9/6, [38] Handwritten postcard from Eugen d'Albert to Schenker, postmarked December 30,
1903
Eugen d'Albert needs to see Schenker urgently.
-
OJ 70/35, [3] Handwritten postcard from Schoenberg to Moriz Violin, dated February 21,
1904
Since none of his [Op. 6?] songs is for female voice, Schoenberg decides not
to send them to Violin.
-
OJ 14/23, [8] Handwritten postcard from Seligmann to Schenker, postmarked February 27,
1904
Seligmann asks Schenker to join him for lunch at the home of Court Counselor
Theodor Gomperz, in connection with a musical matter.
-
OJ 12/29, [2] Handwritten postcard from Carl Lafite to Schenker, postmarked May 26,
1904
Lafite acknowledges receipt of Schenker's chorus "Agnes."
-
OJ 11/10, [6] Handwritten postcard from Frimmel to Schenker, postmarked November 10, 1904
Frimmel sends congratulations for Schenker's (and Violin's) great
success.
-
OJ 15/12, [8] Handwritten postcard from Weinberger to Schenker, dated December 5, 1904
Weinberger archive has no wind music by Haydn.
-
OJ 11/10, [7] Handwritten postcard from Frimmel to Schenker, dated March 14, 1905
The promised Handel Organ Concertos volume has not yet arrived. — Frimmel asks
for the score of the C. P. E. Bach concerto that Schenker played the previous fall. Tickets for
his Beethoven lectures will be sent soon.
-
OJ 11/10, [8] Handwritten postcard from Frimmel to Schenker, postmarked March 18, 1905
Frimmel acknowledges receipt of Schenker' Handel Organ Concertos volume and
says the latter's C. P. E. Bach keyboard words edition will feature in his forthcoming
lecture series.
-
OJ 11/10, [9] Handwritten postcard from Frimmel to Schenker, postmarked March 20, 1905
Frimmel acknowledges loan [of C. P. E. Bach Klavierwerke]. He offers a
discount for his Beethoven lecture course to Schenker's pupils.
-
OJ 9/6, [39] Handwritten postcard from Eugen d'Albert to Schenker, dated May 25, 1905
Eugen d'Albert acknowledges receipt of a package from Schenker and indicates
that he will remain in Italy until the Fall.
-
CA 33 Handwritten postcard from Schenker to Cotta, dated July 9, 1906
Schenker gives his summer address.
-
CA 35 Handwritten postcard from Schenker to Cotta, dated August 23, 1906
Schenker asks for mailings to be sent to his Vienna.
-
CA 36 Handwritten postcard from Schenker to Cotta, dated August 29, 1906
Schenker asks for ties.
-
CA 38 Handwritten postcard from Schenker to Cotta, dated September 1, 1906
Schenker's wishes are those of Cotta.
-
OJ 14/23, [9] Handwritten postcard from Seligmann to Schenker, postmarked September 2,
1906
Seligmann thanks Schenker for his words of approval on his feuilleton about
the Salzburg Festival in the Neue Freie Presse.
-
CA 39 Handwritten postcard from Schenker to Cotta, dated September 19, 1906
Schenker reports an error in the numbering of music examples in the
Harmonielehre proofs.
-
CA 46 Handwritten postcard from Schenker to Cotta, dated October 11, 1906
Revised proofs of the final gatherings of Harmonielehre have been sent, and
title-page will be sent shortly.
-
CA 48 Handwritten postcard from Schenker to Cotta, dated October 15, 1906
Schenker asks for more postal ties.
-
OJ 14/23, [10] Handwritten postcard from Seligmann to Schenker, postmarked November 21,
1906
Seligmann thanks Schenker for an act of kindness.
-
OJ 9/6, [47] Handwritten postcard from Eugen d'Albert to Schenker, postmarked February 4,
1907
Eugen d'Albert asks if Schenker is coming to the concert, otherwise suggests a
time to meet.
-
CA 73 Handwritten postcard from Schenker to Cotta, dated January 3, 1908
Schenker asks for the review of his Harmonielehre by Karl Grunsky to be sent
to him.
-
CA 74 Handwritten postcard from Schenker to Cotta, dated January 16, 1908
Schenker asks for a copy of his Harmonielehre to be sent to
Busoni.
-
OJ 12/9, [1] Handwritten postcard from Karpath to Schenker, postmarked February 10, 1908
Karpath asks to speak with Schenker and Moriz Violin regarding a professorship
for Schenker.
-
OJ 9/6, [48] Handwritten postcard from Eugen d'Albert to Schenker, postmarked February 21,
1908
Eugen d'Albert invites Schenker to attend the dress rehearsal of his opera
"Tiefland."
-
OJ 9/6, [49] Handwritten postcard from Eugen d'Albert to Schenker, postmarked February 29,
1908
Eugen d'Albert thanks Schenker for his congratulations.
-
WSLB 1 Handwritten postcard from Schenker to Hertzka (UE), dated March 25, 1908
Schenker welcomes the opportunity to make additions to Beitrag zur
Ornamentik.
-
OC 52/384 Typewritten postcard (book slip) from Hertzka (UE) to Schenker, dated March 26,
1908
UE asks for additions to Beitrag zur Ornamentik by the beginning of the
following week.
-
WSLB 3 Handwritten postcard from Schenker to Hertzka (UE), dated April 9, 1908
Schenker promises more material next day, and extols the work.
-
OJ 11/10, [13] Handwritten postcard from Frimmel to Schenker, dated April 25, 1908
Frimmel draws Schenker's attention to an article in the Musikalisches
Wochenblatt.
-
OJ 14/23, [11] Handwritten postcard from Seligmann to Schenker, postmarked June 4, 1908
Seligmann gives the travel arrangements for their excursion (planned for
Sunday, June 7) and asks Schenker to meet him to discuss final
arrangements.
-
OJ 11/29, [2] Handwritten postcard from Grunsky to Schenker, postmarked June 5, 1908
Grunsky will reply as soon as possible.
-
OJ 14/23, [12] Handwritten postcard from Seligmann to Schenker, postmarked June 7, 1908
Seligmann suggests postponing the excursion to Kreuzenstein Castle by a
week.
-
WSLB 11 Handwritten postcard from Schenker to Hertzka (UE), dated June 30, 1908
Schenker asks for his honorarium to be sent promptly because of difficulties with
the post service to the Tyrol.
-
WSLB 12 Handwritten postcard from Schenker to Hertzka (UE), dated July 22, 1908
Schenker asks for a copy of Beitrag zur Ornamentik to be sent to Karl
Grunsky.
-
WSLB 13 Handwritten postcard from Schenker to Hertzka (UE), dated August 13, 1908
Schenker reluctantly agrees to October for publishing the Instrumentation
Table.
-
OJ 9/6, [50] Handwritten postcard from Eugen d'Albert to Schenker, postmarked August 21,
1908
Eugen d'Albert asks Schenker to pick him up at his hotel to go to the dress
rehearsal.
-
WSLB 15 Handwritten postcard from Schenker to Hertzka (UE), dated August 22, 1908
Schenker regrets that printing of Beitrag zur Ornamentik is
delayed.
-
WSLB 19 Handwritten postcard from Schenker to Hertzka (UE), dated September 16, 1908
Schenker asks for a complimentary copy of his Beitrag zur Ornamentik to be sent
to Ludwig Karpath.
-
CA 82 Handwritten postcard from Schenker to Cotta, dated September 23, 1908
Schenker has dispatched the manuscript for Kontrapunkt.
-
CA 84 Handwritten postcard from Schenker to Cotta, dated September 27, 1908
Schenker promises the remainder of Kontrapunkt in a few days.
-
OJ 11/29, [4] Handwritten postcard from Grunsky to Schenker, postmarked November 5,
1908
Grunsky hopes to meet Schenker at the Haydn festival in Vienna. He urges
Schenker to read Halm on Bruckner.
-
OC 52/29 Typewritten postcard (book slip) from Hertzka (UE) to Schenker, dated November 23,
1908
The Instrumentations-Tabelle is going into a larger edition, and Hertzka asks
for a meeting.
-
WSLB 27 Handwritten postcard from Schenker to Hertzka (UE), dated November 27,
1908
Schenker asks for a copy of the Instrumentations-Tabelle.
-
WSLB 28 Handwritten postcard from Schenker to Hertzka (UE), dated December 9,
1908
Schenker promises an "elaboration" regarding the
Instrumentations-Tabelle.
-
OJ 9/6, [51] Handwritten postcard from Eugen d'Albert to Schenker, postmarked December 10,
1908
Eugen d'Albert hopes to see Schenker at his Friday concert so that they can
talk afterwards.
-
OC 52/30 Typewritten postcard from Hertzka (UE) to Schenker, date December 16,
1908
Ultimatum: if not delivered by Friday, "supplementary remarks" will be
omitted.
-
OC 52/34 Typewritten postcard (book slip) from UE (unidentified sign) to Schenker, dated
January 14, 1909
UE confirms sending two items to Elise Rudorff.
-
OJ 7/4, [50] Handwritten postcard from Schenker to Moriz Violin, dated January 26, 1909
Schenker has news to tell him regarding Richard Heuberger and Wilhelm Bopp;
reminds of forthcoming attendance at [a recital by] Artur Schnabel.
-
CA 94 Handwritten postcard from Schenker to Cotta, dated April 8, 1909
Schenker inquires whether a batch of proofs has gone astray, and draws
attention to a review.
-
OJ 7/4, [51] Handwritten postcard from Schenker to Moriz Violin, dated June 10, 1909
Schenker must miss seeing an Ibsen play, because the latest batch of proofs of
Kontrapunkt I have to be finished.
-
OJ 7/4, [52] Handwritten postcard from Schenker to Moriz Violin, dated June 10, 1909
Schenker is in Steinach, awaiting Moriz Violin's arrival.
-
WSLB 40 Handwritten postcard from Schenker to Hertzka (UE), dated June 26, 1909
Schenker asks for the Röntgen edition of the Chromatic Fantasy & Fugue to
be sent to him.
-
WSLB 41 Handwritten postcard from Schenker to Hertzka (UE), dated July 1, 1909
Schenker asks for the three previously requested editions to be sent as soon as
possible so as to arrive before he departs for vacation.— He also asks for Richard Stöhr's
Harmonielehre.
-
CA 103 Handwritten postcard from Schenker to Cotta, dated July 7, 1909
Schenker gives his summer address and asks for proofs to be sent
there.
-
OJ 7/4, [53] Handwritten postcard from Schenker to Moriz Violin, dated August 26, 1909
Schenker leaves Steinach on Sunday [29th].
-
CA 104 Handwritten postcard from Schenker to Cotta, dated August 30, 1909
Schenker has returned to Vienna.
-
OJ 12/9, [2] Handwritten postcard from Karpath to Schenker, dated September 12, 1909
Karpath calls a meeting.
-
OC 52/37 Typewritten postcard from UE (unidentified signatory) to Schenker, dated September
20, 1909
Hertzka is currently away.
-
WSLB 42 Handwritten postcard from Schenker to Hertzka (UE), dated September 20, 1909
The Chromatic Fantasy & Fugue is ready to deliver. Proposes a meeting to
discuss printing.
-
WSLB 43 Handwritten postcard from Schenker to Hertzka (UE), dated October 2, 1909
Schenker asks for a copy of Beitrag zur Ornamentik to be sent to Fritz
Wahle.
-
CA 105 Handwritten postcard from Schenker to Cotta, dated October 27, 1909
The wrong proofs have been sent to Schenker by mistake.
-
WSLB 45 Handwritten postcard from Schenker to Hertzka (UE), dated October 27,
1909
Schenker is unable to make a meeting before November 2.
-
OJ 7/4, [55] Handwritten postcard from Schenker to Moriz Violin, dated November 5, 1909
Schenker on the delusion of progress; epigonism versus
progress-art.
-
OJ 13/37, 9 Handwritten postcard from Ernst Rudorff to Schenker, dated November 15,
1909
Rudorff asks Schenker not to give Jakob Fischer the score of his Herbstlied if
asked.
-
OJ 7/4, [56] Handwritten postcard from Schenker to Moriz Violin, dated December 3, 1909
Schenker reports a conversation with "G." re conducting the "Kreuzstab"
Cantata.
-
OJ 7/4, [57] Handwritten postcard from Schenker and others to Moriz Violin, dated December 13,
1909
Schenker and others ask if Violin can obtain free tickets for a Pugno
recital.
-
WSLB 49 Handwritten postcard from Schenker to Hertzka (UE), dated December 20,
1909
Schenker asks for proofs of his Chromatic Fantasy & Fugue edition over the
Christmas holiday.
-
WSLB 50 Handwritten postcard from Schenker to Hertzka (UE), dated December 22,
1909
Schenker agrees to visit Hertzka, but stipulates no
criticism.
-
CA 110 Handwritten postcard from Schenker to Cotta, dated February 6, 1910
Schenker asks for proof-ties.
-
OJ 7/4, [60] Handwritten postcard from Schenker to Violin, dated March 14, 1910
Schenker will see Violin tomorrow. He has been "pumped" by Robert
Hirschfeld.
-
OJ 7/4, [61] Handwritten postcard from Schenker to Violin, dated March 23, 1910
Schenker suggests they return the due borrowed items to the Archive
together.
-
OJ 7/4, [62] Handwritten postcard from Schenker to Violin, dated April 8, 1910
Schenker gives Violin his opinion, and has a draft letter to show
him.
-
WSLB 59 Handwritten postcard from Schenker to Hertzka (UE), dated April 16, 1910
Schenker reasserts his claim that his Chromatic Fantasy & Fugue edition
will be seriously delayed. — He urges Hertzka to give more attention to his
work.
-
WSLB 60 Handwritten postcard from Schenker to Hertzka (UE), dated April 20, 1910
Schenker asks that proofs of his Chromatic Fantasy & Fugue edition reach
him by May 1, and outlines a plan for production of the work. He will not be able to correct
them during the summer.
-
CA 111 Handwritten postcard from Schenker to Cotta, dated May 1, 1910
Schenker asks urgently for remaining galley-proofs of Counterpoint
1.
-
OJ 7/4, [63] Handwritten postcard from Schenker to Violin, dated June 3, 1910
Proofs of the Chromatic Fantasy & Fugue have arrived.
-
OJ 7/4, [64] Handwritten postcard from Schenker to Violin, dated July 4, 1910
Schenker has sent all materials to Cotta and is about to depart [for
Karerpass].
-
OC 52/54 Handwritten postcard from UE to Schenker, dated July 28, 1910
Second proofs of the Chromatic Fantasy & Fugue edition are ready for
correcting: UE asks to which address to send them.
-
OJ 7/4, [67] Handwritten postcard from Schenker to Violin, dated August 11, 1910
Schenker has had an ear blockage removed and can hear again.
-
OC 52/55 Handwritten postcard from UE to Schenker, dated August 17, 1910
UE acknowledge return of the [second] proofs of the Chromatic Fantasy &
Fugue edition, but request that Schenker return the "original."
-
CA 120 Handwritten postcard from Schenker to Cotta, dated September 6, 1910
Schenker asks whether Counterpoint [1] will be published in September, and
promises his "plans" soon.
-
OC 52/58 Typewritten postcard from UE to Schenker, dated September 15, 1910
Since further issues have arisen in the final proofs of the Chromatic Fantasy
& Fugue edition, Josef von Wöß asks for a visit from Schenker.
-
OJ 7/4, [68] Handwritten postcard from Schenker to Violin, dated September 21, 1910
Schenker reports a proposition that Robert Hirschfeld has put to him, and
suggests lunch in Vienna.
-
CA 129 Handwritten postcard from Schenker to Cotta, dated October 3, 1910
Schenker redirects the copies of Harmonielehre and Kontrapunkt I destined for
Jenny Kornfeld to his own address in Vienna.
-
OJ 13/37, 11 Handwritten postcard from Ernst Rudorff to Schenker, dated October 11,
1910
Rudorff asks Schenker to send his two packages to Lauenstein, not
Großlichterfelde.
-
OJ 13/26, [2] Handwritten postcard from Richard Robert to Schenker, dated October 13,
1910
Robert acknowledges receipt of Kontrapunkt I, and expresses his admiration for
it.
-
OJ 14/23, [15] Handwritten postcard from Seligmann to Schenker, postmarked October 14,
1910
Seligmann thanks Schenker for his kind words about the most recent feuilleton
(on artistic life in Vienna).
-
CA 139 Handwritten postcard from Schenker to Cotta, dated October 25, 1910
Schenker asks for a copy of his Harmonielehre to be sent to Prof. Robert Fuchs
at the Vienna Academy.
-
OJ 12/27, [14] Stenographically handwritten postcard from Cotta to Schenker, dated October 27,
1910
Cotta has sent a complimentary copy of Harmonielehre to Robert
Fuchs.
-
OC 52/59 Typewritten postcard from Hertzka (UE) to Schenker, dated October 28,
1910
UE is sending out complimentary copies to Schenker's recipient list, and two
copies to himself. It asks Schenker to call in at the office.
-
OJ 7/4, [69] Handwritten postcard from Jenny Kornfeld and Heinrich Schenker to Violin, dated
December 9, 1910
Jenny Kornfeld asks to speak with Moriz Violin re her divorce petition. Heinrich
gives his availability and reports on his mother's situation.
-
OJ 12/9, [4] Handwritten postcard from Karpath to Schenker, dated May 29, 1911
Karpath promises Schenker he will publish an announcement [about the lecture
series "The Decline of the Art of Music"].
-
OJ 8/1, [4] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated July 1,
1911
Schenker reports on Jeanette's and his journey to Sulden.
-
OC 52/63 Typewritten postcard from UE to Schenker, dated July 27, 1911
UE confirms sending Schenker's edition of the Chromatic Fantasy and Fugue to
Gottfried Galston. Hertzka is on holiday, and will reply on his return.
-
OC 52/64 Typewritten postcard from UE to Schenker, dated August 8, 1911
UE requests personal data.
-
OJ 8/1, [9] Handwritten postcard from Heinrich Schenker and Jenny Kornfeld to Moriz Violin, dated
September 8, 1911
Schenker asks if a letter has arrived at Violin's address, and asks for it to be
forwarded to him if so.
-
OJ 8/1, [10] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated September 11,
1911
Schenker complains that Violin has failed to turn up for an agreed meeting at the
right place. He comments favorably on a new composition by Violin. He is going to the Pollaks in
the evening.
-
OC 52/65 Typewritten postcard from UE to Schenker, dated September 14, 1911
Emil Hertka is away on business; Schenker should wait a day or
two.
-
WSLB 80 Handwritten postcard from Schenker to Hertzka (UE), dated September [2]0,
1911
Schenker gives an ultimatum for Hertzka's decision on the Bach-Beethoven
plan.
-
WSLB 82 Handwritten postcard from Schenker to Hertzka (UE), dated September 20,
1911
Schenker laments the withdrawal of Wilhelm Bopp from the planned
Bach-Beethoven edition project. -- He contests Hertzka's use of the term "Text-Kritik" to
characterize his Beethoven last five sonatas project.
-
OJ 8/1, [11] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated October 9,
1911
In promising to visit Violin, Schenker gives details of the lessons he has to
give over three days; — reports pending visit by Vrieslander.
-
OJ 8/1, [12] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated October 10,
1911
Citing Hebbel, and referring to the mystery "Frau O.," Schenker speaks of
Violin's unreliability, and also of Jenny Kornfeld's financial
difficulties.
-
OJ 8/1, [13] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated October 29,
1911
Schenker has booked four seats for the theater [for Wedekind:
Erdgeist].
-
OJ 8/1, [14] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated November 3,
1911
Schenker complains of Violin's dilatoriness, and asks to meet
him..
-
OJ 8/1, [15] Handwritten postcard from Heinrich Schenker and Jenny Kornfeld to Moriz Violin, dated
November 5, 1911
Schenker reports a difficult encounter with "Frau O."; also reports a first
victory in Jenny Kornfeld's divorce application.
-
OJ 8/1, [16] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated November 7,
1911
Schenker urges Violin to request Hertzka send a copy of his Continuo
essay.
-
WSLB 85 Handwritten postcard from Schenker to Hertzka (UE), postmarked November 25,
1911
Schenker corrects Hertzka's misapprehension about his proposed arrangement of
a Mozart piano concerto for two pianos four hands. -- He suggests Breitkopf are stringing
Hertzka along.
-
OJ 8/1, [17] Handwritten postcard from Heinrich Schenker and Jenny Kornfeld to Moriz Violin, dated
November 27, 1911
Schenker reports the impossibility of Jenny Kornfeld's defending herself in her
divorce plea; and Jenny writes that she has had to send an inventory of all her chattels to Emil
Kornfeld.
-
OJ 9/6, [52a] Handwritten postcard from Eugen d’Albert to Schenker, undated [?December 1,
1911]
Eugen d'Albert write that "the lady" is an American, and that he should not be
held responsible for her.
-
OJ 9/6, [53] Handwritten postcard from Eugen d’Albert to Schenker, dated December 20,
1911
Eugen d'Albert tries to arrange a meeting with Schenker.
-
OJ 9/6, [54] Handwritten postcard from Eugen d’Albert to Schenker, postmarked December 26,
1911
Eugen d'Albert invites Schenker to tea on the 30th.
-
OC 52/77 Typewritten postcard from Hertzka (UE) to Schenker, dated January 16,
1912
Emil Hertka confirms that UE wants Schenker to produce structural diagrams for
movements 2-4 of Beethoven's Ninth Symphony for his monograph on that work.
-
WSLB 97 Handwritten express postcard from Schenker to Hertzka (UE), dated February 7,
1912
Schenker complains at the printers' disregard of his earlier words. He asks
for assurance that he will receive a complete set of proofs to check the cross-citations of
page-numbers.
-
OC 52/80 Typewritten postcard from Hertzka (UE) to Schenker, dated February 7,
1912
Hertzka assures Schenker that he will receive a full set of page-proofs for
checking.
-
WSLB 99 Handwritten express postcard from Schenker to Hertzka (UE), dated March 9,
1912
Schenker accepts Hertzka's invitation to a meeting.
-
WSLB 100 Handwritten postcard from Schenker to Hertzka (UE), dated March 13, 1912
Schenker proposes that his book Beethovens neunte Sinfonie and the edited full
orchestral score be published as separate volumes, and promises the additional revised text
of his Instrumentations-Tabelle the next day.
-
WSLB 107 Handwritten express postcard from Schenker to Hertzka (UE), dated April 16,
1912
Schenker asks for confirmation that UE has received the Preface to his
Beethovens neunte Sinfonie.
-
OC 52/87 Typewritten express postcard from UE to Schenker, dated April 16, 1912
Hertzka acknowledges receipt of the Preface to Beethovens neunte
Sinfonie.
-
WSLB 110 Handwritten express postcard from Schenker to Hertzka (UE), dated May 5,
1912
Schenker is unable to comply with Hertzka's invitation on account of teaching
commitments.
-
OJ 9/6, [56] Handwritten postcard from Eugen d’Albert to Schenker, postmarked May 11,
1912
Eugen d'Albert has instructed Felix Hupka to call on Schenker, and asks
Schenker to listen to his compositions.
-
WSLB 114 Handwritten postcard from Schenker to Hertzka (UE), dated May 24, 1912
Schenker puts another proposal on how to present the bar numbering of the
Scherzo of Beethoven's Ninth Symphony in the text and diagram of his
monograph.
-
OC 52/435 Typewritten postcard from Hertzka (UE) to Schenker, dated May 31, 1912
Hertzka asks Schenker to collect him from his office on June 1 for their
meeting.
-
WSLB 127 Handwritten postcard from Schenker to Hertzka (UE), dated July 12, 1912
Schenker asks for a copy of his edition of the Chromatic Fantasy and Fugue, to
forward to a "colleague."
-
OC 52/94 Handwritten and typewritten postcard from UE to Schenker, dated July 23,
1912
Hertzka is out of town.
-
OJ 9/6, [57a] Handwritten postcard from Eugen d’Albert to Schenker, undated [July/August
1912]
Schenker has sent Eugen d'Albert a text as a possible basis for an opera
libretto, and d'Albert explains his reasons for rejecting it.
-
GdM Exh.332, [4] Handwritten letter from Carl Lafite (Gesellschaft der Musikfreunde) to Schenker,
dated September 20, 1912
Lafite rejects Schenker's rebukes and regrets that because of the tone of
Schenker's letter he is unable to pursue any further a yearlong course that he had had in
mind for the next season.
-
OJ 12/29, [8] Typewritten postcard from Carl Lafite to Schenker, dated September 25,
1912
Since several letters to Schenker have been returned unopened, Lafite regrets
that the Gesellschaft der Musikfreunde must renounce its collaboration with Schenker in the
lecture series.
-
WSLB 138 Handwritten postcard from Schenker to Hertzka (UE), dated September 30,
1912
Ludwig Karpath has complained at not having received a review copy of
Schenker's Beethovens neunte Sinfonie. — Schenker prompts Hertzka on the often demanded
supplementary honorarium for proof correction of the monograph.
-
OC 52/101 Typewritten postcard from UE to Schenker, dated October 1, 1912
As instructed, UE has sent Schenker's Beethovens neunte Sinfonie to Ludwig
Karpath.
-
OC 52/103 Handwritten and typewritten postcard from UE to Schenker, dated October 15,
1912
Hertzka is out of town.
-
OJ 13/29, [9] Handwritten postcard from Moriz Rosenthal, Wilhelmine and Jacob Klein to Schenker,
undated, postmarked November 13, 1912
Greetings
-
OJ 15/15, [1] Handwritten postcard from Weisse to Schenker, dated September 1, 1913
At the end of a relatively unproductive summer, Weisse is looking forward to
seeing his teacher.
-
OJ 15/15, [2] Handwritten postcard from Weisse to Schenker, dated October 10?, 1913
Weisse asks for advice about modal mixture.
-
OJ 10/3, [3] Typewritten postcard from Otto Erich Deutsch to Schenker, dated September 25, 1913
Deutsch has forwarded Schenker's (non-extant) reply to Ludwig Scheibler, and states that Louis Koch
has taken over the autograph manuscripts of Carl Meinert.
-
OJ 15/15, [M] Handwritten postcard from Weisse to Schenker, undated [December 24?, 1913?]
Photograph of Hans Weisse with inscription..
-
OJ 15/15, [3] Handwritten postcard from Weisse to Schenker, dated April 17, 1914
Weisse gives Schenker the ancient Greek term for the German verb
"anschauen."
-
OJ 13/26, [3] Handwritten postcard from Richard Robert to Schenker, dated September 18,
1914
Robert asks Schenker meet with him, prefereably to visit him, on Saturday or
Sunday.
-
OJ 12/9, [15] Handwritten postcard from Karpath to Schenker, postmarked February 1, 1916
After attendance at the court [regarding Mittelmann], Karpath asks Schenker to be
in touch with him.
-
OJ 11/22, [5] Handwritten postcard from the Gesellschaft der Musikfreunde (Bella) to Schenker, dated
March 8[?], [1916]
Mandyczewski invites Schenker to the Archive for March 10.
-
OJ 12/9, [20] Handwritten postcard from Karpath to Schenker, dated March 9, 1916
Karpath reports the imminent dismissal of the case against
Mittelmann.
-
OJ 10/1, [22] Handwritten postcard from Dahms to Schenker, dated November [recte August] 9,
1916
Dahms hopes to be going to Wilna.
-
OJ 11/35, 9a Handwritten postcard from Halm to Schenker, dated February 3, 1917
Halm acknowledges Schenker's letters, and will write.
-
OJ 11/35, 9b Handwritten postcard from Halm to Schenker, dated July 21, 1917
Halm thanks Schenker for arranging that Cotta send him NMTP vols. I and
II/1.
-
OJ 8/3, [49] Handwritten postcard from Schenker to Moriz Violin, dated October 7, 1917
Heinrich and Jeanette are unable to visit. Remarks on parliaments of the
regions.
-
OJ 15/15, [4] Handwritten field postcard from Weisse to Schenker, dated October 16, 1917
Back in military service, Weisse thanks Schenker profusely for his
teaching.
-
OJ 8/3, [50] Handwritten postcard from Schenker to Valerie Violin, dated November 16,
1917
Schenker requests Moriz's full army address; pressure of work precludes a visit;
a parcel has gone astray.
-
OJ 8/3, [51] Handwritten postcard from Schenker to Moriz Violin, dated November 23, 1917
Schenker thinks the worst is over [in World War I]; accepts promised
jam.
-
OJ 8/3, [55] Handwritten postcard from Schenker to Valerie Violin, dated January 6, 1918
Schenker recounts explosion of gas oven and subsequent activities. Jeanette has
transferred things to her apartment and stayed up late to help.
-
OJ 8/3, [56] Handwritten postcard from Schenker to Moriz Violin, dated January 31, 1918
Schenker inquires as to the price of a jar of jam that Valerie Violin brought him
and lays down a "no presents" rule; reports Halm's difficulties in obtaining copies of
Schenker's works from UE.
-
OC 52/204 Postal receipt for postcard from Schenker to Hertzka (UE), dated February 5,
1918
postal receipt for registered postcard WSLB 293 from Schenker to Hertzka
-
WSLB 293 Handwritten postcard from Schenker to Hertzka (UE), dated February 5, 1918
Schenker renews his request of January 30 that review copies be sent to
Halm.
-
WSLB 294 Handwritten postcard from Schenker to Hertzka (UE), dated February 23, 1918
Requests a copy of Op. 111 to be sent to Rudolf Steglich.
-
WSLB 295 Handwritten postcard from Schenker to Hertzka (UE), dated March 3, 1918
Schenker notifies Hertzka of an unfavorable review of the Beethoven edition in
Lausanne, and asks to see it.
-
OJ 8/3, [57] Handwritten postcard from Schenker to Moriz Violin, dated April 7, 1918
Schenker has implemented the increase in fee, for his pupils, and describes how
intolerable life is in Vienna; -- is trying with dificulty to book summer lodgings; -- reports
Weisse's declining of the invitation to contribute to the Schenker Festschrift; -- he is working
hard on his library.
-
OJ 8/3, [58] Handwritten postcard from Schenker to Moriz Violin, dated April 13, 1918
Schenker reports on Kufferath's article in the Gazette de Lausanne discussing the
polemical materials in Die letzten fünf Sonaten ... op. 111, and on the treasonous stance of the
Arbeiterzeitung.
-
OC 52/206 Typed postcard from Hertzka (UE) to Schenker, dated April 18, 1918
Hertzka acknowledges return of Gazette de Lausanne article and concurs with
Schenker's view on editing.
-
OJ 15/15, [5] Handwritten postcard from Weisse to Schenker, dated April 20, 1918
Weisse apologizes for not having written recently, expresses his frustration that
the war continues.
-
OJ 8/3, [59] Handwritten postcard from Heinrich Schenker and Jeanette Kornfeld to Moriz Violin,
dated May 13, 1918
Schenker thanks Moriz Violin for an address; reports on planned visit to his
brother Wilhelm Schenker, and food promised by him and items sent by Felix Hupka; Heinrich and
Jeanette expect to spend the summer in Vienna.
-
OJ 15/15, [6] Handwritten postcard from Weisse to Schenker, dated May 27, 1918
Weisse, on three-month leave (June-August 1918) to finish work towards his
doctoral degree, asks Schenker for tuition in counterpoint and thoroughbass.
-
OJ 12/9, [22] Handwritten postcard from Karpath to Schenker, dated July 18, 1918
Karpath regrets that Schenker's letter came too late, and he was unable to act on
it.
-
OJ 14/5, [5] Handwritten postcard from Moriz Schenker to Heinrich Schenker, dated July 22,
1918
Moriz Schenker has received Heinrich's letter and will visit him in a few days'
time.
-
OJ 8/3, [60] Handwritten postcard from Schenker to Moriz Violin, dated July 28, 1918
Comments on the death of Fritz Wahle and the illness of Eduard Gärtner; is trying
to negotiate the summer in the Tyrol, but may not succeed; congratulates Violin.
-
OJ 8/3, [61] Handwritten postcard from Schenker to Moriz Violin, dated August 21, 1918
The Schenkers went to Mariazell on the 16th for a work-free vacation. - -
Schenker has had difficulties with Wilhelm and Moriz Schenker. - - He describes visit to Hupka
in Kapuvár (Hungary). - - Comments on Violin's forthcoming promotion to Lieutenant.
-
OJ 11/30, [1] Handwritten postcard from Wilibald Gurlitt to Schenker, dated October 7,
1918
Gurlitt expresses admiration for Schenker's Beethovens Neunte Sinfonie, and
inquires whether his "Formenlehre" or "Kunst des Vortrags" has yet been published.
-
WSLB 299 Handwritten postcard from Schenker to Hertzka (UE), dated October 17, 1918
Schenker thanks Hertzka for forwarding to him a postcard from Wilibald Gurlitt,
and asks advice on how to address his reply.
-
OJ 5/18, [A] Handwritten postcard from Schenker to Jonas, dated October 31, 1918
Lesson time set.
-
OJ 5/18, [B] Handwritten postcard from Schenker to Jonas, dated November 12, 1918
Change of lesson time.
-
OJ 10/1, [35] Handwritten postcard from Dahms to Schenker, dated December 13, 1918
Dahms and his wife have moved to Wasserburg, and he is beginning work again.
-
OJ 11/35, 9c Handwritten postcard from Halm to Schenker, dated December 13, 1918
Halm acknowledges DLA 69.930/4 and help, and promises to write soon.
-
DLA 69.930/5 Handwritten postcard from Schenker to Halm, dated December 16, 1918
Schenker holds out prospect of payment [from a trust that he administers] via the
bank being authorized.
-
WSLB 301 Handwritten postcard from Schenker to Hertzka (UE), dated December 22, 1918
Schenker asks for a copy of his Neunte Sinfonie to be sent to Bernhard Seidmann.
-
OJ 5/45, [2] Handwritten postcard from Schenker to Weisse, dated January 8, 1919
Schenker informs Weisse that his payment is short and points out the advantages
of lump-sum payment.
-
OJ 11/35,9d Handwritten postcard from Halm to Schenker, dated January 12, 1919
Halm acknowledges receipt of 856 Mk.
-
DLA 69.930/7 Handwritten postcard from Schenker to Halm, dated February 13, 1919
Halm acknowledges recent mailings.
-
OJ 8/3, [65] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated February 17,
1919
Rhyming joke
-
OJ 8/3, [66] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated March 13,
1919
Discusses Violin's prospects of returning to the Vienna Conservatory now that its
president is leaving.
-
OC 52/207 Typed postcard from Ernst Roth (UE) to Schenker, dated May 20, 1919
Hertzka is away and expected back in 8-10 days.
-
OJ 8/3, [67] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated June 24,
1919
Notification of the restaurant at which the Schenkers now eat; Paul de Conne is
hoping to return to the Vienna Conservatory, too.
-
OJ 10/1, [38] Handwritten postcard from Dahms to Schenker, dated July 22, 1919
Dahms thanks Schenker for his postcard and letter, hopes to visit Schenker, and
asks how long he will be staying at Schloss Tantalier.
-
OJ 8/3, [68] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated August 2,
1919
Schenker inquires again after Moriz, Valerie, and the latter's health. He is
expecting visits from Dahms and Weisse.
-
OJ 10/1, [43] Handwritten postcard from Dahms to Schenker, dated August 31, 1919
Dahms reports on his journey home and sends thanks for an unforgettable
experience.
-
OJ 8/3, [69] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated August 31,
1919
Heinrich and Jeanette have official permission to remain at Schloß Tantalier
until September 15. -- They have been exhausted by the visits of Weisse and Dahms. -- Weisse
[meanness] contrasts instructively with Dahms [generosity].
-
OJ 8/3, [70] Handwritten double-postcard from Heinrich Schenker and Jeanette Kornfeld (Schenker) to
Moriz and Valerie Violin, dated September 25, 1919
(1) Heinrich to Moriz: draws Moriz Violin's attention to an article in Der
Merker; (2) Jeanette to Valerie: needs to buy a suit, and asks advice as to
where.
-
OJ 5/18, [C] Handwritten postcard from Schenker to Jonas, dated September 27, 1919
Date and time of first lesson.
-
OJ 10/1, [46] Handwritten postcard from Dahms to Schenker, dated October 17, 1919
Dahms reports on the present whereabouts of the autograph manuscript of Beethoven
Op. 101.
-
OJ 8/3, [71] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated October 19,
1919
Banns of marriage have been posted; looking forward to visiting.
-
OJ 8/3, [72] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated November 2,
1919
The [wedding] date will be fixed next Wednesday; the engravings on the two rings.
– They are due at Furtwängler's concert, but cannot commit to any other times.
-
WSLB 306 Handwritten postcard from Schenker to Hertzka (UE), dated November 2, 1919
Schenker requests a copy of his Ninth Symphony monograph, stipulating conditions;
he will decide shortly whether to resume work for UE.
-
OJ 5/18, [D] Handwritten postcard from Schenker to Jonas, dated November 10, 1919
No lesson because of holiday.
-
OC 52/214 Typed postcard from Hertzka (UE) to Schenker, dated December 9, 1919
Hertzka agrees to place and time of a meeting on Friday May 12.
-
OJ 8/3, [73] Handwritten postcard from Heinrich Schenker to Moriz Violin, December 15,
1919
Schenker reports on his meeting with Emil Hertzka and the latter's offers on Die
letzten fünf Sonaten ... op. 101 and the Kleine Bibliothek, about which Schenker wishes to talk
with Violin.
-
OJ 8/3, [74] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated December 30,
1919
One postcard and one letter to Violin have come back undelivered; indignation at
post office's incompetence.
-
OJ 8/3, [80] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated January 12, 1920
Schenker comments acerbically on the settlement with Emil Kornfeld. — Reports on
a contract Halm has shown him. — Inquires about the children's health and reports that Wilhelm
has been taken ill.
-
OJ 8/3, [81] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated January 31, 1920
Schenker asks Violin to inquire about availability of the apartment of one of the
Rosé String Quartet members.
-
OC B/168 Typewritten postcard from Wilhelm Altmann to Schenker, dated February 5,
1920
The photographs of Op. 101 are ready and will be sent.
-
OJ 10/3, [8] Handwritten postcard from Otto Erich Deutsch Deutsch to Schenker, dated February 12,
1920
The Beethoven House will only allow reproduction of the manuscript of the
"Moonlight" Sonata in return for a royalty. Deutsch has offered 5% of the retail
price.
-
OJ 8/3, [82] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated February 13, 1920
Amount of divorce settlement and its investment. — Op. 101/3 sketches arrived.
-
OJ 10/3, [9] Handwritten postcard from Otto Erich Deutsch to Schenker, dated March 1,
1920
Deutsch thanks Schenker for his suggestion of Brahms's Op. 117; Mr. Kalbeck
has suggested Brahms's "Sapphische Ode" (Op. 95, No. 4) and "Nachtwandler" (Op. 86, No.
3).
-
OJ 8/3, [83] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated March 8, 1920
Tonschl's report on conversation with Moriz Schenker, and advice.
-
OC 52/219 Typed postcard from Rothe (UE) to Schenker, dated March 9, 1920
Vol. II of the Beethoven sonatas is being dispatched to Schenker.
-
OC B/266 Typewritten postcard from Louis Koch to Schenker, dated March 9, 1920
Koch hopes photographs have arrived.
-
OJ 8/3, [84] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated March 16, 1920
Moriz Schenker extends invitation to meet, confirms sum of 68,080 Kronen. —
Meeting with Hertzka scheduled for next day.
-
OC 52/225 Typed postcard from Hertzka/Rothe (UE) to Schenker, dated April 7, 1920
Hertzka agrees to meet Schenker.
-
OJ 8/3, [85] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated April 12, 1920
Schenker inquires about Furtwängler, and reports progress with Hertzka.
-
OC 52/228 Typed postcard from Hertzka (UE) to Schenker, dated April 22, 1920
Hertzka regrets the difficulties that Schenker has made over the letter of
agreement, and will be away for several weeks.
-
OJ 8/3, [86] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated May 5, 1920
Schenker writes scathingly about his brother Moriz's attitude to Schenker's
problems.
-
OJ 10/3, [10] Handwritten postcard from Otto Erich Deutsch to Schenker, dated June 15,
1920
The Beethoven House has given permission for the reproduction of the
"Moonlight" Sonata, and have suggested a photographer. Before arranging for the
reproduction, Deutsch asks Schenker to send his existing prints to determine if they are
suitable.
-
OC 52/230 Typed postcard from UE to Schenker, dated July 5, 1920
UE is sending 7,500 Kronen via Moriz Schenker.
-
OJ 10/1, [54] Handwritten postcard from Dahms to Schenker, dated July 12, 1920
Dahms is pleased that Schenker is in the mountains, and hopes for a meeting with
him in Munich on Schenker's way to Stuttgart.
-
OJ 10/3, [12] Typewritten postcard from Otto Erich Deutsch to Schenker, dated July 12,
1920
Deutsch has written to Edward Speyer about the sketchleaf [of the "Moonlight"
Sonata], and wishes Schenker success with his contract for the Little Library and Complete
Edition.
-
OJ 8/3, [88] Handwritten postcard from Heinrich & Jeanette Schenker to Moriz Violin, dated July
30, 1920
Schenker reports that the attempt to procure an apartment in Reisnerstraße 17 has
failed, and complains about the corrupt circumstances.
-
OJ 10/3, [13] Typewritten postcard from Otto Erich Deutsch to Schenker, dated August 5,
1920
The photograph of Speyer's sketchleaves is still forthcoming. Deutsch has
discovered that a Dr. Wilhelm Kux possesses a further sketchleaf of the "Moonlight" Sonata,
and asks Schenker if he wants Deutsch to try secure a reproduction of it.
-
OJ 11/35,18a Handwritten postcard from Halm to Schenker, dated August 21, 1920
Halm advises Schenker on choice of carbon copy systems.
-
OJ 8/3, [89] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated August 23, 1920
Gives date of return to Vienna, and confirms Tuesday meeting.
-
OJ 10/1, [57] Handwritten postcard from Dahms to Schenker, dated August 25, 1920
Dahms understands that he cannot meet with Schenker; the three books are about to
be dispatched.
-
OJ 10/1, [58] Handwritten postcard from Dahms to Schenker, dated September 2, 1920
Dahms explains the sources of the three books. — Vrieslander gave him an
enthusiastic account of his time in Seefeld.
-
OC B/159 Typewritten postcard from Wilhelm Altmann to Schenker, dated September 20,
1920
The photographs of Beethoven's Fifth Symphony, first movement, should be
dispatched next week.
-
OC B/158 Handwritten postcard from Wilhelm Altmann to Schenker, dated September 25,
1920
Altmann notifies Schenker of the cost of photographic work
done.
-
OJ 5/18, [E] Handwritten postcard from Schenker to Jonas, dated September 27, 1920
Schenker is unable to give Jonas lessons, and suggests Felix Hupka.
-
OC 52/234 Typed postcard from Nella Balassa (UE) to Schenker, dated October 4, 1920
Schenker is asked to send the figure back with messenger.
-
OJ 8/3, [91] Handwritten postcard from Heinrich and Jeanette Schenker to Moriz Violin, dated October
16, 1920
Schenker is curious how Violin gets on with Ferdinand Pfohl. — Is Violin seeking
a teaching position in Hamburg? — Reports on delivery of Kontrapunkt 2 to Cotta. — Will visit
Wally next Sunday.
-
OJ 8/3, [90] Handwritten postcard from Heinrich and Jeanette Schenker to Valerie Violin, undated,
postmarked [October] 17, 1920
The Schenkers are unable to visit Wally this Sunday, but will do so the following
Sunday.
-
OJ 15/15, [8] Handwritten postcard from Weisse to Schenker, dated November 2, 1920
Weisse asks for help in explaining the development section of the first movement
of Brahms's Piano Trio No. 1 in B major, Op. 8; asks for the address of Fräulein Fried.
-
OJ 10/3, [18] Typewritten postcard from Otto Erich Deutsch to Schenker, dated November 13,
1920
Deutsch has obtained a sheet with corrections for Beethoven's "Hammerklavier"
Sonata, which he would like to show Schenker. The photographic images of the "Moonlight"
Sonata will be made this week.
-
OJ 10/3, [19] Typewritten postcard from Leo Fischmann to Schenker, dated November 22,
1920
Leo Fischmann (legal attorney) invites Schenker to visit him at
home.
-
OC 52/242 Typed postcard from Hertzka (UE) to Schenker, dated January 3, 1921
Hertzka confirms day and time of meeting.
-
OJ 8/4, [1] Handwritten postcard from Schenker to Moriz Violin, dated January 10, 1921
Schenker asks Violin to arrange for payments and currency
conversion.
-
OC B/156 Typewritten postcard from Wilhelm Altmann to Schenker, postmarked January 18,
1921
Photographing of movements 2-4 of Beethoven's Fifth Symphony will be delayed
until February.
-
OJ 8/4, [2] Handwritten postcard from Schenker to Moriz Violin, dated February 6, 1921
Schenker congratulates Violin on obtaining a teaching post in Hamburg and reports
on progress on his written work and publications.
-
OJ 8/4, [3] Handwritten postcard from Schenker to Valerie Violin, dated February 8, 1921
Schenker accepts an invitation to lunch from Valerie Violin.
-
OJ 14/1, [4] Handwritten postcard from Felix Hupka to Schenker, dated February 18, 1921
In Leipzig Hupka reports that he has met Karl Straube, who inquired as to the
possibility of tempting Schenker to move to Leipzig, and also Alfred Heuss and Walter
Niemann.
-
OJ 8/4, [4] Handwritten postcard from Heinrich and Jeanette Schenker to Valerie Violin, dated
February 26, 1921
Schenker inquires about a series of payments from Miss Reich for
lessons.
-
OJ 8/4, [5] Handwritten postcard from Schenker to Moriz Violin, dated April 29, 1921
Schenker describes some of the last-minute activities prior to their moving to a
new apartment, at No. 8 Keilgasse, lists his works that are about to be published, and reports
that Buxbaum has been dismissed as cellist of the Arnold Rosé Quartet.
-
OC B/151 Typewritten postcard from Wilhelm Altmann to Schenker, dated June 10,
1921
Altmann sends Schenker Beethoven Op. 31, No. 3 in the Simrock edition on
loan.
-
OC 24/22 Typewritten postcard from Otto Erich Deutsch to Schenker, dated June 28,
1921
Deutsch thanks Schenker for his postcard of June 26, 1921, and wishes him good
luck in his new home and with his summer trip to Galtür. Deutsch has read issue 1 of
Tonwille with great interest, and hopes that their connoisseur edition will be as
successful.
-
OC B/152 Handwritten postcard from Wilhelm Altmann to Schenker, dated June 30,
1921
Altmann reports on holdings of Handel keyboard works edition
(1702).
-
OJ 14/23, [20] Handwritten postcard from Seligmann to Schenker, undated [probably August
1921]
Seligmann thanks Schenker for arranging to have one of his books sent to him,
but it has not yet reached him. He looks forward to seeing him in the
autumn.
-
OJ 15/15, [9] Handwritten postcard from Weisse to Schenker, postmarked August 22, 1921
Weisse is taking a very late summer holiday and so cannot visit Schenker in
Galtür. He has finished composing a sonata and is writing out a fair copy.
-
OJ 15/15, [10] Handwritten postcard from Weisse to Schenker, dated September 12, 1921
Nearing the end of a two-week holiday in Bad Ischl, Weisse hopes to see Schenker
in Vienna the following Sunday.
-
OJ 8/4, [8] Handwritten postcard from Schenker to Moriz Violin, dated September 23, 1921
Schenker alerts Violin to the imminent arrival of a payment.
-
OJ 14/45, [105] Handwritten postcard from Moriz Violin to Heinrich Schenker, dated October 6, 1921
Violin acknowledges receipt of payment, inquires about reviews of Der
Tonwille.
-
OJ 10/1, [67] Handwritten postcard from Dahms to Schenker, dated October 12, 1921
Dahms reports on his Italian sojourn and work.
-
OJ 15/15, [11] Handwritten postcard from Hertha and Hans Weisse to Schenker, dated December 1,
1921
Weisse has returned a score to Universal Edition and written to Moriz Violin. He
has, with some reluctance, raised his lesson fee.
-
OJ 10/3, [26] Typewritten postcard from Otto Erich Deutsch to Schenker, dated December 28,
1921
A payment of 1,200 marks from Seidel's Book Dealership, on behalf of Deutsch,
has been made to Schenker's Deutsche Bank account.
-
OJ 10/3, [27] Typewritten postcard from Österreichisches Credit-Institut to Schenker, dated
December 30, 1921
The Österreichisches Credit-Institut informs Schenker that 1,200 marks has
been paid into his account from Seidel's Book Dealership, O. E. Deutsch & Co,
Vienna.
-
OJ 8/4, [11] Handwritten postcard from Schenker to Moriz Violin, dated April 9, 1922
Schenker apologizes for not having been in touch with Violin, mainly owing to
overwork and a severe diabetic reaction, which required medical attention. He reports on a new
series of Beethoven sonata editions – an "Urlinie-Ausgabe" – he is planning to
undertake.
-
OJ 10/3, [32] Typewritten postcard from Deutsch to Schenker, dated April 20, 1922
Deutsch thanks Schenker for his suggestions [for further facsimile editions] and has passed them
on to Universal Edition.
-
OJ 10/3, [33] Typewritten postcard from Deutsch to Schenker, dated April 21, 1922
Deutsch has already written to Universal Edition about [Schenker's proposal for a facsimile
edition of] Beethoven's Piano Sonata Op. 109. Should this plan be realized, he hopes that Schenker will provide
a foreword.
-
OC B/147 Printed postcard from Wilhelm Altmann to Schenker, dated April 26, 1922
In a form postcard, Altmann thanks Schenker for his good wishes on his 60th
birthday.
-
OJ 15/15, [12] Handwritten postcard from Hertha Weisse to Jeanette Schenker, dated May 20,
1922
Hertha Weisse gives Jeanette Schenker the name and address of a tailor who can
make her a coat, and tells her how much material she needs to buy.
-
OJ 10/3, [36] Typewritten postcard from Deutsch to Schenker, dated May 22, 1922
Deutsch asks Schenker to visit him in his office in the next few days.
-
OJ 10/3, [37] Typewritten postcard from Deutsch to Schenker, dated May 26, 1922
Deutsch reports that Drei Masken will not publish a facsimile edition of Beethoven's "Spring"
Sonata Op. 24, and will instead publish editions of Beethoven's Piano Sonata in F-sharp Op. 78, a string quartet
by Haydn, and Schubert's Winterreise and B minor Symphony.
-
OJ 14/46, [1] Handwritten postcard from Fanny Violin to Jeanette Schenker, dated May 29, 1922
Fanny apologizes for missing Jeanette and plans to visit.
-
JOB 94-3, [3] Handwritten postcard from Schenker to Hammer dated May 29, 1922
Schenker accepts Hammer's invitation for May 31.
-
OJ 11/36, [7] Handwritten postcard from Hammer to Schenker, postmarked May 30, 1922
Hammer changes time of Schenker visit.
-
OJ 8/4, [12] Handwritten postcard from Schenker to Moriz Violin, undated [June 17, 1922]
Schenker explains why the "Miscellanea" is missing from Tonwille 2; he likens
Hertzka's heavy-handedness to Prince Metternich's police-state tactics.
-
OJ 10/1, [70] Handwritten postcard from Margarete and Walter Dahms to Schenker, dated June 19,
1922
The Dahmses sent birthday greetings and report on their life in
Italy.
-
OJ 15/15, [13] Handwritten postcard from Weisse to Schenker, dated July 17, 1922
Weisse has returned to Vienna, thanks Schenker for the Galtür visit, and will
order the bread [for diabetics] the next day.
-
OJ 8/4, [13] Handwritten postcard from Schenker to Moriz Violin, dated July 9, 1922
Schenker reports the publication of the second part of Kontrapunkt and continued
difficulties with Universal Edition.
-
OJ 8/4, [14] Handwritten postcard from Schenker to Moriz Violin, dated August 5, 1922
Schenker commends Walter Dahm's latest book, Die Offenbarung der Musik, to Violin
as one which ought to have important consequences for the course of music.
-
OJ 8/4, [15] Handwritten postcard from Schenker to Moriz Violin, dated September 10, 1922
Hearing of the Violins' son Karl's recent illness, Schenker sends his sympathy,
then reports on his financial troubles. His application for a post at the University of Leipzig
was received without enthusiasm, on the grounds that he is "more an artist than a
scholar."
-
OJ 8/4, [16] Handwritten postcard from Schenker to Moriz Violin, dated September 29, 1922
Schenker reports, among other things, that Hans Weisse has returned as a paying
pupil.
-
OJ 10/3, [38] Typewritten postcard from Deutsch to Schenker, dated October 30, 1922
Deutsch apologizes for the delay to Schenker's payment for the "Moonlight"
Sonata facsimile edition, for which Deutsch himself is to blame. Schenker's debt to Seidel's
Book Dealership is 301 marks and 300 kronen, which should be balanced by his income from the
facsimile edition.
-
OJ 14/45, [106] Handwritten postcard from Moriz Violin to Schenker, dated December 19, 1922
Violin points out that Universal Edition is advertising Schoenberg's
Harmonielehre but not Schenker's.
-
OJ 8/4, [17] Handwritten postcard from Schenker to Moriz Violin, dated December 23, 1922
Amplifying a thought expressed in a recent letter, Schenker speaks of a plan to
silence the throng that worships Schoenberg and the moderns, but money for it is
lacking.
-
JOB 94-3, [4] Handwritten postcard from Schenker to Hammer dated January 21, 1923
Schenker alerts Hammer to the publication of Tonwille 3.
-
OJ 8/4, [20] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated January 21,
1923
Schenker reports on the publication progress of Der Tonwille, and on his plans to
get his pupils to help him distribute copies to schools and potentially interested readers.
-
OJ 14/23, [21] Handwritten postcard from Seligmann to Schenker, postmarked February 24,
1923
Seligmann accepts an invitation to the Schenkers’ place for the following
Wednesday (February 28, 1923).
-
OJ 14/23, [22] Handwritten postcard from Seligmann to Schenker, postmarked September 30,
1924
Seligmann thanks Schenker for sending him a copy of Tonwille 7; he would like
to accept the Schenker’s invitation, but must wait for the neuralgia in his leg to
subside.
-
OJ 8/4, [21] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated April 5,
1923
Schenker asks after Violin and his family, reports on progress with Der Tonwille
and the edition of the Beethoven sonatas.
-
OJ 8/4, [22] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated April 26,
1923
Not having heard from him for a long time, Schenker’s asks for news of Violin and
his family.
-
OJ 10/1, [75] Handwritten postcard from Dahms to Schenker, dated May 7, 1923
Dahms has received Vrieslander's essay on Schenker; reports progress on
subscriptions for his de luxe edition, proofs, and his work on Haydn; political comment.
-
OJ 10/1, [76] Handwritten postcard from Dahms to Schenker, dated May 19, 1923
Hertzka's excuse for not subscribing; gives summer address; asks ornamentation
question about the "Les adieux" sonata.
-
OJ 8/4, [23] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated June 11,
1923
Responding to a letter from Violin despairing of the political situation in
Germany, Schenker quotes a passage from Pastor Gustav Frenssen's Letters from America, which
resonate with his own views that German society is, in effect, ruled by foreign despots.
-
OJ 11/10, [17] Handwritten postcard from Frimmel to Schenker, dated July 6, 1923
Frimmel makes a word-play on a feuilleton of the same date by Korngold
relating to Sigenfeld.
-
OJ 8/4, [24] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated August 9,
[1923]
Concerned that Violin has not arrived in Galtür, Schenker asks him if something
has gone amiss with his plans to visit.
-
OJ 12/17, [2] Handwritten postcard from Komorn to Schenker, dated October 1, 1923
Mrs. Komorn will turn up for her first lesson as notified.
-
OJ 11/16, [4] Handwritten postcard from Furtwängler to Schenker, undated [October 3, 1923]
Furtwängler proposes that they meet on Thursday [October 4, 1923].
-
OJ 8/4, [25] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated October 3,
1923
Schenker asks for a few lines from Violin, just to let him know that things are
all right, so that he can send him a longer message.
-
OJ 15/15, [14] Handwritten postcard from Weisse to Schenker, dated October 23, 1923
Weisse accepts a social invitation from the Schenkers, and hopes to reciprocate
soon.
-
OJ 11/16, [5] Handwritten postcard from Furtwängler to Schenker, dated November 25, 1923
Furtwängler had been hoping to speak with Schenker at the performance of
[Handel's] Samson but realizes this is not possible; mentions his December program, hopes to see
Schenker.
-
OJ 12/17, [4] Handwritten postcard from Komorn to Schenker, dated March 30, 1924
Mrs. Komorn asks for an extra lesson.
-
OJ 8/4, [28] Handwritten postcard from Schenker to Moriz Violin, undated [March 30, 1924]
Schenker confirms Violin's interpretation [given in his previous letter] of the
"Appassionata" Sonata, and describes continued difficulties with Hertzka. Herman Roth has
written to say that he and his son are using Schenker's analyses of Bach preludes in their
counterpoint classes, and expresses the hope that one day they will continue Schenker's work
independently.
-
OJ 8/4, [29] Handwritten postcard from Schenker to Moriz Violin, undated [April 11, 1924]
Schenker offers Violin advice about holidaying in Austria, recommending the Tyrol
above all. He expects that Otto Vrieslander and possibly Herman Roth will visit them [in
Galtür]. He also inquires about the establishment of a Hochschule for music in Hamburg.
-
OJ 11/36, [13] Handwritten postcard from Hammer to Schenker, postmarked May 21, 1924
Hammer reschedules the next sitting for the portrait.
-
OC B/183 Typewritten postcard from Wilhelm Altmann to Schenker, dated June 12,
1924
The Library does not possess the autograph of J. S. Bach's Kleine
Präludien.
-
OJ 11/36, [15] Handwritten postcard from Hammer to Schenker, dated June 16, 1924
Hammer invites Schenker to resume sitting for his portrait.
-
OJ 11/36, [16] Handwritten postcard from Hammer to Schenker, postmarked June 17, 1924
Hammer sets the arrival time for the portrait sitting on June
18.
-
OC B/184 Typewritten postcard from Wilhelm Altmann to Schenker, dated June 27,
1924
Altmann states the cost of photographing autograph parts of the St Matthew
Passion.
-
OJ 15/15, [15] Handwritten postcard from Weisse to Schenker, dated August 2, 1924
Responding to a request for information about Brahms's meeting with Wagner,
Weisse promises to send Schenker the relevant volume of Max Kalbeck's biography of Brahms.
-
OJ 15/15, [16] Handwritten postcard from Weisse to Schenker, dated August 4, 1924
Weisse has sent Schenker a volume of Kalbeck's Brahms biography, and reports that
Universal Edition is about to send him the proofs for two of his compositions, a set of vocal
quartets and a string quartet.
-
OJ 14/45, [107] Handwritten postcard from Moriz Violin to Schenker, dated August 14, 1924
Violin thanks Schenker for his recent postcard, and reports that he will resume
negotiations with Max Temming concerning the distribution of copies of Der Tonwille when the
latter return to Hamburg.
-
OJ 12/17, [6] Handwritten postcard from Komorn to Schenker, dated September 12, 1924
Mrs. Komorn inquires whether Schenker is back from vacation.
-
OJ 5/7a, [1] (formerly vC 1) Handwritten postcard from Schenker to Cube, dated October 19, 1924
Schenker sends Cube a prospective student, and recommends level of payment.
-
OC B/185 Handwritten postcard from Wilhelm Altmann to Schenker, dated October 30,
1924
Altmann is about to send Schenker the autograph parts of J. S. Bach's St
Matthew Passion, and asks for remittance.
-
OJ 10/1, [86] Handwritten postcard from Dahms to Schenker, dated November 8, 1924
Dahms visited Germany for two weeks; invites the Schenkers to visit him in
Venice.
-
OC B/187 Handwritten postcard from Wilhelm Altmann to Schenker, dated November 14,
1924
Schenker may hold on to the parts of the St Matthew Passion for some
time.
-
OC 54/4 Typed postcard from Alfred Einstein and August Demblin (DMV) to Schenker, dated
December 9, 1924
Drei Masken Verlag acknowledge the receipt of Schenker’s letter of December 5,
1924.
-
OC 54/9 Typed postcard from August Demblin and Alfred Einstein (DMV) to Schenker, dated
December 22, 1924
DMV acknowledge receipt of Schenker’s letter of December 9, 1924 and promise
to reply after the Christmas holidays.
-
OC 54/11 Typewritten postcard from Otto Vrieslander to Schenker, dated January 19,
1925
Vrieslander thanks Schenker for Tonwille 10, remarks about negotiations with
Universal Edition and Drei Masken Verlag, and promises to send him an offprint of his recent
essay on C. P. E. Bach.
-
OJ 15/15, [17] Handwritten postcard from Weisse to Schenker, dated January 22, 1925
Weisse alerts Schenker to the January 1925 issue of Die Musik, which contains two
pieces concerned with him. He suggests that Schenker travel to Munich, to negotiate a deal with
Alfred Einstein at Drei Masken-Verlag concerning the publication of a successor to Der
Tonwille.
-
OC 54/14 Handwritten postcard from Theodor Baumgarten to Schenker, dated January 23,
1925
Baumgarten will let Schenker know whether he is able to visit him the following
Monday (January 26, 1925), to discuss Drei Masken Verlag's letter of January 20 (OC
54/12).
-
OJ 8/4, [35] Handwritten postcard from Schenker to Moriz Violin, dated February 14,
1925
Schenker asks Violin urgently to send him the receipt for payment made to
Universal Edition (for the copies of Der Tonwille paid for by Max Temming).
-
OJ 14/45, [109] Handwritten postcard from Moriz Violin to Schenker, undated, postmarked February 24,
1925
Visiting his dying brother Eduard in the Sophienspital in Vienna, Violin hopes
to see Schenker if at all possible.
-
OJ 10/1, [88] Typewritten postcard from Dahms to Schenker, dated April 20, 1925
Dahms gives his new temporary address.
-
OJ 8/4, [36] Handwritten postcard from Schenker to Moriz Violin, dated April 23, 1925
Schenker thanks Violin for ordering copies of Tonwille 1. He gives a brief
account of a visit from Furtwängler, and mentions the arrival of the bronze medallion with
his likeness (designed by Alfred Rothberger).
-
OJ 15/15, [18] Handwritten postcard from Weisse to Schenker, dated April 27, 1925
Weisse has come across a letter from Brahms to his publisher Fritz Simrock, which
he thinks will be of interest to his teacher.
-
OJ 8/4, [37] Handwritten postcard from Schenker to Moriz Violin, dated June 9, 1925
Schenker asks Violin to write to one of the German university music
departments who received subscriptions to Der Tonwille through the generosity of Max
Temming, to find out if, and when, they received Tonwille 10, which was published in
January. He reports being on the verge of completing the first Meisterwerk
Yearbook.
-
OC 54/29 Typed postcard from August Demblin and Alfred Einstein (DMV) to Schenker, dated June
10, 1925
Drei Masken Verlag requests that Schenker send the manuscript of the first
Meisterwerk Yearbook directly to their Munich office.
-
OC B/190 Handwritten postcard from Wilhelm Altmann to Schenker, postmarked June 15,
1925
Altmann thanks Schenker for the medallion; he will be unable to visit
Galtür.
-
OJ 12/20, [1] Handwritten postcard from Hedwig Kraus (Gesellschaft der Musikfreunde) to Schenker,
dated June 17, 1925
-
OJ 8/4, [38] Handwritten postcard from Schenker to Moriz Violin, dated June 22, 1925
Schenker thanks Violin for his most recent efforts concerning the
subscriptions to Der Tonwille; he is astonished to learn that Tonwille 10, published in
January 1925, did not reach some subscribers until June. He hopes that Violin will be able
to visit him in the Tyrol this summer, as he is expecting Vrieslander with his
son.
-
OJ 14/45, [108] Handwritten postcard from Moriz Violin to Schenker, dated July 28, 1925
Unable to leave Hamburg this summer because of financial difficulties, but having
nothing worth saying in a letter, Violin asks for some news from Schenker.
-
OJ 11/10, [18] Handwritten postcard from Frimmel to Schenker, dated September 10, 1925
Frimmel will correct [errors pointed out by Schenker], and reports that his
Beethovenhandbuch is in press.
-
OJ 11/36, [21] Handwritten postcard from Hammer to Schenker, dated September 17, 1925
Hammer asks for a short sitting the next day.
-
OJ 11/36, [22] Handwritten postcard from Hammer to Schenker, dated September 17, 1925
Hammer asks for a short sitting the next day.
-
OC 54/35 Typewritten postcard from August Demblin (DMV) to Schenker, dated September 22,
1925
Drei Masken Verlag arranges for Schenker to be paid his advance of 250
marks.
-
OC B/191 Typewritten postcard from Wilhelm Altmann to Schenker, dated October 12,
1925
Conditions under which Altmann could purchase Brahms autograph for
Library.
-
OC 54/36 Typewritten postcard from August Demblin (DMV) to Schenker, dated October 13,
1925
Drei Masken Verlag has still not found a suitable printing house, and informs
Schenker that the first Meisterwerk Yearbook cannot be published in 1925.
-
JOB 94-3, [17] Handwritten postcard from Schenker to Hammer, dated October 18, 1925
Schenker quotes Schuster's response acknowledging receipt of the portrait and
anticipates publishing it [in Die Musik], perhaps with an accompanying
essay.
-
OC 54/39 Typewritten letter from August Demblin (DMV) to Schenker, dated October 19,
1925
Drei Masken Verlag are near agreement with a printer; Yearbook I will be
backdated to 1925.
-
OJ 10/3, [41] Typewritten postcard from Deutsch to Schenker, dated October 20, 1925
Deutsch thanks Schenker for quickly providing his text [for the forthcoming Schubert issue of
Moderne Welt]. He has written to Thomas Mann regarding the reference to Schubert's "Der Lindenbaum" in Mann's
novel Der Zauberberg. The Deutsches accept Schenker's invitation for an afternoon snack, but can only come on a
Sunday after Novemeber 2.
-
OJ 10/3, [43] Typewritten postcard from Deutsch to Schenker, dated November 7, 1925
Deutsch thanks Schenker for agreeing to the cuts to his article, and asks to come to the Schenkers
on November 22 for the planned snack.
-
OJ 9/8, [2] Handwritten postcard from Wilhelm Altmann to Schenker, dated November 21,
1925
Altmann acknowledges receipt of the [Hammer] portrait. — He refers to a booklet
explaining Schenker's Urlinie.
-
OJ 14/45, [110] Handwritten postcard from Moriz Violin to Schenker, dated December 5, 1925
Violin gives Schenker the program of his concerts with van den Berg and
Buxbaum.
-
OJ 10/3, [45] Typewritten postcard from Deutsch to Schenker, dated December 9, 1925
Deutsch sends Schenker a dedication copy of the Schubert special issue of Moderne Welt, to which
Schenker contributed an article. Deutsch had already requested a copy to be sent to Schenker from the publisher,
but this has gone missing.
-
OJ 10/3, [46] Typewritten postcard from Deutsch to Schenker, dated December 15, 1925
Deutsch thanks Schenker for his postcard [not known to survive] and hopes to speak to him soon
about the matters raised therein. Deutsch, however, could neither read nor understand a sentence from Schenker's
postcard and affixes it to this reply.
-
OJ 8/4, [40] Handwritten postcard from Schenker to Moriz Violin, dated December 21,
1925
Interrupting his correcting of the proofs for the first Meisterwerk Yearbook,
Schenker sends Christmas greetings to the Violins, and informs his friend that an
out-of-court settlement was made with Universal Edition. Recent concert appearances of the
cellist Buxbaum and the violinist van der Berg give him reason to believe that their trio
concerts with Violin will be successful. He has arranged for Hammer’s portrait of him to be
sent to Hamburg.
-
OJ 8/4, [42] Handwritten postcard from Schenker to Moriz Violin, dated February 11,
1926
Schenker enquires about Violin's trio concerts with Buxbaum and van den Berg
went and ask if Hammer's portrait has arrived. He reports on the possible difficulties in
putting together the first Meisterwerk Yearbook, on account of the numerous music examples
and separate Urlinie graphs, and summarizes the contents of the second
Yearbook.
-
OJ 10/3, [47] Typewritten postcard from Deutsch to Schenker, dated February 15, 1926
Deutsch has received Schenker's request for a subscription to Die literarische Welt and has
dispatched the required payment transfer form.
-
OJ 14/45, [111] Handwritten postcard from Moriz Violin to Schenker, dated March 13, 1926
Violin thanks Schenker for Hammer's excellent portrait of him, which has
finally arrived.
-
OC 52/545 Typed postcard from Hugo Winter (UE) to Schenker, dated April 9, 1926
Winter acknowledges order from Otto Bauer.
-
OJ 15/15, [20] Handwritten postcard from Weisse to Schenker, dated April 16, 1926
Schenker has, mistakenly, sent Weisse a copy of Reger's "Telemann" Variations
(Op. 134) instead of the "Bach" Variations (Op. 81) which he had lent him. Weisse asks what
is holding up the publication of the first Meisterwerk Yearbook, and suggests that Schenker
might write about Bruckner in the next one. A Brahms analysis would help strengthen his
position against his opponents. He also recommends that Schenker discuss a work that is less
than perfect, and cites Eduard Mörike's "Um Mitternacht" as an example of a poem whose
opening verses are beautiful but which deteriorates in meaning and poetic
quality.
-
OC 54/82 Typed postcard from Alfred Einstein and August Demblin (DMV) to Schenker, dated June
14, 1926
The Munich office of Drei Masken Verlag acknowledges receipt of the
manuscript for Das Meisterwerk in der Musik, volume 2.
-
OJ 14/45, [112] Handwritten postcard from Moriz Violin to Schenker, dated July 5, 1926
Violin announces his arrival in Bad Gastein, to improve his health. The rest
of his family is in Bistrai, near Bielitz, in Silesia.
-
OJ 8/4, [43] Handwritten postcard from Schenker to Moriz Violin, written July 8, 1926
Schenker expresses his pleasure that the Violins are on holiday in Badgastein;
he enquires about whether Violin has received a complimentary copy of Meisterwerk 1, which
his publishers seem slow to dispatch, and whether he has further plans to give piano trio
concerts.
-
WSLB 370 Handwritten postcard from Schenker to Hugo Winter (UE), dated July 12, 1926
Schenker requests final account for the series Musikalische Theorien und
Phantasien.
-
OC 52/829 Printed return postcard from Harrassowitz Buchhandlung to Schenker, dated July 13,
1926
Harrassowitz's return card requests either a copy of or information about
Schenker's monograph Beethoven V. Sinfonie.
-
OC B/193 Handwritten postcard from Wilhelm Altmann to Schenker, postmarked August 3,
1926
Altmann thanks Schenker for Meisterwerk I and describes his summer
travels.
-
OJ 10/1, [97] Handwritten postcard from Dahms to Schenker, dated August 11, 1926
Dahms gives his travel plans and [temporary] Berlin address.
-
OJ 11/35, 24 Handwritten postcard from Halm to Schenker, dated August 11, 1926
Halm acknowledges receipt of Meisterwerk vol. I.
-
OJ 5/7a, [4] (formerly vC 4) Handwritten postcard from Schenker to Cube, dated September 4, 1926
Schenker acknowledges Cube's note, sends best wishes, and refers to Der freie Satz.
-
OC 52/831 Typed postcard from Barbara Rothe (UE) to Schenker, dated October 13, 1926
UE have written for review in Rivista musicale italiana.
-
OJ 8/4, [44] Handwritten postcard from Schenker to Moriz Violin, dated November 10,
1926
Schenker enquires about the health of Violin and his son Karl. He has received
a cordial letter from Hindemith, assuring him that the fruits of his theory may be found in
his works, including the Urlinie; he has responded politely but candidly.
-
OJ 10/1, [98] Handwritten postcard from Dahms to Schenker, dated November 13, 1926
Dahms has written his review of Meisterwerk, and has dispatched a copy of his
Almanach to Schenker.
-
OJ 5/7a, [6] (formerly vC 6) Handwritten postcard from Schenker to Cube, dated November 28, 1926
Schenker acknowledges receipt OJ 9/34, [3]; has written letter of recommendation to Koblenz
authorities, and supporting letter to recipient.
-
OJ 11/54, [9] Handwritten postcard from van Hoboken to Schenker, dated December 2, 1926
Hoboken cannot attend December 3 lesson.
-
OJ 5/7a, [7] (formerly vC 7) Handwritten postcard from Schenker to Cube, dated December 19, 1926
Schenker acknowledges receipt OJ 9/34, [4], and asks to be told
outcome.
-
OJ 10/1, [99] Handwritten postcard from Dahms to Schenker, dated December 28, 1926
Dahms's review of Meisterwerk 1 is out. Christmas greetings.
-
OC 54/118 Handwritten message on visiting card, from Otto Erich Deutsch to Schenker, dated
January 14, 1927
Deutsch has secured an agreement with Drei Masken Verlag to publish the second
Meisterwerk Yearbook, and asks Schenker to get in touch.
-
OJ 10/3, [52] Typewritten postcard from Deutsch to Schenker, dated January 15, 1927
Deutsch asks Schenker if a (recent) edition of Beethoven’s Ninth Symphony was
based on the facsimile edition. He has sent the manuscript (of Schenker’s second Meisterwerk
yearbook) to the publishers. A Haydn facsimile and a Handel print can be discussed
later.
-
OJ 10/3, [53] Typewritten postcard from Deutsch to Schenker, dated January 16, 1927
Deutsch asks Schenker what he wrote about Domenico Scarlatti and Chopin as
non-German geniuses, for his forthcoming trip to Sweden. He has learned that Schubert was
paid for two summers’ teaching for the Esterházy family; he has valued two song manuscripts
belonging to the family at 4,000 marks.
-
BerkAE 7/898, [4] Handwritten postcard from Schenker to Deutsch, dated January 16, 1927
Schenker responds to Deutsch’s request for information about the recent
facsimile edition of Beethoven’s Ninth Symphony, and the new edition of the symphony
published by the Philharmonischer Verlag. He had made changes to the text of the first
movement, but subsequently withdrew from the editing.
-
OJ 10/3, [54] Typewritten postcard from Otto Erich and Hanna Deutsch to Schenker, dated January
18, 1927
Vrieslander would like to give a lecture on Schenker and Beethoven at the
centenary celebrations in Vienna; Deutsch asks Schenker to contact Vrieslander directly
about this.
-
OJ 10/3, [55] Typewritten postcard from Otto Erich and Hanna Deutsch to Schenker, dated January
18, 1927
Deutsch asks Schenker not to mention his name in connection with the
“curiosity” about Schubert mentioned in his postcard of January 15.
-
OC 54/122 Handwritten postcard from Alfred Einstein (DMV) to Schenker, dated January 19,
1927
Einstein thanks Schenker for the information provided (via Otto Erich Deutsch)
about the manuscripts of Beethoven’s Ninth Symphony, and uses the opportunity to express his
happiness that production of the second Meisterwerk Yearbook is now
underway.
-
OC 54/125 Typed postcard from August Demblin (DMV) to Schenker, dated January 21,
1927
Drei Masken Verlag agree to send Schenker proofs of the text and the music
examples at the same time.
-
OJ 15/15, [21] Handwritten postcard from Weisse to Schenker, dated January 21, 1927
Weisse provides Schenker with Gerald Warburg's address in New York City. He
also asks a question about Schenker's fingerings for the trills in the second movement of
Beethoven's Op. 111.
-
DLA 69.930/14 Handwritten postcard from Schenker to Halm, dated January 22, 1927
Schenker thanks Halm for sending his book, and hopes to read it
soon.
-
OJ 5/7a, [8] (formerly vC 8) Handwritten postcard from Schenker to Cube, undated [January 31, 1927]
Schenker wishes Cube well in his new job, offers encouragement over his graphing
technique, and praises his writing.
-
OC 54/130 Typed postcard from August Demblin (DMV) to Schenker, dated February 12,
1927
Drei Masken Verlag inform Schenker that the proofs will be sent in the manner
that he has requested.
-
OC 54/131 Typed postcard from Otto Vrieslander to Schenker, postmarked February 14,
1927
Vrieslander explains the way he has dealt with Schenker’s detailed comments on
the graph of Mozart’s Symphony in G minor.
-
OJ 8/4, [46] Handwritten postcard from Schenker to Violin, postmarked [February] 26,
1927
Responding to a request from Violin, Schenker says he will write to Paul von
Klenau on behalf of Violin, apparently in connection with a possible position in
Frankfurt.
-
OJ 8/4, [47] Handwritten postcard from Schenker to Violin, dated February 27, 1927
Schenker is about to write to Paul von Klenau on Violin's behalf, but asks
whether he should wait until Easter, as suggested in Violin's previous
letter.
-
OJ 10/3, [57] Typewritten postcard from Deutsch to Schenker, dated March 13, 1927
Deutsch asks Schenker to recommend Dr. Willy Kahl (Cologne) to write for the
Bonn General-Anzeiger. He reports the arrival of galley proofs (for the second Meisterwerk
yearbook).
-
OC 54/140 Typed postcard from Otto Vrieslander to Schenker, dated March 24, 1927
Vrieslander, in Vienna, makes arrangements to meet Schenker on March 25 to go
over the music illustrations for the second Meisterwerk Yearbook, leaving the following day
available if necessary.
-
OC 54/141 Typed postcard from August Demblin (DMV) to Schenker, dated March 24,
1927
Drei Masken Verlag confirm that the facsimile sketch for Haydn’s “Chaos” will
be stereotyped.
-
OJ 10/3, [58] Typewritten postcard from Deutsch to Schenker, dated March 24, 1927
Deutsch will probably attend a lecture given by Wolfgang Graeser, and
encourages Schenker to do the same.
-
OJ 8/4, [49] Handwritten postcard from Schenker to Violin, dated March 29, 1927
In advance of seeing Klenau, Schenker reports on a meeting with Wilhelm
Altmann and Ludwig Rottenberg, who believe that only people under 30 years old are likely to
be appointed to a post of the sort that Violin is seeking in Frankfurt – a situation that he
finds appalling.
-
OC 54/143 Typed postcard from August Demblin (DMV) to Schenker, dated April 5, 1927
Drei Masken Verlag confirm receipt of the corrected graphs and freshly copied
music examples for Meisterwerk 2.
-
OJ 14/45, [113] Handwritten postcard from Violin to Schenker, dated April 6, 1927
In a reply to a recent letter, Violin thanks Schenker for the news concerning
the position he is hoping to obtain in Frankfurt and asks him whether Klenau might discover
what the people in Frankfurt think of him as a candidate.
-
OJ 10/3, [59] Typewritten express postcard from Deutsch to Schenker, dated April 14,
1927
Deutsch invites the Schenkers for afternoon tea at the weekend; Hoboken and
Vrieslander will also be there.
-
OJ 15/15, [22] Handwritten postcard from Weisse to Schenker, dated April 14, 1927
Weisse calls his teacher's attention to a recent article by Edmund Schmid,
which questions the objectivity of Schenker's Beethoven research and deplores the slavish
adherence of his disciples to the concept of Urlinie.
-
OJ 10/3, [60] Typewritten express postcard from Deutsch to Schenker, dated April 21,
1927
Deutsch looks forwarded to seeing the Schenkers at Hoboken’s place. The
Society of the Friends of Music would like their print of a Haydn sketchleaf to be returned;
Eusebius Mandyczewki is unable to find a copy of Scarlatti’s Op. 1 (a collection of six
keyboard sonatas).
-
OJ 11/54, [13] Handwritten postcard from van Hoboken to Schenker, dated April 22, 1927
Hoboken invites the Schenkers to a quartet concert.
-
OJ 8/4, [50] Handwritten postcard from Schenker to Moriz Violin, dated April 25, 1927
Schenker explains that what he is doing behind the scene to assist Violin in
obtaining a post in Frankfurt, and hopes for some news from Wilhelm Altmann. Artur Schnabel
will be more useful to his cause than Paul von Klenau and his brother-in-law Heinrich
Simon.
-
OC 54/149 Typed postcard from August Demblin (DMV) to Schenker, dated May 3, 1927
Drei Masken Verlag confirm that they have arranged for two copies of the page
proofs for the second Meisterwerk volume to be sent to him, and the third to Otto Erich
Deutsch.
-
OC 54/150 Typed postcard from Mandruck to Schenker, dated May 4, 1927
Mandruck notify Schenker that a set of galley proofs for the second
Meisterwerk volume will soon arrive.
-
OC 54/154 Typed postcard from August Demblin (DMV) to Schenker, dated May 9, 1927
Drei Masken Verlag confirm receipt of the imprimatur copy of Figure 33 for the
second Meisterwerk volume. They request that Schenker now send the galley proofs for pages
1–30.
-
OJ 10/3, [61] Typewritten postcard from Deutsch to Schenker, dated May 9, 1927
Deutsch asks Schenker to lend him the April 1927 issue of Der Schriftsteller.
He is grateful for having been introduced to the artist Viktor Hammer. He recommends that
Schenker visit the Beethoven exposition in the City Hall, and also the Planetarium, where an
“optical organ” is on display.
-
OJ 10/3, [62] Typewritten postcard from Deutsch to Schenker, dated May 11, 1927
Deutsch has been invited to pose for an album of the Beethoven Committee; he
enquires whether Schenker has accepted an invitation to do so, in which case he will do the
same. He is delighted to learn that the (Photogram) Archive has been
agreed.
-
OC 54/157 Typed postcard from August Demblin (DMV) to Schenker, dated May 13, 1927
Drei Masken Verlag inform Schenker that they have forwarded his requested
corrections to the printing house, and will be in touch soon regarding the completion of the
graphs for the second Meisterwerk volume.
-
OC 52/837 Typed postcard from Kalmus (UE) to Schenker, dated May 20, 1927
Kalmus acknowledges the "Appassionata" proofs.
-
OC 54/164 Typed letter from August Demblin (DMV) to Schenker, dated May 23, 1927
Drei Masken Verlag confirm receipt of Schenker's imprimatur graphs and amended proofs for
the second Meisterwerk yearbook, assuring him that the requested correction in the Mozart
Symphony has been made.
-
OJ 9/8, [3] Handwritten postcard from Wilhelm Altmann to Schenker, dated May 26, 1927
Altmann reports on conversion of Hoch Conservatory to
Hochschule.
-
OC 52/838 Typed postcard from Kalmus (UE) to Schenker, dated May 27, 1927
Proofs of the defective pages of the revised "Appassionata" Symphony have been
dispatched to Schenker.
-
WSLB 380 Handwritten postcard from Schenker to UE, dated May 27, 1927
Schenker asks that a complimentary copy of his Fifth Symphony monograph be sent
to Vrieslander.
-
OC 52/840 Typed postcard from Barbara Rothe (UE) to Schenker, dated May 31, 1927
A copy of Schenker's Fifth Symphony monograph has been dispatched to
Vrieslander as requested.
-
OJ 10/3, [63] Typewritten postcard from Deutsch to Schenker, dated June 4, 1927
Deutsch has found a reference to the autograph manuscript of Beethoven’s Piano
Sonata in G, Op. 79, and tells Schenker he can find out more about it from the British
Museum. The Hammers are visiting him on Wednesday (June 8), and he hopes that the Schenkers
will be able to join them.
-
WSLB-Hds 191.559 Handwritten postcard from Schenker to Deutsch, dated June 6, 1927
Schenker asks Deutsch to make inquiries at the British Museum on his behalf,
concerning the autograph manuscript of Beethoven’s Sonata Op. 79. He is annoyed with Hertzka
for letting someone else take on the editing of Mozart’s piano sonatas for Universal
Edition.
-
OC 54/169 Typed postcard from August Demblin (DMV) to Schenker, dated June 7, 1927
Drei Masken Verlag inform Schenker that the page proofs for the second
Meisterwerk volume will be completed in around two weeks time.
-
OC 52/841 Typed postcard from Kalmus and unknown signatory (UE) to Schenker, dated June 9,
1927
Acknowledges second proofs of "Appassionata" Sonata.
-
WSLB 385 Handwritten postcard from Schenker to UE, dated June 30, 1927
Has UE forgotten to send him a copy of his own revised edition of the
"Appassionata" Sonata?
-
OC 52/842 Typed postcard from Barbara Rothe to Schenker, dated July 6, 1927
The revised edition of Schenker's "Appassonata" Sonata edition has not yet
appeared.
-
OJ 10/3, [66] Typewritten postcard from Deutsch to Schenker, dated August 2, 1927
Deutsch has obtained a copy of the first edition of Schindler’s Beethoven
biography, which he will send to Galtür.
-
OC 54/183 Typed postcard from C. Alberti (DMV) to Schenker, dated August 5, 1927
Drei Masken Verlag inform Schenker that they expect to receive a complete,
corrected copy of the second Meisterwerk volume in around a week, and anticipate that it
will be released in September.
-
OC 52/843 Typed postcard from Barbara Rothe to Schenker, dated September 7, 1927
A copy of Schenker's new edition of the "Appassionata" Sonata is on its
way.
-
OJ 5/7a, [11] (formerly vC 11) Handwritten postcard from Schenker to Cube, dated September 7, 1927
Schenker acknowledges Cube's postcards; Cube will receive the appeal [for photostats of
MSS].
-
WSLB 388 Handwritten postcard from Schenker to UE, dated September 10, 1927
Acknowledges copy of revised edition of the "Appassionata"
Sonata.
-
OC 54/188 Typed postcard from August Demblin (DMV) to Schenker, dated September 30,
1927
Drei Masken Verlag confirm that the complimentary hardbound copies of the
second Meisterwerk volume are on their way to Schenker, and inform him that the first set of
bound copies will be dispatched from the bindery in the next few days.
-
OJ 8/4, [51] Handwritten postcard from Schenker to Moriz Violin, dated October 5, 1927
Schenker has asked a former pupil (Felix-Eberhard von Cube), who knows Dr.
Simon in Frankfurt, about the likely opening date of a music Hochschule there, but has
received little information in return. the second volume of Meisterwerk will be published
very soon.
-
OJ 10/1, [101] Handwritten postcard from Dahms to Schenker, undated [c. November 14,
1927]
Meisterwerk 2 has still not arrived; Dahms gives an address in Nice.
-
OJ 10/3, [73] Typewritten postcard from Deutsch to Schenker, dated November 14, 1927
Deutsch has had a telephone call from Alfred Kalmus, who reported that
Schenker’s revised copy of Schubert’s “Unfinished” Symphony has been messed up, that it will
be returned to him, with a second, clean copy, and that Kalmus may visit Schenker to
apologize for this. – Deutsch will lend Schenker a copy of stories by Balzac, two of which
may be of interest from a musical point of view. He also hopes that work can be found for
the precocious Gerald Warburg.
-
OJ 8/4, [52] Handwritten postcard from Schenker to Violin, dated November 16, 1927
Schenker congratulates Violin on obtaining many private pupils, and for his
continued activity as a performer. He expresses his joy that Violin's son Karl will be
visiting Vienna next year.
-
DLA 69.930/16 Handwritten postcard from Schenker to Halm, dated November 21, 1927
Schenker asks for confirmation of receipt of Meisterwerk II, and thanks Halm for
the parcel of sheet music.
-
OJ 10/3, [74] Typewritten postcard from Deutsch to Schenker, dated November 22, 1927
Deutsch suspects that with the typesetters' "messing up" of Schenker’s revised
copy of Schubert’s “Unfinished” Symphony the material has been made illegible. — He has been
in contact with people regarding a possible radio talk by Schenker, and one by himself on
the redesigning of the Mozarteum. — He reports that the pianist Heinz Jolles would like
Schenker to prepare an edition of one of Beethoven’s variation sets (WoO 80 or the
“Diabelli”), and that Josef Braunstein is gratified to hear of Schenker’s interest in his
recent book on the "Leonore" overtures.
-
OJ 11/35, 25 Handwritten postcard from Halm to Schenker, dated November 22, 1927
Halm acknowledges receipt of Meisterwerk vol. I.
-
OJ 10/1, [102] Handwritten postcard from Dahms to Schenker, dated November 30, 1927
Meisterwerk 2 has arrived, and Dahms rejoices at its content and form of
expression.
-
OJ 15/15, [23] Handwritten postcard from Weisse to Schenker, dated December 9, 1927
Weisse asks Schenker if he could see him about a matter of mutual
interest.
-
OJ 15/15, [24] Handwritten postcard from Weisse to Schenker, dated December 10, 1927
Weisse arranges to meet with Schenker the following morning (Sunday, December
11, 1927).
-
OJ 15/15, [25] Handwritten postcard from Weisse to Schenker, dated December 17, 1927
Weisse thanks Schenker for supporting his latest project in principle, and for
informing him of Antony van Hoboken's intention to establish a publication related to the
the Photogram Archive.
-
OJ 15/15, [26] Handwritten postcard from Weisse to Schenker, dated January 2, 1928
Weisse gives Schenker Bruno Walter's address in Vienna, and informs his
teacher that invitations to contribute to Die Tonkunst have been sent out.
-
WSLB 394 Handwritten postcard from Schenker to Winter (UE), dated January 11, 1928
Schenker asks for settlement of royalties.
-
OJ 15/15, [27] Handwritten postcard from Weisse to Schenker, dated Januray 21, 1928
Weisse is trying to arrange a time to see Schenker. He has not heard from
Reinhard Oppel (presumably about his projected periodical, Die Tonkunst, but has received a
letter from Moriz Violin.
-
OJ 15/15, [28] Handwritten postcard from Weisse to Schenker, dated January 25, 1928
Weisse accepts a social invitation from Schenker, asks whether Viktor Hammer
might also join them.
-
PhA/Ar 56, [6] Handwritten postcard from Schenker to Kromer, dated February 1, 1928
Schenker asks Kromer to send the Appeal to Hans Weisse.
-
PhA/Ar 56, [7] Handwritten postcard from Schenker to Kromer, dated February 2, 1928
Schenker asks Kromer to send copies of the Appeal to Felix-Eberhard von
Cube.
-
OJ 5/18, [F] Handwritten postcard from Schenker to Jonas, dated February 5, 1928
Sets meeting for February 8.
-
OJ 12/6, [2] Handwritten postcard from Jonas to Schenker, dated February 9, 1928
Jonas asks for address of John Petrie Dunn.
-
OJ 10/3, [80] Typewritten postcard from Deutsch to Schenker, dated March 19, 1928
Deutsch reports that Eusebius Mandyczewski, the Archivist at the Gesellschaft
der Musikfreunde, would like to prepare a revised edition of Schubert’s “Unfinished”
Symphony, and asks Schenker if he would be prepared to make his textual notes on the
symphony available to him.
-
OJ 10/3, [81] Typewritten postcard from Deutsch to Schenker, dated March 25, 1928
Deutsch’s plans to give a pre-concert talk on the radio have been messed up by
Max Ast at Austrian Radio. -- He asks Schenker to tell him about the authentic copies of
Beethoven’s works made for Archduke Rudolph. -- He has been on the track of a German mass
for the dead by Schubert (the Deutsche Trauermesse) and would like to show Schenker his work
on it.
-
OJ 10/3, [82] Typewritten postcard from Deutsch to Schenker, dated March 26, 1928
Deutsch writes about the sketches for a symphony in E major by Schubert, in
the possession of the Royal College of Music in London. He would like to have a copy made so
that the work can be published – possibly by Oxford University Press. The costs should be
borne by the publisher, not the Photogram Archive, which would nonetheless get a copy of the
reproduction.
-
OJ 8/4, [54] Handwritten postcard from Schenker to Moriz Violin, dated April 2, 1928
The Schenkers invite Violin to an evening meal at their
apartment.
-
OJ 15/15, [29] Handwritten postcard from Weisse to Schenker, dated April 13, 1928
Recovering from illness, Weisse is unable to join the Schenkers for lunch,
suggests instead seeing Schenker on Sunday morning.
-
WSLB 395 Handwritten postcard from Schenker to UE, dated April 25, 1928
Schenkers asks for the Tonwille volumes to be sent to Julius
Gold.
-
OJ 15/15, [30] Handwritten postcard from Weisse to Schenker, dated May 25, 1928
About to leave Vienna, Weisse asks if he can see Schenker to say
good-bye.
-
OJ 5/7a, [15] (formerly vC 15) Handwritten postcard from Schenker to Cube, dated May 28, 1928
Schenker sends Cube an article written for the Beethoven centenary festival and suggests a
"connection" between Bonn and Düsseldorf; refers to American professors teaching the Urlinie in the USA;
outlines summer plans.
-
OJ 15/15, [31] Handwritten postcard from Weisse to Schenker, dated May 31, 1928
Weisse will bid up to twice the estimated price at auction for a copy of C. P.
E. Bach's Essay on the True Art of Playing Keyboard Instruments.
-
WSLB 397 Handwritten postcard from Schenker to UE, dated August 5, 1928
Schenker asks why he has not received his royalty.
-
OJ 8/4, [57] Handwritten postcard from Schenker to Moriz Violin, postmarked September 5,
1928
Having just returned from the Tyrol, Schenker asks how Violin and his family.
He would also like to see the voice-leading diagrams that Violin's pupil Harry Hahn has
prepared for his lectures.
-
OJ 5/7a, [18] (formerly vC 18) Handwritten postcard from Schenker to Cube, dated September 6, 1928
Freier Satz will be prepared for publication this year; gives news of former pupils and
supporters.
-
OJ 10/3, [92] Typewritten postcard from Deutsch to Schenker, dated September 27, 1928
Deutsch gives Schenker information about Brahms’s arrangement of a Schubert
song ("Ellens zweiter Gesang") and the guitar quartet attributed to
Schubert.
-
OJ 15/15, [32] Handwritten postcard from Hertha Weisse to Jeanette Schenker, dated September 28,
1928
In reply to a postcard from Jeanette Schenker, Hertha Weisse recommends
linoleum as a covering for the flat surfaces of a sideboard and bench.
-
OJ 5/7a, [19] (formerly vC 19) Handwritten postcard from Schenker to Cube, dated September 29, 1928
Schenker has received large-format Urlinie charts from Harry Hahn and recommends
format to Cube.
-
OJ 10/3, [94] Typewritten postcard from Deutsch to Schenker, dated October 3, 1928
Deutsch apologies for being late to his meeting with Schenker, because his
clock was running 10 minutes slow.
-
OJ 5/7a, [20] (formerly vC 20) Handwritten postcard from Schenker to Cube, dated October 8, 1928
Schenker acknowledges receipt of Hammer portrait; urges Cube when in Cologne to
visit Gerhard Albersheim's parents and Felix Hupka.
-
OJ 8/4, [58] Handwritten postcard from Schenker to Moriz Violin, dated October 9, 1928
Schenker is glad to hear that his friend's setback was only a minor one. He
has received a nice letter from Harry Hahn, together with a copy of his lecture and the
splendid voice-leading diagrams.
-
OJ 8/4, [59] Handwritten postcard from Schenker to Moriz Violin, dated October 22,
1928
The large-format graphs prepared by Harry Hahn have been greeted
enthusiastically by Schenker's pupils and friends; Schenker suggests that a "light
projection apparatus" (i.e. an overhead projector), which is now often available in schools
and hospitals, might be more practical.
-
OJ 15/15, [33] Handwritten postcard from Weisse to Schenker, dated October 23, 1928
Weisse points out a part-writing error in Schenker's Counterpoint, vol. 2. He
suggests that his teacher looks at Alois Haba's recently published Neue Harmonielehre, and
commends Oppel's recent article on Bach's fugal technique.
-
OJ 8/4, [60] Handwritten poscard from Schenker to Moriz Violin, dated December 22,
1928
The Schenkers send the Violins their best wishes.
-
OJ 15/15, [34] Handwritten postcard from Weisse to Schenker, dated January 2, 1929
Weisse invites the Schenkers for a Sunday morning
get-together.
-
OJ 15/15, [35] Handwritten postcard from Weisse to Schenker, dated January 18, 1929
Weisse regrets that Schenker is still unable to visit. He has arranged for a
photograph to be made of a Brahms sonata autograph manuscript.
-
WSLB 407 Handwritten postcard from Schenker to Hugo Winter (UE), dated January 24,
1929
Schenker reminds Winter to send him his half-yearly
statement.
-
OJ 11/35, 26 Printed death notice of August Halm, dated February 1, 1929
Announces death of August Halm.
-
OJ 15/15, [36] Handwritten postcard from Weisse to Schenker, dated February 20, 1929
Owing to family illness, the Schenker's forthcoming visit is
postponed.
-
OJ 15/15, [37] Handwritten postcard from Weisse to Schenker, postmarked March 2, 1929
Weisse asks Schenker to postpone a planned visit to the following Sunday, as
there is a Philharmonic Concert this Sunday.
-
OJ 15/15, [38] Handwritten postcard from Weisse to Schenker, dated March 8, 1929
Weisse confirms an invitation to the Schenkers for the following
Sunday.
-
OJ 15/15, [39] Handwritten postcard from Weisse to Schenker, dated April 13, 1929
Weisse arranges to meet Schenker outside the Musikverein before a performance
of Beethoven's Ninth Symphony.
-
OJ 15/15, [40] Handwritten postcard from Weisse to Schenker, dated April 16, 1929
In response to a query from Schenker concerning a pupil (Gerhard Albersheim),
Weisse explains the requirements of the state examination for prospective music teachers who
have not had a formal training at the Academy.
-
OJ 8/4, [62] Handwritten postcard from Schenker to Violin, dated May 3, 1929
Schenker assures Violin that there is no friction whatever between his sister
Fanny and himself; he looks forward to seeing him in the summer.
-
OJ 15/15, [41] Handwritten postcard from Weisse to Schenker, dated June 3, 1929
Weisse arranges to meet Schenker on Wednesday, June 11, 1929.
-
OJ 15/15, [42] Handwritten postcard from Weisse to Schenker, dated June 5, 1929
Weisse confirms arrangements to meet Schenker on June 11.
-
OJ 5/7a, [24] (formerly vC 24) Handwritten postcard from Schenker to Cube, dated July 6, 1929
Schenker has heard again from Erich Voß about lessons and shows signs of
annoyance. Has completed his "Eroica" study, and Der freie Satz looms.
-
OJ 5/7a, [25] (formerly vC 25) Handwritten postcard from Schenker to Cube, dated July 14, 1929
Voß is coming to Vienna.
-
OJ 14/45, [114] Handwritten picture postcard from Moriz and Karl Violin to Schenker, undated,
postmarked July 16, [1929]
Violin and his son have taken a bus to Brocken in the Harz mountains, the
highest point in northern Germany.
-
WSLB 411 Handwritten picture postcard from Schenker to UE, dated July 19, 1929
Requests half-yearly statement of account.
-
OJ 5/7a, [26] (formerly vC 26) Handwritten postcard from Schenker to Cube, dated July 22, 1929
Acknowledges the sonatas Cube sent with OJ 9/34, [19]; reports on Reinhard Oppel
and on Hans Weisse's recent publication success; Schenker approves of Cube's use of pianistic
diminution.
-
OC 52/856 Typed postcard from Ernst Roth (UE) to Reinhard Oppel, dated September 25,
1929
Schenker's Harmonielehre is currently out-of-print, with no reprint
date.
-
OJ 15/15, [44] Handwritten postcard from Weisse to Schenker, postmarked October 13, 1929
Weisse seeks to arrange a meeting with Schenker during the
week.
-
PhA/Ar 56, [10] Handwritten postcard from Schenker to Kromer, dated November 22, 1929
Inquiry as to the whereabouts of the autograph of Beethoven Op.
90.
-
OJ 15/15, [45] Handwritten postcard from Weisse to Schenker, dated December 10, 1929
Weisse will introduce Victor Vaughn Lytle to Schenker on Sunday morning; he
asks to borrow an issue (November 5, 1929) of the Deutsche Tonkünstler-Zeitung, which
Schenker has mentioned in his previous letter.
-
OC 52/859 Typed postcard from Hugo Winter (UE) to Schenker, dated December 30, 1929
Sum of 1,250 shillings transferred.
-
OC 52/858 Typed postcard from Alfred Kalmus (UE) to Schenker, dated December 31,
1929
Hertzka will respond after returning mid-January.
-
WSLB 420 Handwritten postcard from Schenker to Hugo Winter (UE), dated January 17,
1930
Schenker reminds Winter to send him his [half-yearly]
statement.
-
OJ 15/15, [46] Handwritten postcard from Weisse to Schenker, dated April 14, 1930
Weisse expresses his unease about the dedication to Furtwängler of an article
on the "Urlinie," by Walter Riezler. He thinks that Furtwängler, who does not really
understand the term, may have put Riezler up to writing it.
-
OJ 5/7a, [29] (formerly vC 29) Handwritten postcard from Schenker to Cube, undated [June 8, 1930]
Schenker sends copy of Vrieslander's article and comments on it, comparing it
unfavorably with Meisterwerk III; inquires about Cube's "article," asks whether Erich Voß is
with him; reports departure date for Galtür.
-
OC 54/227 Typed Postcard from August Demblin (DMV) to Otto Erich Deutsch, dated June 10,
1930
Drei Masken Verlag ask Deutsch to forward the manuscript of the third
Meisterwerk yearbook to Elbemühl, in order to allow them to produce a more precise
estimate.
-
OJ 14/45, [115] Handwritten postcard from Moriz Violin to Schenker, dated July 3, 1930
Violin is spending two weeks with Karl in Schierke, in the Harz Mountains. In
the fall, he will have to make a decision about what to do about his son.
-
OJ 5/7a, [30] (formerly vC 30) Handwritten postcard from Schenker to Cube, dated July 10, 1930
Comparison of Otto Vrieslander with Hans Weisse. Weisse's Octet impressed
Furtwängler. Meisterwerk III due out in October (reports contents); is now revising Der freie
Satz.
-
WSLB 421 Handwritten postcard from Schenker to Hugo Winter (UE), dated July 23,
1930
Schenker reminds Winter to send him his [half-yearly]
statement.
-
OC 54/235 Typewritten postcard from Drei Masken Verlag to Deutsch, dated August 30, 1930,
forwarded to Schenker September 2, 1930
Drei Masken Verlag asks for clarification about what to do with the corrected
galley-proofs they have recently received from Schenker; Deutsch forwards it to Schenker
asking him to reply direct to the publisher.
-
OJ 5/7a, [32] (formerly vC 32) Handwritten postcard from Schenker to Cube, dated November 7, 1930
Schenker denies knowing a pupil-imposter; advises Cube to wait until after
Weisse's lectures in Berlin.
-
OJ 15/15, [47] Handwritten postcard from Weisse to Schenker, dated November 9, 1930
Weisse asks Schenker for the address of Reinhard Oppel, who may be able to
provide names of people in Berlin whom Weisse could invite to his forthcoming lecture
there.
-
OC 52/864 Typewritten postcard from Alfred Kalmus (UE) to Schenker, dated November 10,
1930
Kalmus reports an inquiry from the Kiel student body.
-
OJ 5/7a, [33] (formerly vC 33) Handwritten postcard from Schenker to Cube, dated November 10, [1930]
Discusses attendance at Weisse's forthcoming lecture in Berlin; refers to two
articles in Die Musik.
-
WSLB 423 Handwritten postcard from Schenker to UE, dated November 11, 1930
Schenker confirms the consent he has given to the Kiel student
body.
-
OC 52/865 Typewritten postcard from Alfred Kalmus (UE) to Schenker, dated November 13,
1930
UE have granted permission to the Kiel student body.
-
OJ 15/15, [48] Handwritten postcard from Weisse to Schenker, dated November 27, 1930
Weisse, having received a copy of the page-proofs for "Rameau oder Beethoven?"
from the third Meisterwerk Yearbook, calls Schenker's attention to two
misprints.
-
OJ 15/15, [49] Handwritten postcard from Weisse to Schenker, dated November 28, 1930
Weisse is delighted by the chance to rehearse his forthcoming lecture at
Schenker's apartment. His Sextet will be performed at the Musikverein in Vienna; he goes
through a list of Schenker's circle of adherents who might be invited to his forthcoming
lectures at the Central Institute for Music Education and Teaching in
Berlin.
-
OJ 15/15, [50] Handwritten postcard from Weisse to Schenker, dated November 30, 1930
Weisse gives Schenker the address of the Central Institute for Education and
Teaching in Berlin, where he is about to deliver lectures on his teachers
theory.
-
OJ 8/5, [1] Handwritten postcard from Schenker to Moriz Violin, dated December 2,
1930
Schenker suspects that Weisse, with Leo Kestenberg's support and Furtwängler's
help, is hoping for an appointment in Berlin.
-
OJ 15/15, [51] Handwritten postcard from Weisse to Schenker, dated [December] 3, 1930
Carl Bamberger has just returned from Tokyo, and Weisse would like to bring
him to the Schenkers on Friday (December 5).
-
OJ 11/32, [6] Handwritten postcard from Robert Haas to Schenker, dated December 5, 1930
Haas is unable to attend [Weisse's lecture].
-
OJ 13/25, [13] Typewritten postcard from Rinn to Schenker, dated December 5, [1930]
Rinn has extracted "aphorisms" from the three Meisterwerk volumes and sent the
page-proofs to Otto Vrieslander. — He would like to see the Tonwille pamphlets, with a view
to reprinting some of its articles.
-
OJ 5/7a, [34] (formerly vC 34) Handwritten postcard from Schenker to Cube, dated December 5, 1930
Gives dates and place of Weisse's lectures in Vienna.
-
OC 52/866 Typewritten postcard from Alfred Kalmus (UE) to Schenker, dated December 10,
1930
UE has sent a complimentary copy of Der Tonwille to Hermann
Rinn.
-
OJ 14/45, [116] Handwritten picture postcard from Moriz Violin and others to Schenker, undated, c.
December 10, 1930
Moriz Violin, Hans Weisse, Anthony van Hoboken, Oswald Jonas and Felix Salzer
send greetings to Schenker, following Weisse's lectures in Berlin.
-
OJ 15/15, [52] Handwritten postcard from Weisse to Schenker, dated December 17, 1930
Weisse asks Schenker if he can come on Sunday to report on the lectures he has
recently given in Berlin.
-
OJ 15/15, [53] Handwritten postcard from Weisse to Schenker, dated December 27, 1930
Weisse thanks Schenker for his support; he has sent off the manuscripts (of
his lectures) to Drei Masken Verlag. He commends his teacher for the clarity of the
analytical graphing of the "Eroica" Symphony.
-
OJ 11/54, [32] Typewritten postcard from Hoboken to Schenker, dated February 28, 1931
Hoboken will seek a wanted issue of the Allgemeine musikalische Zeitung for
Schenker.
-
OJ 12/6, [8] Handwritten postcard from Jonas to Schenker, dated March 30, [1931]
Jonas thanks Schenker for OJ 5/18, 4; — reports that his own essay and a review
of Das Meisterwerk III will appear in the Zeitschrift für Musikwissenschaft; — asks question
about a discussion in Der Tonwille of a Bach fugue copied out by Beethoven.
-
OJ 5/7a, [36] (formerly vC 36) Handwritten postcard from Schenker to Cube, dated June 6, 1931
Schenker will write to Cube from Galtür, with Mozart calling
card.
-
OJ 5/7a, [37] (formerly vC 37) Handwritten postcard from Schenker to Cube, dated June 12, 1931
Schenker sends pieces by Hans Weisse; promises letter from Galtür.
-
OJ 5/7a, [39] (formerly vC 39) Handwritten postcard from Schenker to Cube, undated [August 22, 1931]
Acknowledges OJ 9/34, [26] and asks for further copies of the prospectus of the Schenker
Institute, Hamburg.
-
OJ 11/54, [36] Handwritten postcard from Hoboken to Schenker, dated November 26, 1931
Hoboken's next lesson will be December 2: Chopin mazurkas.
-
OJ 5/7a, [41] (formerly vC 41) Handwritten postcard from Schenker to Cube, dated January 14, 1932
Schenker acknowledges a [non-extant] letter, and asks for a clipping from the Frankfurter
Allgemeine Zeitung.
-
OJ 11/54, [39] Handwritten postcard from Hoboken to Schenker, dated May 12, 1932
Hoboken will come to see Schenker on Friday.
-
OJ 5/7a, [43] (formerly vC 43) Handwritten postcard from Schenker to Cube, dated July 6, 1932
Schenker acknowledges OJ 11/54, [33], and reports publication of songs and
Ländler by Vrieslander.
-
FS 40/1, [10] Handwritten postcard from Schenker to Salzer, dated July 16, 1932
Salzer will receive four copies of Fünf Urlinie-Tafeln, and is asked to
distribute them.
-
OJ 89/5, [4] Handwritten postcard from Schenker to Hoboken, dated August 5, 1932
The Ganche edition is much worse than Hoboken has said. Reports on Vrieslander
publication.
-
OJ 5/18, 12 Handwritten postcard from Schenker to Jonas, dated August 28, 1932
Schenker will return to Vienna in September and would like Jonas to visit him. —
Questions about Stern Conservatory and songs by Vrieslander.
-
OJ 12/6, [14] Handwritten postcard from Jonas to Schenker, dated August 30, [1932]
Jonas is leaving today for Berlin, and will write to Schenker from
there.
-
OJ 8/5, [11] Handwritten postcard from Schenker to Violin, dated September 1, 1932
Schenker reports that Der freie Satz is finished, apart from the final draft
of the manuscript.
-
OJ 12/24, [4] Typewritten postcard from Kromer to Schenker, dated September 13, 1932
Kromer asks if he might call on Schenker.
-
FS 40/1, [12] Handwritten postcard from Schenker to Salzer, dated September 14, 1932
Schenker asks if Salzer could visit him Friday or Saturday.
-
OJ 5/7a, [44] (formerly vC 44) Handwritten postcard from Schenker to Cube, postmarked September 16, 1932
In response to OJ 9/34, [34], Schenker thinks Cube right, but would need to see
the inspection before giving judgment.
-
PhA/Ar 56, [5] Handwritten postcard from Schenker to Haas, dated September 28, 1932
Schenker invites Haas to a meeting of the Board of Trustees [of the
Photogrammarchiv].
-
OJ 11/32, [12] Typed postcard from Robert Haas to Schenker, dated September 29, 1932
Haas accepts Schenker's invitation.
-
NYnscl MP.0008.01/1/1, 1 Handwritten postcard from Schenker to Arthur Waldeck, dated October 16,
1932
Schenker will consider Waldeck's offer next week.
-
OJ 8/5, [12] Handwritten postcard from Schenker to Violin, dated November 7, 1932
Schenker reports that Joseph Marx wants to adopt a revised version of his
Harmonielehre for the students at the Akademie für Musik und darstellende Kunst in
Vienna.
-
FS 40/1, [14] Handwritten postcard from Schenker to Salzer, dated November 15, [1932]
Schenker acknowledges Salzer's remarks [about Bamberger's performance] and looks
forward to discussing the autograph score of [Beethoven's] Egmont.
-
OC 18/42 Handwritten picture postcard from Karpath to Schenker, dated November 15,
1932
Karpath asks Schenker to phone him.
-
OJ 89/5, [11] Handwritten postcard from Schenker to Hoboken, dated November 24, 1932
Schenker asks about Hoboken's health.
-
OJ 89/5, [12] Handwritten postcard from Schenker to Hoboken, dated December 7, 1932
Schenker asks again about Hoboken's health.
-
OJ 5/18, 21 Handwritten postcard from Schenker to Jonas, dated December 18, 1932
Schenker acknowledges OJ 12/6, [11] and answers Jonas's question concerning
the organ part of Handel-Brahms Saul. —Asks if Jonas has seen Zuckerkandl's
book.
-
OJ 12/9, [29] Handwritten postcard from Karpath to Schenker, dated December 23, 1932
Karpath calls urgently for the awaited letter from Furtwängler.
-
OC 18/18 Typewritten postcard from Marx to Schenker, dated January 14, 1933
Marx will visit Schenker on January 16 at 5.30 p.m.
-
OC 18/19 Typewritten postcard from Marx to Schenker, dated January 15, 1933
Marx changes his visit from January 16 to January 18.
-
OC 18/45 Handwritten postcard from Josefine Violin to Karpath, dated January 23, 1933
Josefine Violin informs Karpath of the death of Karl Violin. Karpath sends
Schenker the card, and complains in an annotation about the disrespectful mode of
address.
-
OJ 5/18, 22 Handwritten postcard from Schenker to Jonas, dated January 26, 1933
Josef Marx has expressed interest in class-use of the planned school edition
of Schenker's Harmonielehre; Schenker suggests Jonas's Einführung be placed before Marx; a
second proposal for an English translation of Harmonielehre has come in.
-
OJ 8/5, [15] Handwritten postcard from Schenker to Violin, dated February 15, 1933
Schenker reports reading a newspaper article in which Arnold Schoenberg was
not offered a post at the Vienna Academy, and draws from it a parallel with Violin and
himself.
-
OJ 8/5, [16] Handwritten postcard from Schenker to Violin, dated February 26, 1933
Schenker reports on Hans Weisse’s phenomenal success as a teacher in New York,
and complains about Joseph Marx’s duplicitous behavior.
-
OJ 14/23, [26] Handwritten postcard from Seligmann to Schenker, dated March 20, 1933
Seligmann apologizes for being unable to accept an [evening] invitation from
the Schenkers on account of his health. He hopes that, when his health has recovered,
something could be arranged for an earlier hour (5 o’clock).
-
OJ 9/8, [6] Typewritten postcard from Wilhelm Altmann to Schenker, dated March 22, 1933
Altmann did not know of the letter from Brahms to Kalbeck about which Schenker
had written him. — He hopes for an economic upturn [now Hitler is in power].
-
OJ 14/23, [27] Handwritten postcard from Seligmann to Schenker, postmarked March 27,
1933
Seligmann agrees to pay a visit to the Schenkers the following
Wednesday.
-
OJ 8/5, [17] Handwritten postcard from Schenker to Violin, postmarked April 28, 1933
Schenker reports that his article „Was wird aus der Musik?“ has just been
published in the Deutsche Allgemeine Zeitung.
-
OJ 9/8, [7] Handwritten postcard from Wilhelm Altmann to Schenker, dated April 29, 1933
Altmann thanks Schenker for sending a copy of his Brahms Octaven und Quinten
article.
-
OJ 12/6, [21] Handwritten postcard from Jonas to Schenker, dated May 2, [1933]
Jonas thanks Schenker for Brahms study; — he will be in Vienna to see Hoboken on
16th and will visit Schenker.
-
OJ 5/18, 25 Handwritten postcard from Schenker to Jonas, dated May 4, 1933
Schenker expresses doubts about Hoboken's motives for discussion, and reports
two new publications.
-
OJ 5/18, 26 Handwritten postcard from Schenker to Jonas, dated May 10, 1933
Schenker acknowledges OJ 12/6, [22] and essay; — Hoboken coming 16th;
discusses timing of meeting.
-
OJ 12/24, [6] Typewritten postcard from Kromer to Schenker, dated May 22, 1933
Kromer will call on Schenker on 24th.
-
OJ 9/15, [2] Handwritten postcard from Elsa Bienenfeld to Schenker, dated May 29, 1933
Bienenfeld thanks Schenker for inviting her to visit him and promises to come
on June 2, 1933.
-
OJ 5/7a, [48] (formerly vC 48) Handwritten postcard from Schenker to Cube, dated September 16, 1933
Schenker acknowledges OJ 9/34, [38], and reports on publications by Oswald Jonas,
and the activities of Reinhard Oppel and Otto Vrieslander.
-
OJ 12/6, [23] Handwritten postcard from Jonas to Schenker, dated September 12, [1933]
Jonas's article on Schenker is published. — He has received part of his book in
proof; asks about appropriateness of an appendix.
-
OJ 8/5, [19] Handwritten postcard from Schenker to Violin, postmarked September 15,
1933
Schenker explains to Violin the terms under which he will accept Hans Wolf and
Miss Weber as pupils during the 1933–34 teaching year, setting out his core theory
curriculum and demanding two lessons per week.
-
OJ 8/5, [20] Handwritten postcard from Schenker to Violin, dated September 26, 1933
Schenker has just given Hans Wolf a lesson, and insists on a full program of
tuition for him at a decent rate of pay. He reports that Vrieslander is writing a book about
him, and says that he will give him a copy of Jonas’s recent article when he next sees him.
He has written a letter to Alfred Weissberger on his friend’s behalf.
-
OJ 5/18, 28 Handwritten postcard from Schenker to Jonas, dated October 5, 1933
Schenker is circulating Jonas's article to draw attention to his [forthcoming]
book. — He does not have van Hoboken's current address.
-
OJ 5/18, 29 Handwritten postcard from Schenker to Jonas, dated October 7, 1933
Schenker is forwarding issues [of the periodical containing Jonas's article]
to Hoboken.
-
OJ 8/5, [21] Handwritten postcard from Schenker to Violin, dated October 8, 1933
Schenker inquires after Violin, from whom he has not heard for some time. He
reports that Hoboken is in France but will return at the end of the month to resume
lessons.
-
FS 40/1, [18] Handwritten express postcard from Schenker to Salzer, dated October 10, 1933
Schenker offers Salzer a meeting time on Thursday.
-
OJ 8/5, [22] Handwritten postcard from Schenker to Violin, dated October 25, 1933
Schenker reports that Ludwig Karpath has been lying, and that six new
appointments have already been made at the Vienna Academy. His new pupil, Hans Wolf, is
thirsting after Urlinie analysis, which Schenker has to resist.
-
OJ 8/5, [23] Handwritten postcard from Schenker to Violin, dated October 27, 1933
Schenker has worked out a lesson plan that leaves him free on Wednesday
afternoon, a time he would like to reserve for visits from Violin and his family; but his
friend should feel free to turn up at other times.
-
OJ 12/6, [46] Handwritten postcard from Jonas to Schenker, dated October 31 [1933]]
Jonas has been sick; — he has seen Furtwängler briefly; — Jonas believes that he
will not have space for the planned appendix on the Photogramm Archive in his book; — he
inquires about Hoboken.
-
OJ 5/18, 30 Handwritten postcard from Schenker to Jonas, dated November 6, 1933
Schenker reports van Hoboken's pending arrival in Vienna; — He refers to
Furtwängler and Richard Strauss.
-
OJ 8/5, [24] Handwritten postcard from Schenker to Violin, dated November 6, 1933
A new housemaid has meant some disruption to the routine in the Schenkers’
apartment, and a visit has to be rearranged; Hoboken is returning to
Vienna.
-
OJ 8/5, [25] Handwritten postcard from Schenker to Violin, postmarked November 27,
1933
In a message deprecating Hoboken’s character, Schenker believes that Hoboken
(the “wandering Dutchman") is trying to stretch out his tuition by paying social calls with
his wife outside lesson times; he likes Vienna because the cost of living is lower than in
Holland.
-
OJ 5/18, 34 Handwritten postcard from Schenker to Jonas, dated January 9, 1934
Der freie Satz "proper" is finished, but will add chapters on meter and form.
Van Hoboken is making further difficulties for Jonas.
-
OJ 5/18, 35 Handwritten postcard from Schenker to Jonas, dated January 16, 1934
Schenker asks for address of Ludwig Landshoff.
-
OJ 12/6, [28] Handwritten postcard from Jonas to Schenker, dated January 19, 1934
Jonas provides requested address; no further headway with van
Hoboken.
-
OJ 5/18, 36 Handwritten postcard from Schenker to Jonas, dated February 7, 1934
Schenker has had his Syrische Tänze sent to Jonas.
-
OJ 5/18, 37 Handwritten postcard from Schenker to Jonas, dated March 29, 1934
Schenker acknowledges OJ 12/6, [30] and praises the table of contents of
Jonas's Das Wesen des musikalischen Kunstwerks; — He is finishing Der freie
Satz.
-
OJ 5/18, 39 Handwritten postcard from Schenker to Jonas, dated April 10, 1934
Furtwängler will be here in five weeks' time: no action until
then.
-
OJ 5/18, 40 Handwritten postcard from Schenker to Jonas, dated April 11, 1934
Hoboken will not increase his subvention of Jonas's book.
-
OJ 12/24, [8] Typewritten postcard from Kromer to Schenker, dated April 25, 1934
Kromer informs Schenker of a Mendelssohn holding by the
Photogrammarchiv.
-
PhA/Ar 56, [12] Handwritten postcard from Schenker to Kromer, dated April 25, 1934
Schenker orders two photographic copies.
-
OJ 5/7a, [49] (formerly vC 49) Handwritten postcard from Schenker to Cube, dated May 8, 1934
Schenker congratulates Cube on the graph he has sent, and reports on Der freie
Satz and the continuation of the Urlinie-Tafeln.
-
OC 44/20 Handwritten postcard from Jonas to Schenker, dated [September 3, 1934]
Jonas would like to pay a visit to Schenker; — he has heard nothing from
Hoboken; — he is remaining in Vienna.
-
OJ 5/18, 54 Handwritten postcard from Schenker to Jonas, dated September 7, 1934
Schenker welcomes a visit and suggests days/times.
-
OC 44/12 Handwritten postcard from Wilhelm Altmann to Schenker, dated September 10,
1934
Altmann thanks Schenker for sending Oswald Jonas's book, and will cite it in
his Tonkünstler-Lexikon, with entries on Jonas and Salzer. — He reminisces on his Galtür
visit and recounts his publication plans.
-
FS 40/1, [26] Handwritten postcard from Schenker to Salzer, dated September 13, 1934
Schenker asks Salzer to send [biographical] information to Wilhelm Altmann;
mentions visit from Otto Klemperer.
-
OC 44/37 Handwritten postcard from Salzer to Schenker, dated September 15, 1934
Salzer asks to visit Schenker on Tuesday or Wednesday, and gives his new address.
-
FS 40/1, [27] Handwritten postcard from Schenker to Salzer, dated September 16, 1934
Schenker suggests Thursday for a visit.
-
OC 44/36 Handwritten postcard from Salzer to Schenker, dated September 17, 1934
Salzer cannot visit on Tuesday after all.
-
OC 44/21 Handwritten postcard from Jonas to Schenker, dated September 18, [1934]
Jonas is back in Berlin; reports on elucidatory editions, and seeks advice; —
he refers to Klemperer and Furtwängler, — he has received letter from Landshoff; —
forthcoming lectures in Vienna.
-
OJ 5/18, 57 Handwritten postcard from Schenker to Jonas, dated September 28, 1934
Schenker has written to Furtwängler but doubts whether the latter will be able
to help. — He passes on advice from Robert Haas regarding Hans Wolf's
situation.
-
OC 44/46 Handwritten postcard from Jonas and three others to Schenker, dated October 2,
1934
Jonas has spoken to Furtwängler, who will proceed on the matter of Hans
Wolf.
-
OC 44/8 Handwritten postcard from Cube to Schenker, dated October 29, 1934
Cube gives the publisher of Schäfke's Geschichte der Musikästhetik, and reports the prospect of a
permanent position.
-
OJ 14/23, [28] Handwritten postcard from Seligmann to Jeanette Schenker, postmarked February ?3,
1935
Seligmann agrees to pay a visit to the Schenkers the following
Wednesday.
-
OJ 12/6, [47] Handwritten postcard from Jonas to Jeanette Schenker, undated November [9],
1936]
Jonas proposes date and time to visit Jeanette.
-
OJ 12/6, [48] Handwritten postcard from Jonas to Jeanette Schenker, dated February 17,
1938
Jonas reports on a meeting at UE re: the prospects for a proposed Schenker
edition series and an English translation, and for prospects in the USA.
-
OJ 12/17, [11] Handwritten postcard from Komorn to Jeanette Schenker, dated May 10, 1938
Mrs. Komorn is delighted to receive a postcard from Jeanette, she tells her of
her current difficulties, and encourages her to come and visit.
-
OJ 14/1, [3] Handwritten postcard from Felix Salzer to Jeanette Schenker, undated [November 5,
1938]
Salzer asks if he can visit Jeanette Schenker on Monday or Tuesday.
-
LC ASC 27/45, [10] Handwritten postcard from Moriz Violin to Schoenberg, dated July 7, 1939
Violin informs Schoenberg of his route from New York to
California.
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OJ 12/24, [11] Typewritten postcard from Kromer to Jeanette Schenker, dated July 22,
1939
Kromer apologizes for not having been in touch; Kromer's wife appends a
note.
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OJ 12/24, [12] Handwritten postcard from Kromer to Jeanette Schenker, dated September 18,
1939
Kromer thanks Jeanette for her call and card, reports that Ratz is not in
Vienna.